When August Burns Low

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now 
~Emily Dickinson

 

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“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time.  The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world.  She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state.  Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

 

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On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard.  He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem.  What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.

As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south.  There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow.  There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.

 

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The Sun Got Round Behind You

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… if you ran, time ran. You yelled and screamed and raced and rolled and tumbled and all of a sudden the sun was gone and the whistle was blowing and you were on your long way home to supper. When you weren’t looking, the sun got around behind you! The only way to keep things slow was to watch everything and do nothing! You could stretch a day to three days, sure, just by watching!
~Ray Bradbury from Dandelion Wine

 

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Late summer is a time to slow down and just watch, to stretch the days out as long as possible.

I have a tendency to race through the hours granted to me, heedless of the sun settling low behind me; I don’t want to surrender the day to the advancing march of darkness.

So I choose for now to be observer and recorder rather than runner and racer, each moment preserved like so many jars of sweet jam on a pantry shelf.

The sun may be setting, but I want it to take its time.

 

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The Path of Life

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Our last five minutes on earth are running out.

We can spend those minutes in meanness, exclusivity,
and self-righteous disparagement of those who are different from us,
or we can spend them consciously embracing every glowing soul
who wanders within our reach – those who, without our caring,
would find the vibrant, exhilarating path of life just another sad and forsaken road.
~Alice Walker from Anything We Love Can Be Saved

 

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During these summer weeks of orientation of new college students and their parents, I speak to several thousand people, all looking nervous in unfamiliar territory among strangers.

They are about to embark on a road that rises to meet them and leads them to parts unknown.

I try to say, as I shake each hand, and give out my card with my personal phone number:
this too will be okay.  This too will bless you.  Even when there are potholes, uneven surfaces and times when you want to turn back to more familiar territory, you will find the road to your next destination fulfilling and welcoming.

Embrace the journey…and each other.

And I embrace you.

(Thanks Ann Voskamp for sharing your message to your college-bound son here)

 

 

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Heart Strung on Tethers

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A weaver, this spider, she plays her eight thin
black legs and their needle-nail toes across
the threads faster, more precisely, than a harpist
at concert can pluck the strings in pizzicato.

Although blind at night, she nevertheless
fastens a thread to a branch of chokecherry
on one side of the path, links it to a limb
of shining sumac opposite, latches the scaffold
to ground stone and brace of rooted grasses.
And the structure takes dimension.

Skittering upside down across and around,
she hooks the hooks, knots the widening
spirals, the tightened radii, orbs and hubs,
bridges and bridgeheads. We can never hear
the music she makes as she plucks her silk
strings with all the toes and spurs and tarsal
tufts of her eight legs at once. She performs
the reading of her soul.

She expands the sky, her completed grid
a gamble, a ploy played on the night. The silk
is still, translucent and aerial, hanging in a glint
of half-moon. The work is her heart strung
on its tethers, ravenous, abiding.
~Pattiann Rogers from  “Hail, Spirit”

 

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I too often feel stretched between several points as well.

I attach to important touch points and I weave between them, sometimes not sure where I’ll land or what I’ll connect with or what I’ll leave behind.

Sometimes what I create is beautifully delicate and functional.
Sometimes it is blurry and out of focus.
The center doesn’t always hold.  The tethers loosen.  The periphery frays.

But it was once something.  That’s all that matters.

 

 

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Stitching Together the Edges of Life

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“I make them warm to keep my family from freezing;
I make them beautiful to keep my heart from breaking.”
–From the journal of a prairie woman, 1870
To keep a husband and five children warm,
she quilts them covers thick as drifts against
the door. Through every fleshy square white threads
needle their almost invisible tracks; her hours
count each small suture that holds together
the raw-cut, uncolored edges of her life.
She pieces each one beautiful, and summer bright
to thaw her frozen soul. Under her fingers
the scraps grow to green birds and purple
improbable leaves; deeper than calico, her mid-winter
mind bursts into flowers. She watches them unfold
between the double stars, the wedding rings.
~Luci Shaw “Quiltmaker”
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It could be the world was made this way:
piecemeal, the parts fitting together
as if made for one another~
disparate and separate,
all the edges
coming together in harmony.
The point of its creation
to be forever functional,
a blanket of warmth and security
but its result is so much more:
beauty arising from scraps,
the broken stitched to broken
to become holy and whole.
(all quilts here are on display this week at the Northwest Washington Fair in Lynden)
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The Thing With Feathers

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“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –
And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –
I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
~Emily Dickinson
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Our local fair feels much like I remember when I was a child in the 60’s, accompanying my father to the Lynden fairgrounds during those summers of political and social turmoil.  His job was to supervise the teachers of FFA kids (Future Farmers of America) so he did the rounds of the regional and county fairs and my brother and I tagged along to explore the exhibits and go on rides.

The heart beat of a country fair pulses deep for me: I fell in love with my future husband at a fair, and we spent twenty years from 1992-2012 at the local Lynden fair exhibiting our Haflinger horses together as family and friends. Once our children grew and flew away four years ago, my husband and I were relegated to mere fair-goers, exploring exhibits without the need to show up to muck out stalls at 6 AM.

The chicken exhibit building is one of the same buildings I wandered through as a child over fifty years ago.  As we entered, it struck me I was admiring designs and color schemes, layered with nuance and texture, much like the nearby quilt exhibit — these feathers are God’s threads put to exquisite use to blanket a mere chicken.
So much design, so much detail, so much hope covers something as mere as a chicken … and me.
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Seen All and Been Redeemed

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I eat these
wild red raspberries
still warm from the sun
and smelling faintly of jewelweed
in memory of my father

tucking the napkin
under his chin and bending
over an ironstone bowl
of the bright drupelets
awash in cream

my father
with the sigh of a man
who has seen all and been redeemed
said time after time
as he lifted his spoon

men kill for this.
~Maxine Kumin, “Appetite” from Selected Poems: 1960-1990.

 

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We’ve exhausted the strawberries with only a few “everbearing” continuing to produce through the remaining hot days of summer.  The raspberries too are drying up with leaves curling.  The mountain huckleberries have had their hey-day.  The blueberries continue strong and juicy.

And now blackberries, free for the picking, hang in mouth-watering clusters from every fence line, long roads and ditches, just begging to be eaten.  Blackberry vines seem like trouble 90% of the year–growing where they are not welcome;  their thorns reach out to grab passersby without discriminating between human, dog or horse. But for about 3 weeks in August, they yield black gold–bursting unimaginably sweet fruit that is worth the hassle borne the rest of the weeks of the year.

Thorns are indeed part of our everyday life. They stand in front of much that is sweet and good and precious to us. They tear us up, bloody us, make us cry, make us beg for mercy.  In fact, man has died by thorns and been killed for the sweetness.

Yet thorns did not stop salvation, did not stop goodness, did not stop the promise of redemption to come. We don’t even need to wait to be fed and no one need die: such a gift as this was dropped from heaven itself.

 

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