Necklace of Days

 

 

It is a dark fall day.
The earth is slightly damp with rain.
I hear a jay.
The cry is blue.
I have found you in the story again.
Is there another word for “divine”?
I need a song that will keep sky open in my mind.
If I think behind me, I might break.
If I think forward, I lose now. 
Forever will be a day like this
Strung perfectly on the necklace of days.
Slightly overcast
Yellow leaves
Your jacket hanging in the hallway
Next to mine.
~Joy Harjo “Fall Song”

 

 

 

 

 

In the string of fall days,
each differs from the one before
and the one that comes after,
a transitional linkage to winter
at once gradual and unrelenting.
If I were to try to stop time,
hold tight a particular moment,
this necklace of days would break and scatter,
as the connection depends
on what was before
what is now
and what is to come.

 

As Trees Undress

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Everybody here knows what you mean
when you say, “The colors,” especially now,

the second day in October. They know
you’re talking about leaves turning away

from green — as in the yellows of elm and cottonwood,
the red-orange maple, the purple-red ash and aspen gold.

But only because we live here. Someplace else, where a year
is not so divided by seasons, colors

means something else — as in a knitter’s choice of skeins,
a budding artist’s paints for her work

in progress, a chef’s arrangement of aubergines
nestled against purple baby potatoes

and yams as bright as, yes, the turning leaves.
Colors — as in every shade surrounding

the second day of October, the day this year
when my mother would have turned eighty

and I remember that she loved palette words:
ecru,
chartreuse,
fuchsia,
and all the brightest reds
of the turning leaves.
~Monica Sharman, “The Colors” from Monica Sharman Editing

 

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I’m wistful about the flame-out of color happening now – autumn leaves have been so exorbitantly boisterous and vibrant that watching the trees undressed by the wind feels unseemly and scandalous.  They seem more naked than usual because their costuming has been so extravagantly rich for weeks.

I’m depleted of exuberant words to describe the landscape so will just settle in behind my retinas and enjoy what’s left for dessert.  I’m satiated and ready for a nap.

Through the deep of winter, as I close my eyes,  visions of reds and golds and oranges will continue to dance merrily in my head.

 

 

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A Message From a Long-Ago Child

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Behind the house in a field
there’s a metal box I buried
full of childhood treasure, a map
of my secret place, a few lead pennies
from 1943.
The rest I’ve forgotten,
forgotten even the exact spot
I covered with moss and loam.
 
Now I’m back and twenty years
have made so little difference
I suspect they never happened,
this face in the mirror
aged with pencil and putty.
I suspect even
the box has moved as a mole would move
to a new place long ago.
~Dan Gerber “The Cache” from Particles

 

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And this is where we went, I thought,
Now here, now there, upon the grass
Some forty years ago.

The days being short now, simply I had come
To gaze and look and stare upon
The thought of that once endless maze of afternoons.
But most of all I wished to find the places where I ran

What’s happened to our boys that they no longer race
And stand them still to contemplate Christ’s handiwork:
His clear blood bled in syrups from the lovely wounded trees?
Why only bees and blackbird winds and bending grass?
No matter. Walk. Walk, look, and sweet recall.

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

 

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I too left notes to my future self, in old barns, and lofts,
and yes, in trees,
but have never gone back to retrieve them.
My ten year old heart tried to imagine itself fifty some years hence,
what fears and joys would pass through like pumping blood,
what wounds would I bear and bleed,
what love and tears would trace my face?

I have not forgotten.
No, I have never forgotten
that I remember.

 

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A Mosaic of Leaves

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And then in the falling comes a rising, 
as of the bass coming up for autumn’s last insects 
struggling amid the mosaic of leaves on the lake’s surface. 
We express it as the season of lacking, but what is this nakedness
— the unharvested corn frost-shriveled but still a little golden 
under the diffuse light of a foggy sky,
the pin oak’s newly stark web of barbs, the woodbine’s vines 
shriven of their scarlet and left askew in the air 
like the tangle of threads on the wall’s side 
of the castle tapestry—what is it but greater intimacy,
the world slackening its grip on the veils, letting them slump
to the floor in a heap of sodden colors, and saying,
this is me, this is my skeletal muscle, 
my latticework of bones, my barren winter skin, 
this is it and if you love me, know that this is what you love. 
~Laura Fargas “October Struck” from Animal of the Sixth Day

 

 

 

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Something about the emerging nakedness of autumn reassures that we can be loved even when stripped down to our bones. We do make quite a show of shedding our coverings, our bits and pieces fluttering down to rejoin the soil, but what is left is meager lattice.

But when the light is just right, we are golden, illuminated and illuminating, even if barely there.

 

 

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This Wild November

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The wild November come at last
Beneath a veil of rain;
The night winds blows its folds aside,
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields
Bleak woods of fallen leaves,
The palest morns that ever dawned,
The dreariest of eves:

It is no wonder that she comes
Poor month, with tears of pain:
But what can one so hopeless do,
But weep, and weep again?
~Richard Henry Stoddard “November”

 

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November is here,
having swept in on rain and wind,
leaving a mess of sorrow and silt in its wake,
a reminder of our fragility and need for shelter
from the storms of life.

Blown off course,
drenched to the marrow,
pining for the light lost
to the advancing calendar,
we hunker down in place,
burrowing in for the long dark winter.

It is coming,
this veil of tears.
It is coming,
these night winds blowing away
our shield and protection.
It is coming,
this new moon forgetting how to shine.

Even so.
Our light illuminates from within,
ignited and irrepressible,
fueled by an overflowing abundance
of gentle loving and tender mercies.

