Green and Glorious

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trilliumheart

 

I wished to wade in the trillium
and be warmed near the white flames.
I imagined the arch of my foot
massaged by the mosses.
This field immersed in gravity
defying growth.  Green and glorious.
It let me know that out of the
soil came I, and green I shall be.
Whether an unnamed weed or a
wild strawberry I will join in
the hymn.
~Luci Shaw from “Spring Song, Very Early Morning”

 

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Spring is finally in full swing here on the farm.  Grass grows so fast that mowing could be a twice a week activity,  dandelions are dotting the fields in a yellow carpet, the flowering plums and cherries are peaking, the daffodils are spent and the tulips are bursting forth.

 

The koi and goldfish in our pond have decided to surface from underneath all the winter debris and have grown to another 6 inches over the winter and now are busy feasting on mosquito larvae as the insects have awakened as well.   At times I feel so overwhelmed by the accelerated pace of growth and activity that I sheepishly long for the dark quiet gray days of winter, if just for the respite of a nap.

Instead of a nap, I hunt for trillium.  They are the traditional harbinger of spring and without them, it all seems like just so much pretending.  These are somber plants that will only grow in certain conditions of woods and shade, with leafy mulched soil.  Once established, they reliably spring up from their bulbs every spring with their rich green trio of leaves on each stem that are at once soft and slightly shimmery, and at the top the purest of three white petals, one per leaf cluster.  The blossoms last a week or two, then turn purplish and fade away, followed weeks later by the fading of the foliage, not to arise again from the soil until the following year. 

 

Picking a trillium blossom necessitates picking the leaf foliage beneath it, and that in turn destroys the bulb’s ability to nourish and regenerate, and the plant never forms again.  I think I have known this from my earliest childhood days as I was a compulsive wildflower gatherer as a little kid, having devastated more than my share of trillium bulbs until I learned the awful truth of the damage I had done.  I have since treated them as sacrosanct and untouchable.

There are trillium blossoms to be found on our farm, a few steadfast survivors, yet completely vulnerable to someone’s impulse to bring the beauty indoors for a few days in a vase.  What a tenuous grip on life when people are desiring to pluck them, with their resulting oblivion. How unknowingly destructive we are in our blind selfish pursuit of beauty for our own pleasure and purposes.  These pure triad blossoms and leaves, representing all that is preciously drawn from the earth and enriched and nourished by sunlight, can be obliterated, never to return, never to bloom, never to rise again from the dust to be green and glorious.

How much more precious is that which rises again to bloom and flourish forever despite our senseless destructiveness?  And He is here, among us, waiting for us, forgiving us for our thoughtless actions.

I look at the trillium longingly, wanting to touch them, wanting to own them and hold them, and knowing I never will.  They are meant to stay where they are, as I hope to remain, rooted and thriving, yet still fragile in the everlasting soil of life.

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A Little Tepid

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I know what my heart is like
      Since your love died:
It is like a hollow ledge
Holding a little pool
      Left there by the tide,
      A little tepid pool,
Drying inward from the edge.
~Edna St. Vincent Millay “Ebb”
babydogwood

peonyrain2

 

I wondered if that was how forgiveness budded;
not with the fanfare of epiphany,
but with pain gathering its things,
packing up,
and slipping away unannounced in the middle of the night.

— Khaled Hosseini from The Kite Runner

 fidalgobeach
My mother was 58 when my father left her for a younger woman.  For weeks my mother withered, crying until there were no more tears left, drying inward from her edges.
It took ten years, but he returned like an overdue high tide.
She was sure her love had died but somehow forgiveness budded, that dry pool refilled with water somewhat cooler to the touch, yet more amazing, overflowing in its clarity.
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A Rest Between Two Notes

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I am the rest between two notes,
which are somehow always in discord
because Death’s note wants to climb over—
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.”
~Rainer Maria Rilke from “My Life is Not This Steeply Sloping Hour”

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photo by Josh Scholten

 

At the end of this past Sunday’s Easter worship, while playing a complicated version of the Doxology on the piano in our church, I hit some wrong notes.  Usually I can recover from such mistakes but I lost my way in the music on the page, struggling to recover in time to finish with the undaunted congregation, my fingers trembling to find the right keys.

