A Bright Sadness: The Everyday Moments

The sacred moments, the moments of miracle, are often the everyday moments, the moments which, if we do not look with more than our eyes or listen with more than our ears reveal only…a gardener, a stranger coming down the road behind us, a meal like any other meal. But if we look with our hearts, if we listen with all our being and imagination.. what we may see is Jesus himself.
~Frederick Buechner

We can be blinded by the everyday-ness of Him: 
A simple loaf of bread is only that. 
A gardener crouches in a row of weeds, restoring order to chaos. 
A wanderer along the road engages in conversation.

Every day contains millions of everyday moments lost and forgotten, seemingly meaningless.

We would see Jesus if we only opened our eyes and listened with our ears.   At the table, on the road, in the garden.

The miracle of Him abiding with us is that it truly is every day.

He has made it so.

A Bright Sadness: The Light of the Body

Light chaff and falling leaves or a pair of feathers

on the ground can spook a horse who won’t flinch when faced
with a backhoe or a pack of Harleys. I call it “horse

ophthalmology,” because it is a different kind of system—
not celestial, necessarily, but vision in which the small,

the wispy, the lightly lifted or stirring threads of existence
excite more fear than louder and larger bodies do. It’s Matthew

who said that the light of the body is the eye, and that if
the eye is healthy the whole body will be full of light. Maybe

in this case “light” can also mean “lightness.” With my eyes of
corrupted and corruptible flesh I’m afraid I see mostly darkness

by which I mean heaviness. How great is that darkness? Not
as great as the inner weightlessness of horses whose eyes perceive,

correctly I believe, the threat of annihilation in every windblown
dust mote of malignant life. All these years I’ve been watching

out warily in obvious places (in bars, in wars, in night cities and
nightmares, on furious seas). Yet what’s been trying to destroy

me has lain hidden inside friendly-seeming breezes, behind
soft music, beneath the carpet of small things one can barely see.

The eye is also a lamp, says Matthew, a giver of light, bestower
of incandescent honey, which I will pour more cautiously

over the courses I travel from now on. What’s that whisper?
Just the delicate sweeping away of somebody’s life.

~Gail Wronsky

You are the light of the world. A town built on a hill cannot be hidden. 15 Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house. 16 In the same way, let your light shine before others, that they may see your good deeds and glorify your Father in heaven.
Matthew 5: 14-16

Some days I am dreaming awake with wide-open eyes.  There is a slow motion quality to time as it flows from one hour to the next to the next, and I can only take it in, watching it happen.  Life becomes more vivid, as in a dream — the sounds of birds, the smell of the farm, the depth of the greens in the landscape, the taste of fresh plums, the intensity of every breath, the reason for being.

There is lightness in all things, as the Creator intended.

Yet much of the time is rush and blur like sleepwalking,  my eyes open but unseeing.  I stumble through life’s shadows, the path indiscernible, my future uncertain, my purpose illusive. I traverse heaviness and darkness, much of my own creation.

Wake me to dream of light some more.  

Pay Attention to the Lilies

From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention… pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.

Literature, painting, music—the most basic lesson that all art teaches us is to stop, look, and listen to life on this planet, including our own lives, as a vastly richer, deeper, more mysterious business than most of the time it ever occurs to us to suspect as we bumble along from day to day on automatic pilot. In a world that for the most part steers clear of the whole idea of holiness, art is one of the few places left where we can speak to each other of holy things.

Is it too much to say that Stop, Look, and Listen is also the most basic lesson that the Judeo-Christian tradition teaches us? Listen to history is the cry of the ancient prophets of Israel. Listen to social injustice, says Amos; to head-in-the-sand religiosity, says Jeremiah; to international treacheries and power-plays, says Isaiah; because it is precisely through them that God speaks his word of judgment and command.

And when Jesus comes along saying that the greatest command of all is to love God and to love our neighbor, he too is asking us to pay attention. If we are to love God, we must first stop, look, and listen for him in what is happening around us and inside us. If we are to love our neighbors, before doing anything else we must see our neighbors. With our imagination as well as our eyes, that is to say like artists, we must see not just their faces but the life behind and within their faces. Here it is love that is the frame we see them in.

In a letter to a friend Emily Dickinson wrote that “Consider the lilies of the field” was the only commandment she never broke. She could have done a lot worse. Consider the lilies. It is the sine qua non of art and religion both.
~Frederick Buechner from Whistling in the Dark

I have broken the commandment to “consider the lilies” way too many times. In my daily life I am considering almost anything else: my own worries and concerns as I walk past so much beauty and meaning and holiness. My mind dwells within, blind and deaf to what is outside.

It is necessary to be reminded every day that I need to pay attention beyond myself, to be reminded to love my neighbor, to remember what history has to teach us, to search for the sacred in all things.

Stop, Look, Listen, Consider:
all is grace,
all is gift,
all is holiness brought to life – stunning, amazing, wondrous.