 

 

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A Filigree of Nature

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It’s just a leaf. A damaged leaf at that,
clinging to a filbert tree ravaged by blight.
The leaf turns partially back upon itself,
riddled with holes, the traumatic result
of voracious insect appetites.

Damaged does not accurately describe
this leaf, the color of rich burgundy wine,
deep purple veins that branch to the tips
of its serrated edge. The holes open the leaf
to light and air, forming a filigree of nature,
an exquisite fragile beauty.

It makes me think of our own traumas,
how they open us, raw and hurting, humble us,
soften and expand us to the pain of others
and when we are most vulnerable we hold on,
weakened, but not necessarily damaged.

Perhaps it is then our scars become beautiful
and an inner loveliness shines through.
~Lois Parker Edstrom “Fragile Beauty”


–an ekphrastic poem based on my photo above,
soon to be published in her latest poetry book  –
thank you, Lois, for allowing me to share your beautiful words here

 

 

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Nature doth thus kindly heal every wound.
By the mediation of a thousand little mosses and fungi,
the most unsightly objects become radiant of beauty.
There seem to be two sides of this world, presented us at different times,
as we see things in growth or dissolution, in life or death.
And seen with the eye of the poet,
as God sees them,
all things are alive and beautiful.

~Henry David Thoreau (journal)

 

 

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…writing was one way to let something of lasting value emerge
from the pains and fears of my little, quickly passing life.
Each time life required me to take a new step into unknown spiritual territory,
I felt a deep, inner urge to tell my story to others–
Perhaps as a need for companionship but maybe, too,
out of an awareness that my deepest vocation
is to be a witness to the glimpses of God I have been allowed to catch.

~Henri Nouwen

 

 

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Half a Lifetime Ago

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On Halloween day in 1985, I packed up my clothes, a roll up mattress,  grabbed one lonely pumpkin from our small garden, locked our rental house door for the last time, climbed in my car to head north out of Seattle. I don’t recall looking back in the rear view mirror at the skyline after nine years living in the city. My husband had moved to Whatcom County two months earlier to start his new job. I had stayed behind to wrap up my Group Health family practice in the Rainier Valley of Seattle. I was leaving the city for a new rural home and a very uncertain professional future.

I knew two things for sure: I was finally several months pregnant after a miscarriage and two years of infertility, so our family was on its way, and we were going to actually live in our own house, not just a rental, complete with a few acres and a barn. A real (sort of) starter farm. Since no farm can be complete without animals, I stopped at the first pet store I drove past and found two tortoise shell calico kitten sisters peering up at me,  just waiting for new adventures in farmland. Their box was packed into the one spot left beside me in my little Mazda. With that simple commitment to raise and nurture those kittens, life seemed very complete.

I will never forget the freedom I felt on that drive north. The highway seemed more open, the fall colors more vibrant, the wind more brisk, our baby happily kicking my belly, the kittens plaintively mewing from their box. There seemed to be so much potential even though I had just left behind the greatest job that could be found in any urban setting (the most diverse zip code in the United States): an ideal family practice with patients from all over the world: Muslims from the Middle East and Indonesia, Orthodox Jews, Italian Catholics, African Americans, Cambodians, Laotians, Vietnamese. I would never know so much variety of background and perspective again and if I could have packed them all into the Mazda and driven them north with me, I would have.

We started our farm with those kittens dubbed Nutmeg and Oregano, soon adding an ethnic diversity of farm animals:  Belgian Tervuren dog Tango, Haflinger horse Greta, Toggenburg goats Tamsen and her kids, a few Toulouse geese, Araucana chickens, Fiona the Scottish Highland cow, then another Haflinger Hans and another, Tamara. I worked as a fill in locums doctor in four different clinics before our first baby, Nate, was born. Again, we had new commitments and life felt complete– but not for long, as we soon added little brother Ben and seven years later,  sister Lea. Then it really was complete. Or so I thought.

Thirty three years later our children have long ago grown and gone to new homes of their own, off to their own adventures beyond the farm.  Our sons married wonderful women, our daughter is in her third year of teaching fourth grade a few hours away and we have a granddaughter growing up in Tokyo.

A few cats, two Cardigan Corgi dogs, and a hand full of ponies remain at the farm with us. We are now both gray and move a bit more slowly, enjoy our naps and the quiet of the nights and weekends.  My work has evolved from four small jobs to two decades of two part time jobs to one more than full time job that fits me like a well worn sweater 24 hours a day.

My husband is happily retired now,  volunteering, serving on boards and being a full time farmer on our larger 20 acre place of fields and woods.  Retirement looms closer for me:  I have never not worked outside the home and don’t know how I can stop when the need in health care is greater than ever.

There was freedom that rainy Halloween day over three decades ago as Seattle disappeared in the rear view mirror. I would no longer sat captive in freeway rush hour bumper to bumper traffic jams.  I celebrate my daily commute through farm fields, watching eagles fly, and new calves licked by their mamas. I am part of a community in a way I never could manage in the city, stopping to visit with friends at the grocery store, playing piano and teaching at church and serving on various community boards. Our home sits in the midst of woods and corn fields, with deer strolling through the fields at dawn, coyotes howling at night, Canadian geese and trumpeter swans calling from overhead and salmon becoming more prolific every year in nearby streams. The snowy Cascades greet us in the morning and the sunset over Puget Sound bids us good night.

It all started October 31, 1985 with two orange and black kittens and a pumpkin sitting beside me in a little Mazda, my husband waiting for my homecoming 100 miles north. Now, thirty three years and three grown children and one granddaughter later, we celebrate this Halloween transition anniversary together, still pregnant with the possibility that life is never truly complete when there is always a new day just around the corner.

 

 

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October