Waking yesterday, I felt my usual Monday morning uneasiness but even more so: I’m the spot in the middle between discordant notes. There is on one side of me the pressure of catching up from what was left undone through the weekend and on the other side the anticipated demands of the coming week.

Before I even arrive at work, I find myself uneasy in dead center, immobilized by the unknown ahead and the known messiness I’ve left behind.

This moment of rest in the present, between the trembling past and uncertain future, is a precious moment of reconciliation, my Sabbath extended. I must allow myself an instant of silence and reflection and forgiveness before I surge ahead into the week, knowing that on my continuing journey I’ll inevitably hit wrong notes.

But it can be beautiful nevertheless.

Even the least harmonious notes find reconciliation within the next chord. I move from the rest of my Sabbath back into the rhythm of my life, renewed and forgiven.

But trembling, still trembling.

 

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Turn Aside and Look: Eastering Up

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There is a fragrance in the air,
a certain passage of a song,
an old photograph falling out from the pages of a book,
the sound of somebody’s voice in the hall
that makes your heart leap and fills your eyes with tears.

Who can say when or how it will be
that something easters up out of the dimness
to remind us of a time before we were born and after we will die?

God himself does not give answers. He gives himself.
~Frederick Buechner from Telling the Truth: The Gospel as Tragedy, Comedy and Fairy Tale

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“Let Him easter in us, be a dayspring to the dimness of us, be a crimson-cresseted east.”
― Gerard Manley Hopkins

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All changed, changed utterly:   
A terrible beauty is born.
~William Butler Yeats from “Easter, 1916”
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It has been a slow coming of spring this year, seeming in no hurry whatsoever.  Snow remains in the foothills and the greening of the fields has only begun. The flowering plum and cherry trees finally have burst into bloom despite a continued chill.  It feels like winter at night yet the perfumed air of spring now permeates the day. Such extreme variability is disorienting, much like standing blinded in a spotlight in a darkened room.

Yet this is exactly what eastering is like.  It is awakening out of a restless sleep, opening a door to let in fresh air, and the stone that locked us in the dark rolled back.

Overnight all changed, changed utterly.

He is not only risen.  He is given indeed.

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Turn Aside and Look: Make a Stone Weep

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When he came near the place where the road goes down the Mount of Olives, the whole crowd of disciples began joyfully to praise God in loud voices for all the miracles they had seen:
“Blessed is the king who comes in the name of the Lord!”
“Peace in heaven and glory in the highest!”
S
ome of the Pharisees in the crowd said to Jesus, “Teacher, rebuke your disciples!”
“I tell you,”
he replied, “if they keep quiet, the stones will cry out.”

As he approached Jerusalem and saw the city, he wept over it and said,
“If you, even you, had only known on this day what would bring you peace—but now it is hidden from your eyes.
The days will come upon you when your enemies will build an embankment against you and encircle you and hem you in on every side. They will dash you to the ground, you and the children within your walls. They will not leave one stone on another, because you did not recognize the time of God’s coming to you.”
Luke 19: 37-44

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Fíre-féaturing heaven. For earth ‘ her being as unbound, her dapple is at an end, as-
tray or aswarm, all throughther, in throngs; ‘ self ín self steepèd and páshed – quite
Disremembering, dísmémbering, ‘ áll now. Heart, you round me right
With: Óur évening is over us; óur night ‘ whélms, whélms, ánd will end us.
~Gerard Manley Hopkins from “Spelt from Sibyl’s Leaves”

 

We human beings do real harm. History could make a stone weep.
Marilynne Robinson–Gilead

 

 

Created with the freedom to choose our own way, we tend to opt for the path of least resistance with the highest pay back, no matter who we bloody, trample, pummel or drag kicking and screaming in the process.

