“A devout but highly imaginative Jesuit,”
Untermeyer says in my yellowed
college omnibus of modern poets,
perhaps intending an oxymoron, but is it?
Shook foil, sharp rivers start to flow.
Landscape plotted and pieced, gray-blue, snow-pocked
begins to show its margins. Speeding back
down the interstate into my own hills
I see them fickle, freckled, mounded fully
and softened by millennia into pillows.
The priest’s sprung metronome tick-tocks,
repeating how old winter is. It asks
each mile, snow fog battening the valleys,
what is all this juice and all this joy?
~Maxine Kumin “Almost Spring, Driving Home, Reciting Hopkins”
These summer mornings I awake in a Hopkins landscape~
the priest who died too young at 44
would have created even more beauty
if he had lived twice as long,
combining words in suspended rhythm,
recreating the world outside our windows
entirely in our minds.
What is this joy I feel when witnessing
what must have moved him to write?
What could be more powerful
than words that awaken in us dawn’s redeeming light?