I’m Glad I’m Here

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I believe you’ll be able to say, as I can say today: ‘I’m glad I’m here.’
Believe me, all of you, the best way to help the places we live in is to be glad we live there.

~Edith Wharton from Summer

 

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I’m reminded today and every day: I’m glad I’m here. I would choose no other place to be.

I’m especially thankful as I gaze out at this 360 degree landscape every morning and again as the evening light flames bright before fading at night.

This place — with its vast field vistas, its flowing grasses, its tall firs, its mountain backdrops — has been beautiful for generations of native people and homesteaders before I ever arrived thirty three years ago.

It will remain so for many more generations long after I am dust – gladness is the best fertilizer I can offer up to accompany God-given sun and rain.

May this land glow rich with gladness.

 

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Lost in the Clover

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Some sings of the lily, and daisy, and rose,
And the pansies and pinks that the Summertime throws
In the green grassy lap of the medder that lays
Blinkin’ up at the skyes through the sunshiney days;
But what is the lily and all of the rest
Of the flowers, to a man with a hart in his brest
That was dipped brimmin’ full of the honey and dew
Of the sweet clover-blossoms his babyhood knew?
I never set eyes on a clover-field now,
Er fool round a stable, er climb in the mow,
But my childhood comes back jest as clear and as plane
As the smell of the clover I’m sniffin’ again;
And I wunder away in a bare-footed dream,
Whare I tangle my toes in the blossoms that gleam
With the dew of the dawn of the morning of love
Ere it wept ore the graves that I’m weepin’ above.

And so I love clover–it seems like a part
Of the sacerdest sorrows and joys of my hart;
And wharever it blossoms, oh, thare let me bow
And thank the good God as I’m thankin’ Him now;
And I pray to Him still fer the stren’th when I die,
To go out in the clover and tell it good-bye,
And lovin’ly nestle my face in its bloom
While my soul slips away on a breth of purfume
~James Whitcomb Riley “The Clover Poem”

 

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Lightly it flew to the pleasant home
Of the flower most truly fair,
On Clover’s breast he softly lit,
And folded his bright wings there.
‘Dear flower,’ the butterfly whispered low,
‘Long hast thou waited for me;
Now I am come, and my grateful love
Shall brighten thy home for thee;
Thou hast loved and cared for me, when alone,
Hast watched o’er me long and well;
And now will I strive to show the thanks
The poor worm could not tell.
Sunbeam and breeze shall come to thee,
And the coolest dews that fall;
Whate’er a flower can wish is thine,
For thou art worthy all.
~Louisa May Alcott from “Clover-Blossom”

 

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Can anything be as plain to the eye as one of a million clover blossoms?

Then you look up close.
There is nothing quite as lovely — each individual little bloom of the clover ball is a part of a greater whole.

Here is a place to tangle our toes and nestle our nose.
Here we roll over.
Here we find the sacredest sorrow and joy of our heart.
Here is a place to get lost and be found.

 

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Just That Kind of Day

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If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”
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This is the kind of morning that begs to be admired from dawn’s first moment:  everything emerges from the fog so sharp and vivid bathed in golden light.

It takes away my breath at the same time as it delivers it deep within me.

How can I spring others free as I now have been sprung?
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Every Green Moment

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Just past dawn, the sun stands
with its heavy red head
in a black stanchion of trees,
waiting for someone to come
with his bucket
for the foamy white light,
and then a long day in the pasture.
I too spend my days grazing,
feasting on every green moment
till darkness calls,
and with the others
I walk away into the night,
swinging the little tin bell
of my name.
~Ted Kooser “A Birthday Poem”

 

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Right now
all is green~
every square inch
and every misty mythical moment.

So I feast while I can,
knowing soon the darkness descends
and I too am called
to come home,
the bells I bear
swinging and ringing.

 

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Visitors to the Farm

 

 

 

Fingers of twilight shadow
begin to reach over the hill
crawling down through the field
up unto the bank of blackberries
covering fences along the alder grove.

The horses chew their last
leaves of clover before
coming to the barn for night, eyelids heavy,
relaxed and full, drowsy with spring evening
peace at hand and hoof.

A sudden change in the air forces
their heads up and ears forward;
they form a line, staring at the hilltop
above them, riveted to the spot, alert
to an coming intruder, unfamiliar and foreign.

The roar is intermittent, like a warm wind
rattling a barn roof, but inconstant;
then peaking over the crest of the hill
a rounded top of technicolor glory:
The hot air balloon rises.

The horses silenced, baffled, fascinated;
no alpine instinct prepares their response
to this wizard’s act from Oz in their own backyard.
The basket riders wave and laugh at the equine audience below
in formation with golden noses in the air and white manes blowing in the breeze.

The balloon summits the hill, dipping low, almost touchable
before moving back up to race the sunset,
and search out other pastures, other valleys and hills.
The horses released from the spell
leap in response, snowy tails high, noses flared-

To race up the hill to catch impending darkness,
night mares cavort, float suspended
until their air is let out, gently, in softening snorts,
to settle down in a shavings bed in the barn
where night, blissful, becomes ordinary again.

 

 

 

 

 

 

 

 

Writing With Quiet Hands

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I want to make poems that say right out, plainly,
what I mean, that don’t go looking for the
laces of elaboration, puffed sleeves. I want to
keep close and use often words like
heavy, heart, joy, soon, and to cherish
the question mark and her bold sister

the dash. I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver “Everything”

 

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Writing and riding with quiet hands –
a wonderful metaphor for moving forward
in gladness and astonishment
without trying to steer unnecessarily.
To feel connected without controlling,
to have faith in the unknowable
yet understand without a doubt, that it is good.

 

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photo by Joel DeWaard

 

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photo by Brandon Dieleman

 

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photo by Emily Dieleman

 

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Falls and Falls of Rain

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In Summer, in a burst of summertime
Following falls and falls of rain,
When the air was sweet-and-sour of the flown fineflower of
Those goldnails and their gaylinks that hang along a lime;
~Gerard Manley Hopkins from “Cheery Beggar”

 

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Sweet and sour extends far beyond a Chinese menu; it is the daily air I breathe.  Dichotomy is so much of my life and times,  more distinct than the bittersweet of simple pleasures laced with twinges and tears.

I am but a cheery beggar in this world,
desiring to hang tight to the overwhelming sweetness of each glorious moment–

the startling late summer sunrise,
the renewed green coming through the dead of spent fields,
the warm hug of a compassionate word,
a house filled with love and laughter.

But as beggars aren’t choosers, I can’t only have sweet alone;
I must endure the sour that comes as part of the package —

the deepening dark of a sleepless night,
the muddy muck of endless rain,
the sting of a biting critique,
the loneliness of a home emptying and much too quiet.

So I slog through sour to revel some day, even more so, in sweet.  Months of manure-permeated air is overcome one miraculous morning by the unexpected and undeserved fragrance of apple blossoms, so sweet, so pure, so full of promise of the wholesome fruit to come.

The manure makes the sweet sweeter months later, long after the stench is gone.

And I breathe in deeply now, content and grateful for this moment of sweet grace and bliss, wanting to hold it in the depths of my lungs forever and overwhelm the memory of sour.

 

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Support for the Barnstorming Blog

Your financial support keeps this blog a daily offering and ad-free. A one-time contribution helps greatly.

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