Something Way Down Deep

We all know that something is eternal. 
And it ain’t houses and it ain’t names, 
and it ain’t earth, and it ain’t even the stars 
. . . everybody knows in their bones that something is eternal, 
and that something has to do with human beings. 
All the greatest people ever lived have been telling us that 
for five thousand years and yet you’d be surprised 
how people are always losing hold of it. 
There’s something way down deep 
that’s eternal about every human being.
~Thornton Wilder, from “Our Town”

Write as if you were dying.
At the same time, assume you write for an audience consisting solely of terminal patients.
That is, after all, the case.
~Annie Dillard from “Write Till You Drop”

I began to write regularly after September 11, 2001 because more than on any previous day, it became obvious to me I was dying, though more slowly than the thousands who vanished that day in fire and ash, their voices obliterated with their bodies into eternity.  

Nearly each day since, while I still have voice and a new dawn to greet, I speak through my fingers to others dying with and around me.

We are, after all, terminal patients — some of us more prepared than others to move on — as if our readiness had anything to do with the timing.

Each day I get a little closer to the eternal, but I write in order to feel a little more ready.  Each day I want to detach just a little bit, leaving a trace of my voice behind.  Eventually, through unmerited grace, so much of me will be left on the page there won’t be anything or anyone left to do the typing.

There is no time or word to waste.

A February Face

“Why, what’s the matter, 
That you have such a February face, 
So full of frost, of storm and cloudiness?” 
–  William Shakespeare,  Much Ado About Nothing

February never fails to be seductive,  teasing of spring on a bright sunny day and the next day all hope is dashed by a frosty wind cutting through layers of clothing.  There is a hint of green in the pastures but the deepening mud is sucking at our boots.  The snowdrops and crocus are up and blooming, but the brown leaves from last summer still cling tenaciously to oak branches, appearing as if they will never ever let go to make room for a new leaf crop.

A February face is tear-streaked and weepy, winter weary and spring hungry.  Thank goodness it is a short month or we’d never survive the glumminess of a month that can’t quite decide whether it is done with us or not.

So much ado.
So much nothing.
So much anything that becomes everything.

A Certain Slant

There’s a certain Slant of light
On winter afternoons —
That oppresses, like the Heft
of cathedral tunes.
When it comes, the Landscape listens —
Shadows hold their breath —
When it goes, ’tis like the Distance
On the look of Death.
~Emily Dickinson

During our northwest winters, there is usually so little sunlight on gray cloudy days that I routinely turn on the two light bulbs in the big hay barn any time I need to fetch hay bales for the horses. This is so I avoid falling into the holes that inevitably develop in the hay stack between bales. Winter murky lighting tends to hide the dark shadows of the leg-swallowing pits among the bales, something that is particularly hazardous when carrying a 60 pound hay bale.

Yesterday when I went to grab hay bales for the horses at sunset, before I flipped the light switch, I could see light already blazing in the big barn. The last of the day’s sun rays were at a precise winter slant, streaming through the barn slat openings, ricocheting off the roof timbers onto the bales, casting an almost fiery glow onto the hay. The barn was ignited and ablaze without fire and smoke — the last things one would even want in a hay barn.

I scrambled among the bales without worry.

In my life outside the barn I’ve been falling into more than my share of dark holes lately. Even when I know where they lie and how deep they are, some days I will manage to step right in anyway. Each time it knocks the breath out of me, makes me cry out, makes me want to quit trying to lift the heavy loads. It leaves me fearful to even venture out.

Then, on the darkest of days, light comes from the most unexpected of places, blazing a trail to help me see where to step, what to avoid, how to navigate the hazards to avoid collapsing on my face. I’m redirected, inspired anew, granted grace, gratefully calmed and comforted amid my fears. Even though the light fades, and the darkness descends again, it is only until tomorrow. Then it reignites again.

The Light returns and so will I.

Like an Unexpected Gift

…this has been a day of grace
in the dead of winter,
the hard knuckle of the year,
a day that unwrapped itself
like an unexpected gift,
and the stars turn on,
order themselves
into the winter night.
~Barbara Crooker from 
Barbara Crooker: Selected Poems

…it’s easy to forget that the ordinary is just the extraordinary that’s happened over and over again. Sometimes the beauty of your life is apparent. Sometimes you have to go looking for it. And just because you have to look for it doesn’t mean it’s not there.
God, grant me the grace of a normal day.

~Billy Coffey

…there is no such thing as a charmed life, not for any of us, no matter where we live or how mindfully we attend to the tasks at hand. But there are charmed moments, all the time, in every life and in every day, if we are only awake enough to experience them when they come and wise enough to appreciate them.
~Katrina Kenison from The Gift of an Ordinary Day

These dead of winter days are lengthening, slowly and surely, but I still leave the farm in darkness to head to my work in town, and I return in darkness at the end of the workday.  Barn chores at either end of the day happen under moonlight and starlight.

Each day, so extraordinary in its ordinariness, is full of grace if I awake to really see it, even under cover of darkness.

The bones of the trees, and the bones of me, illuminated.