Impossible Blossom

orange sherbet farm sunset

There are days we live

as if death were nowhere

in the background; from joy

to joy to joy, from wing to wing,

from blossom to blossom to

impossible blossom, to sweet impossible blossom.
~Li-Young Lee from “From Blossoms”

These are impossible June evenings of color and warm breezes.
A sense of immortality extends across the sky as far as the eye can see.
Impossible — because I know they won’t last; this precious time is ephemeral.
Yet I may revel in it, moving from joy to joy to joy, from buttercup to buttercup,
lifted up and set down gently,
oh so gently,
to rest in the sweetness of line-dried sheets
that promise summer someday will last forever.

marshmallow fields forever

All in All

photo by Josh Scholten

Little flower, but if I could understand what you are, root and all in all, I should know what God and man is.
~  Tennyson

Am I root, or am I bud?  Am I stem or am I leaf?  All in all, these are not me
but signs of God’s fruiting glory.

I am but the tears He shed as He broke
into blossom.

 

All Things Frail and Imperiled

photo by Josh Scholten

photo by Josh Scholten

“This thistle seed I pour
is for the tiny birds.
This ritual,
for all things frail
and imperiled.
Wings surround me, frothing
the air. I am struck
by what becomes holy.

A woman
who lost her teenage child
to an illness without mercy,
said that at the end, her daughter
sat up in her hospital bed
and asked:
What should I do?
What should I do?

I carry the woman with the lost child
in my pocket, where she murmurs
her love song without end:
Just this, each day:
Bear yourself up on small wings
to receive what is given.
Feed one another
with such tenderness,
it could almost be an answer.”
~Marcia F. Brown from “Morning Song”

photo by Josh Scholten

As If Dying

Write as if you were dying. At the same time, assume you write for an audience consisting solely of terminal patients. That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

I began to write after September 11, 2001 because that day it became obvious to me I was dying, albeit more slowly than the thousands who vanished in fire and ash, their voices obliterated with their bodies.   So, nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers to others dying around me.

We are, after all, terminal patients, some of us more prepared than others to move on, as if our readiness had anything to do with the timing.

Each day I get a little closer, but I write in order to feel a little more ready.  Each day I want to detach just a little bit, leaving a trace of my voice behind.  Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.
There is no time or word to waste.

At its best, the sensation of writing is that of any unmerited grace. It is handed to you, but only if you look for it. You search, you break your fists, your back, your brain, and then – and only then -it is handed to you. From the corner of your eye you see motion. Something is moving through the air and headed your way. It is a parcel bound in ribbons and bows; it has two white wings. It flies directly at you; you can read your name on it. If it were a baseball, you would hit it out of the park. It is that one pitch in a thousand you see in slow motion; its wings beat slowly as a hawk’s.

One line of a poem, the poet said – only one line, but thank God for that one line – drops from the ceiling. Thornton Wilder cited this unnamed writer of sonnets: one line of a sonnet falls from the ceiling, and you tap in the others around it with a jeweler’s hammer. Nobody whispers it in your ear. It is like something you memorized once and forgot. Now it comes back and rips away your breath. You find and finger a phrase at a time; you lay it down as if with tongs, restraining your strength, and wait suspended and fierce until the next one finds you: yes, this; and yes, praise be, then this.
~Annie Dillard from “Write Till You Drop”

 

Featherless Hope

photo by Josh Scholten

“Hope” is the thing with feathers—
That perches in the soul—

…And sore must be the storm—
That could abash the little Bird…
~Emily Dickinson from Poem 254

The end of the school year is the season of barely feathered hope in my world.  The academic nest is crowded, the competition fierce, the future uncertain.  Those who have struggled to survive in classes, in debt, in relationships, in a tenuous job market,  can find themselves ill equipped and unprepared to fly on their own.  Their lack of feathering becomes obvious the closer they get to the edge.  Bashed and abashed, they worry and panic, sleep little, self-medicate, cry easily, contemplate death.   Sometimes they tumble.

We try to catch them before they fall.

We remind them: it takes only one feather to have hope in a soaring future of grace and strength.  Only one.

The others will come.

And when they do, they will be beautiful.

Slumber Interrupted

my great great grandfather

an updated poem from Memorial Day 2010

Blazing sun bakes a lichen crust
atop a stone so feverish
it is hearth without fire,
reaching down deep
into soil holding a box
that knows no warmth.

Autumn windstorms rage,
lightning crack and thunder clap,
trembling the filled-hole grounds
as dying leaves spin and swirl
through arced cascade among tidy rows
till settled and spent.

Then crisp hoarfrost clings
in glittering crystalline coverlet
gracefully fallen from graying sky,
soft cotton batting fluffs
to pillow gentle slumber
uninterrupted.