Hey, after all, we’re only human and that’s our excuse and we’re sticking to it.

No road less traveled on for most of us–instead we blindly head down the superhighway of what’s best for number one, no matter what it costs to get there, how seedy the billboards or how many warning signs appear, or where the ultimate destination takes us. History is full of the piled-high wrecking yards of demolition remnants from crashes along the way.

It’s enough to make even a stone weep. Certainly God wept and likely still does.

Thankfully we can rest in this ultimate confidence:  He knew what He was doing and thought it good — despite enduring tears and the bloody thorns.

 

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Turn Aside and Look: April Corpse Light

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Lined with light
the twigs are stubby arrows.
A gilded trunk writhes
Upward from the roots,
from the pit of the black tentacles.

In the book of spring
a bare-limbed torso
is the first illustration.

Light teaches the tree
to beget leaves,
to embroider itself all over
with green reality,
until summer becomes
its steady portrait
and birds bring their lifetime
to the boughs.

Then even the corpse
light copies from below
may shimmer, dreaming it feels
the cheeks of blossom.
~May Swenson “April Light”

applebloom3

In April we wait for the corpse light~
a mysterious illumination which comes alive
on a bright Sabbath Easter morning,
taking bare stubs of people,
begetting them green,
bursting them into blossom,
their cheeks pink with life,
in promise of faithful fruitfulness.

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Turn Aside and Look: One Far Fierce Hour

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photo of a rescue donkey courtesy of Anna Blake at Infinity Farm  annablakeblog.com

With monstrous head and sickening cry
And ears like errant wings…

The tattered outlaw of the earth,
Of ancient crooked will;
Starve, scourge, deride me: I am dumb,
I keep my secret still.

Fools! For I also had my hour;
One far fierce hour and sweet:
There was a shout about my ears,
And palms before my feet.
G. K. Chesterton from “The Donkey”

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photo of Edgar Rice Burro by Anna Blake, Infinity Farm  annablakeblog.com

Palm Sunday is a day of dissonance and dichotomy in the church year, very much like the donkey who figured as a central character that day.  Sadly, a donkey gets no respect, then or now– for his plain and awkward looks, for his loud and inharmonious voice, for his apparent lack of strength — yet he was the chosen mode of transportation for a King riding to His death.

There was a motley parade to Jerusalem: cloaks and palms laid at the feet of the donkey bearing the Son of God,  the disorderly shouts of adoration and blessings, the rebuke of the Pharisees to quiet the people, His response that “even the stones will cry out” knowing what is to come.

But the welcoming crowd waving palm branches, shouting sweet hosannas and laying down their cloaks did not understand the fierce transformation to come, did not know within days they would be a mob shouting words of derision and rejection and condemnation.

The donkey knew because he had been derided, rejected and condemned himself, yet still kept serving.  Just as he was given voice and understanding centuries before to protect Balaam from going the wrong way, he could have opened his mouth to tell them, suffering beatings for his effort.  Instead, just as he bore the unborn Jesus to Bethlehem and stood over Him sleeping in the manger,  just as he bore a mother and child all the way to Egypt to hide from Herod,  the donkey would keep his secret well.   Who, after all,  would ever listen to a mere donkey?

We would do well to pay attention to this braying wisdom.  The donkey knows.   He bears the burden we have shirked.  He treads with heavy heart over the palms and cloaks we lay down as our meaningless symbols of honor.   He is servant to the Servant.

A day of dichotomy — of honor and glory laid underfoot only to be stepped on.   Of blessings and praise turning to curses.  Of the beginning of the end becoming a new beginning for us all.

And so He wept, knowing all this.  I suspect the donkey bearing Him wept as well, in his own simple, plain and honest way, and I’m quite sure he kept it as his special secret.

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