I tried to paint the sound of the wind in the ears of wheat.
~Vincent Van Gogh in a letter to Paul Gauguin
There is nothing here but wheat, no blade too slight for his attention: long swaying brush strokes, pale greens, slithery yellows, the hopefulness of early spring. All grass is flesh, says the prophet. Here, there are no gorgeous azures stamped with almond blossoms, no screaming sky clawed with crows, no sunflowers roiling gold and orange, impasto thick as Midi sunlight. His brush herringboned up each stalk, the elemental concerns of sun, rain, dirt, while his scrim of pain receded into the underpainting. He let the wind play through the stems like a violin, turning the surface liquid, a sea of green, shifting eddies and currents. No sky, no horizon; the world as wheat.
~Barbara Crooker, “Ears of Wheat, 1890” from Les Fauves
I come from this – these green-ripening-to-amber wheat fields.
My mother was born nearly a century ago in a house built in a swale of these Palouse hills, where grain rose prolific each year from the soil. Her father used horses and harvester over hill and dale to bring in the wheat, and piled it high in the local elevator until the train could pick it up.
My grandfather, grandmother, uncle and my mother are no more, now but dust, yet this land continues to produce and yield without their help.
When I return for a visit, I listen for what Van Gogh must have heard and seen in his own fertile land: the sound of the wind in the ears of wheat, the grain moving in waves across the landscape, the complexity of color of each individual stalk blending together to become an unending carpet undulating over the earth.
Yet to really take it in and not be overwhelmed, (to get out of the weeds, so to speak), I go high on the butte to see the world as wheat from above. I then can imagine God’s own view of our grassy flesh which withers and fades away, as we shrivel in the sun and fall – yet the harvest of His Word endures forever.