The darksome burn, horseback brown, His rollrock highroad roaring down, In coop and in comb the fleece of his foam Flutes and low to the lake falls home.
A windpuff-bonnet of fawn-froth Turns and twindles over the broth Of a pool so pitchblack, fell-frowning, It rounds and rounds Despair to drowning.
Degged with dew, dappled with dew, Are the groins of the braes that the brook treads through, Wiry heathpacks, flitches of fern, And the beadbonny ash that sits over the burn.
What would the world be, once bereft Of wet and wildness? Let them be left, O let them be left, wildness and wet; Long live the weeds and the wilderness yet. ~Gerard Manley Hopkins “Inversnaid”
There is despair in the wilderness of untamed hearts. Such wildness lies just beneath the surface; it rounds and rounds, almost out of reach. How are we spared drowning in its pitchblack pool? How can we thrill to the beauty rather than be sucked into the darkness?
He came not to destroy the world’s wildness, but to pull us, gasping, from its unforgiving clutches as we sink in deep.
As weeds surviving in the wilderness, we must grow, flourish, and witness to a wild world bereft.
Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch.
But in contentment I still feel The need of some imperishable bliss. ~Wallace Stevens from “Sunday Morning”
Earthly contentment~ whether a full stomach or adequate bank account or a covering of snow~ these don’t last.
May I not settle into comfort, but seek to fill my continual need with what will never perish, even as the latest snow melts and the late afternoon light fades.
Rest assured, simply knowing there comes imperishable bliss someday, I too am transformed.
“He (the professor) asked what I made of the other students (at Oxford) so I told him. They were okay, but they were all very similar… they’d never failed at anything or been nobodies, and they thought they would always win. But this isn’t most people’s experience of life.
He asked me what could be done about it. I told him the answer was to send them all out for a year to do some dead-end job like working in a chicken processing plant or spreading muck with a tractor. It would do more good than a gap year in Peru.
He laughed and thought this was tremendously witty. It wasn’t meant to be funny. ~James Rebanks from The Shepherd’s Life (how a sheep farmer succeeds at Oxford and then goes back to the farm)
In our barn we have a very beat up old AM/FM radio that sits on a shelf next to the horse stalls and serves as company to the horses during the rainy stormy days they stay inside, and serves as distraction to me as we clean stalls of manure and wet spots in the evening. We live about 10 miles south of the Canadian border, so most stations that come in well on this radio’s broken antenna are from the lower mainland of British Columbia. This includes a panoply of stations spoken in every imaginable language– a Babel of sorts that I can tune into: Spanish, Japanese, Chinese, Hindi, Russian, French and of course, proper British accent English. But standard issue American melting pot genetic mix that I am, I prefer to tune into the “Oldies” Station and reminisce.
There is a strange comfort in listening to songs that I enjoyed 40-50+ years ago, and I’m somewhat miffed and perplexed that they should be called “oldies”. Oldies always referred to music from the 20’s, 30’s and 40’s, not the 50’s, 60’s, and 70’s! I listen and sing along with a mixture of feeling ancient and yet transported back to my teens. I can think of faces and names I haven’t thought of in decades, remember special summer days picking berries and hear long lost voices from school days. I can smell and taste and feel things all because of the trigger of a familiar song. There is something primordial –deep in my synapses– that is stirred by this music. In fact, I shoveled manure to these same songs 50 years ago, and somehow, it seems not much as changed.
Or has it? One (very quick) glance in the mirror tells me it has and I have.
Yesterday, I Got You, Babe and you were a Bridge Over Troubled Waters for this Natural Womanwho just wants to be Close to Youso You’ve Got a Friend. There’sSomething in the way ICherish The Way We Were and of courseLove Will Keep Us Together.If You Leave Me Now, You’re So Vain. I’ve always wanted it My Way but How Sweet It Is when I Want To Hold Your Hand. Come Saturday Morningwe’re Born to Be Wild.
Help!Do You Know Where You’re Going To?Me and You and A Dog Named Boo will travel Country Roadsand Rock Around the Clock even though God Didn’t Make the Little Green Apples. Fire and Rain will make things All Right Nowonce Morning is Broken, I’ll Say a Little Prayer For You.
I Can’t Get No Satisfactionfrom the Sounds of Silence —If— Those Raindrops Keep Fallin’ on My Head. Stand By Me as It’s Just My Imaginationthat I am a Rock,when really I only want Time in a Bottle and to just Sing, Sing a Song.
They just don’t write songs like they used to. I seem to remember my parents saying that about the songs I loved so well. Somehow in the midst of decades of change, there are some constants. Music still touches our souls, no matter how young or old we are.
And there will always be manure that needs shoveling.
Usually, after turning out that forgotten barn light, I sit on the edge of the tractor bucket for a few minutes and let my eyes adjust to the night outside. City people always notice the darkness here, but it’s never very dark if you wait till your eyes owl out a little….
I’m always glad to have to walk down to the barn in the night, and I always forget that it makes me glad. I heave on my coat, stomp into my barn boots and trudge down toward the barn light, muttering at myself. But then I sit in the dark, and I remember this gladness, and I walk back up to the gleaming house, listening for the horses. ~Verlyn Klinkenborg from A Light in the Barn
My favorite thing about walking up from the barn at night is looking at the lights glowing in our house, knowing the lives that have thrived there, even though each child has flown away to distant cities.
There is love there as we have rediscovered our “alone” life together.
There are still future years there, as many as God grants us to stay on the farm. It is home and it is light and if all it takes is a walk from a dark barn to remind me, I’ll leave the lights on in the barn at night more often.
Maybe our world will grow kinder eventually. Maybe the desire to make something beautiful is the piece of God that is inside each of us. Now all four horses have come closer, are bending their faces toward me as if they have secrets to tell. I don’t expect them to speak, and they don’t. If being so beautiful isn’t enough, what could they possibly say? — Mary Oliver from Blue Horses
This is not a world filled with kindness – I think we all realize that most days. There is so much hurt and misunderstanding and lack of communication leading to all kinds of ugliness between so many of us.
When beauty is bestowed upon us, unexpectedly and silently and bountifully, where can it come from but from God? How can we possibly forget wherein He dwells richly, especially wherever beauty is so desperately needed.
The Haflingers don’t have much to say, but then … they don’t need to.
You come and go. The doors swing closed ever more gently, almost without a shudder Of all who move through the quiet houses, you are the quietest.
We become so accustomed to you, we no longer look up when your shadow falls over the book we are reading and makes it glow. For all things sing you: at times we just hear them more clearly. ~Rainer Maria Rilke from The Book of Hours: Love Poems to God
God can be so quiet around us we scarcely think of Him tiptoeing around our distractions.
But then a moment of flash, a rainbow glow, a subtle sacred song in our ears
and we remember: He’s here watching knowing holding on to us reeling us back in when we drift away.