When vernal raindrops quench
the thirst of dry bones
suspended between
welkin expanse
and earth’s darkest pit,

these silent stones will shout out~

still no more, reticent no longer,
waking to resonant reveille,
ready to blossom forth
in the fullness of time
and everlasting promise.

my great grandmother

A Presence of Absence

photo by Gary Jarvis of Dutch Reformed Cemetery

“The sunlight now lay over the valley perfectly still. I went over to the graveyard beside the church and found them under the old cedars… I am finding it a little hard to say that I felt them resting there, but I did… I saw that, for me, this country would always be populated with presences and absences, presences of absences, the living and the dead. The world as it is would always be a reminder of the world that was, and of the world that is to come.”
Wendell Berry in Jayber Crow

Today, as always over the last weekend of May, we have a family reunion where most turn up missing.  A handful of the living come together for lunch and then a slew of the no-longer-living, some of whom have been caught napping for a century or more, are no-shows.

It is always on this day of cemetery visiting that I feel keenly the presence of their absence: the great greats I never knew, a great aunt who kept so many secrets, an alcoholic grandfather I barely remember, my grandmother whose inherent messiness I inherited, my parents who separated for ten years late in life, yet reunited long enough for their ashes to rest together for eternity.

It is good, as one of the still-for-now living, to approach these plots of grass with a wary weariness of the aging.  But for the grace of God, there will I be sooner than I wish to be.  There, thanks to the grace of God, will I one day be an absent presence for my children and hoped-for grandchildren to ponder.

The world as it is remembers the world that was.  The world to come calls us home in its time, where we all will be present and accounted for — our reunion celebration.

All in good time.

One Mind Between Them

They sit together on the porch, the dark

Almost fallen, the house behind them dark.

Their supper done with, they have washed and dried

The dishes–only two plates now, two glasses,

Two knives, two forks, two spoons–small work for two.

She sits with her hands folded in her lap,

At rest. He smokes his pipe. They do not speak,

And when they speak at last it is to say

What each one knows the other knows. They have

One mind between them, now, that finally

For all its knowing will not exactly know

Which one goes first through the dark doorway, bidding

Goodnight, and which sits on a while alone.
~Wendell Berry “They Sit Together on the Porch”

 

And this is how it is.  Minus the pipe…

 

The Ravaged Field

Aerial photo of Moore Oklahoma following May 20 earthquake taken by Steve Gooch for the Associated Press

Yes, long shadows go out
from the bales; and yes, the soul
must part from the body:
what else could it do?

…These things happen … the soul’s bliss
and suffering are bound together
like the grasses …

The last, sweet exhalations
of timothy and vetch
go out with the song of the bird;
the ravaged field
grows wet with dew.
~Jane Kenyon from “Twilight: After Haying”

Celebration is a sign of life in the rubble, the bliss of those arising from an ash heap to walk and breathe again.  Heartache is the sight of death in the rubble, the suffering of those trapped and crushed by a roaring force too immense to imagine yet devastatingly real.

Bliss and suffering are bound together like the grasses; we are grasses torn from our roots, ravaged.

Tears flow as they must, wetting the stubble left behind like dew.  We weep in sorrow for those lost; we weep in joy for those spared.

What else can a soul do but weep at parting and weep at welcoming?

These things happen, oh yes, these awe-full awful things, they happen.

Our days on earth are like grass; like wildflowers, we bloom and die.
~Psalm 103: 15

The Abyss

photo from the top of Mt. Baker by Josh Scholten

The cradle rocks above an abyss, and common sense tells us that our existence is but a brief crack of light between two eternities of darkness. Although the two are identical twins, man, as a rule, views the prenatal abyss with more calm than the one he is heading for.
~Vladimir Nabokov from Speak Memory

I think Nabokov had it wrong.  This is the abyss.
That's why babies howl at birth,
and why the dying so often reach
for something only they can apprehend.
At the end they don't want their hands
to be under the covers, and if you should put
your hand on theirs in a tentative gesture
of solidarity, they'll pull the hand free;
and you must honor that desire,
and let them pull it free.
~Jane Kenyon from "Reading Aloud to My Father"

We too often mistake this world, this existence,  as the only light there is,  a mere beam of illumination in the surrounding night of eternity, the only relief from overwhelming darkness.  If we stand looking up from the bottom, we might erroneously assume we are the source of the light, we are all there is.

Yet looking at this world from a different perspective, gazing down into the abyss from above, it is clear the light does not come from below –it is from beyond us.

The newborn and the dying know this.  They signal their transition into and out of this world with their hands.  An infant holds tightly to whatever their fist finds,  grasping and clinging so as not be lost to this darkness they have entered.  The dying instead loosen their grip on this world, reaching up and picking the air on their climb back to heaven.

We hold babies tightly so they won’t lose their way in the dark.  We loosen our grip on the dying to honor their reach out to the light that leads to something greater.

In the intervening years, we struggle in our blindness to climb out of the abyss to a vista of great beauty and grace.  Only then we can see, with great calm and serenity, where we are headed.