A Strange Sweet Sorrow

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The passing of the summer fills again
my heart with strange sweet sorrow, and I find
the very moments precious in my palm.
Each dawn I did not see, each night the stars
in spangled pattern shone, unknown to me,
are counted out against me by my God,
who charges me to see all lovely things…
~Jane Tyson Clement from “Autumn”

 

 

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We’re already a month into autumn and I’ve had a hard time letting go of summer.

The earth also is struggling with the inevitable transition as the last few weeks have been filled with blue skies, warm days and no killing frosts.

In short, it seemed perfection: sweater weather filled with vibrant leaf color, clear moonlit nights and outstanding sunrises.

I feel I must see it all, to witness and record and savor it.  God convicted us to see, listen, taste and believe.

Can we ever hope for a more merciful sentence given the trouble we’ve been to Him?  He loves us still.

See, listen, taste and believe.  I do and I will.

 

 

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At the Waiting Window

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Dawn comes later and later now,
and I, who only a month ago
could sit with coffee every morning
watching the light walk down the hill
to the edge of the pond and place
a doe there, shyly drinking,
then see the light step out upon
the water, sowing reflections
to either side—a garden
of trees that grew as if by magic—
now see no more than my face,
mirrored by darkness, pale and odd,
startled by time. While I slept,
night in its thick winter jacket
bridled the doe with a twist
of wet leaves and led her away,
then brought its black horse with harness
that creaked like a cricket, and turned
the water garden under. I woke,
and at the waiting window found
the curtains open to my open face;
beyond me, darkness. And I,
who only wished to keep looking out,
must now keep looking in.
~Ted Kooser “A Letter in October”
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God knows we seek out light
these autumn mornings,
longing for rainbow colors to fill in the lines
beyond a blackened window pane
and in our prayers.Some mornings we can only see our own reflection
mirrored by darkness, startled by time,
wondering what comes next.
God knows we need to feel the light
as we wait.
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The Changing Light of Fall

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Fall, falling, fallen. That’s the way the season
Changes its tense in the long-haired maples
That dot the road; the veiny hand-shaped leaves
Redden on their branches (in a fiery competition
With the final remaining cardinals) and then
Begin to sidle and float through the air, at last
Settling into colorful layers carpeting the ground.
At twilight the light, too, is layered in the trees
In a season of odd, dusky congruences—

Everything
Changes and moves in the split second between summer’s
Sprawling past and winter’s hard revision, one moment
Pulling out of the station according to schedule,
Another moment arriving on the next platform. It
Happens almost like clockwork: the leaves drift away
From their branches and gather slowly at our feet,
Sliding over our ankles, and the season begins moving
Around us even as its colorful weather moves us,
Even as it pulls us into its dusty, twilit pockets.

And every year there is a brief, startling moment
When we pause in the middle of a long walk home and
Suddenly feel something invisible and weightless
Touching our shoulders, sweeping down from the air:
It is the autumn wind pressing against our bodies;
It is the changing light of fall falling on us.
~Edward Hirsch, from “Fall” from The Living Fire: New and Selected Poems, 1975-2010.

 

 

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This past week has been an immersion in crimson — ankle-deep and retina-full. There are falls and there are falls, but this transition has seen a transformation richer than most.

It reminds me of the autumn when I fell in love thirty-nine years ago, never to be the same me again.  And the fall thirty three years ago when finally pregnant with our first child, we moved from city chaos to rural farm life, never to look back.

I’m reminded of thirty autumns of beginning academic years in my work place, new starts and new fresh faces and all their worries and concerns.

Fall changes us like the light of fall changes everything it touches.  I may not be a rich crimson like the leaves around me, nevertheless I am thoroughly changed.

 

 

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The Windowed Light

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In its web I see the mountains
swell with slow rhythmic oscillations
in a sea of sky and waves of breaking clouds.

I listen to the leaves—
those that fall, those that persist
on their dichotomy of stems—

Dissection never reveals the whole.
The fragile rings hide their slender strength,
as the trees abide the sultry air,

brandishing their rattling bassinets
in Spring and in the throes of Autumn
drop their dappled dress exposed.

This is the fineness that holds me
here, fibers that vibrate from my searching
for the words to describe them,

words, like houses made of trees,
that let the winds play at their doors,
and let the windowed light know where I am.
~Richard Maxson, from “A Green and Yellow Basket” in Molly and the Thieves

 

 

 

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There are no words for this light, for this color, for this richness
so I simply dwell within it, failing to describe it.

I can’t stop looking, can’t stop breathing it in.

How is it dying is so glorious that it makes me gasp at being alive?

 

 

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A Mosaic of the Seasons

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Winter is an etching,
spring a watercolor,
summer an oil painting

and autumn a mosaic of them all.
~Stanley Horowitz

 

 

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Autumn does have a culminating sense about it: it is the finale, the wrap up, the faretheewell, the new leaf turned, now tired.

Everything that has come before is still here, under cover of glorious color and will remain after that last leaf falls and is recycled.

So we begin again with the annual rotation of the etchings, the pastels, the full throated oils and the ultimate mosaic.

The Artist’s signature can be spotted on every canvas.

 

 

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Begin the Day Slow

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O hushed October morning mild,
Thy leaves have ripened to the fall;
Tomorrow’s wind, if it be wild,
Should waste them all.
The crows above the forest call;
Tomorrow they may form and go.
O hushed October morning mild,
Begin the hours of this day slow.
Make the day seem to us less brief.
Hearts not averse to being beguiled,
Beguile us in the way you know.
Release one leaf at break of day;
At noon release another leaf;
One from our trees, one far away.
Retard the sun with gentle mist;
Enchant the land with amethyst.
~Robert Frost, from “October” in A Boy’s Will

 

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These mornings I wander stunned by light and mist
to see trees tremble inside their loosening cloaks,
a pulsing palette of color ready to detach,
revealing mere bones and branches.

I want to slow it down,
leave the leaves attached like a fitted mosaic
rather than randomly falling away.

Their release is not their choosing:
the trees know it is time for slowly letting go~
readying for sleep, for sprouts and buds, for fresh tapestry to be woven
from October’s leaves lying about their feet.

 

 

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One Alone Together

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l (a

le
af
fa
ll

s)
one
l
iness…

~e.e. cummings

 

 

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So many feel they are the only one
to fall
until they land in a cushion of others
comforted.

Some dangle suspended
twisting and turning in the slightest breeze
not knowing when the fall will come.

I know I’m both~
one alone
and many together

held by a slender silken thread
until the moment comes
when I’m let go.

 

 

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