Known Autumn Too Long

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A wind has blown the rain away
and blown the sky away
and all the leaves away,
and the trees stand.
I think, I too,
have known autumn too long.
~e.e. cummings

 

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No matter how stripped down I feel~
how “autumned” I’ve become:
defenseless, uncovered, barren,
soaked through by the rains
and chilled by the winds of the coming winter

I once was ablaze, alive, vibrant,
burning with color and passion,
and will be again.
Autumn is never the end of my story.

 

 

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Flowers of the Sad Human Mind

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In the high woods that crest our hills,
Upon a steep, rough slope of forest ground,
Where few flowers grow, sweet blooms to–day I found
Of the Autumn Crocus, blowing pale and fair.
Dim falls the sunlight there;
And a mild fragrance the lone thicket fills.

Child of the pensive autumn woods!
So lovely, though thou dwell obscure and lone,
And though thy flush and gaiety be gone;
Say, among flowers of the sad, human mind,
Where shall I ever find
So rare a grace? in what shy solitudes? 
~Robert Laurence Binyon from “Autumn Crocus”

 

 

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Whether mid-winter or early autumn
the crocus are unexpected,
surprising even to the observant.

Hidden potential beneath the surface,
an incubation readily triggered
by advancing or retreating light from above.

Waiting with temerity,
to be called forth from earthly grime
and granted reprieve from indefinite interment.

A luminous gift of hope and beauty
borne from a humble bulb;
plain and only dirt adorned.

Summoned, the deep lavender harbinger rises
from sleeping frosted ground in February
or from spent topsoil, exhausted in October.

These bold blossoms do not pause
for snow and ice nor hesitate to pierce through
a musty carpet of fallen leaves.

They break free to surge skyward
cloaked in tightly bound brilliance,
spaced strategically to be deployed against the darkness.

Slowly unfurling, the tender petals peel to reveal golden crowns,
royally renouncing the chill of winter’s beginning and end,
staying brazenly alive when little else is.

In the end,  they painfully wilt, deeply bruised and purple
under the Sun’s reflection made manifest;
returning defeated, inglorious, fallen, to dust.

Yet they will rise again.

 

 

…we know what is coming behind the crocus. The spring comes slowly down this way; but the great thing is that the corner has been turned. . . It remains with us to follow or not, to die in this winter, or to go on into that spring and that summer.
C.S. Lewis from God in the Dock

 

 

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Hope Beats with Strong Wings

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Now we must look about us. Near at hand
cloud like a fist has closed on all the hills
and by this meager daylight on our land
we see just this, and this, and not beyond.

The sodden trees emerge and stand revealed;
we must acknowledge each one as it is,
stripped and stark, its basic structure clear,
the last leaves fallen, summer’s season dead.

And day on day the soft mist softly falls
as the long rain drives across the field
and all the while what we had seen beyond
is lost and shut as if it never were.

And we look closely at each other now,
the bleak roots, black grass, and the muddy road,
the litter that we never cleared away,
the broken flowers from a summer’s day –

Oh, stark and clearly we must look within
to weigh at last our purity and sin.

Oh, lovely hills in sunlight far away,
Oh, curving valley where the river sings!
Remembering, we live this discipline,
and hope still beats about us with strong wings.
~Jane Tyson Clement “November Rain” from No One Can Stem The Tide.

 

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Stripped and stark — if fall and winter were the ending of all things, there would be no hope.
There would be no sun shining on the hills far beyond me to reflect back what is coming, and what has been.

When I am down to the bare and broken essentials — so bleak and muddy and the too-early dark — I seek the strength of the wings whooshing through air above me, alive, vibrant, purposeful.
I know this resting pause is not the end.  Never has been.  Never will be.

 

 

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Necklace of Days

 

 

It is a dark fall day.
The earth is slightly damp with rain.
I hear a jay.
The cry is blue.
I have found you in the story again.
Is there another word for “divine”?
I need a song that will keep sky open in my mind.
If I think behind me, I might break.
If I think forward, I lose now. 
Forever will be a day like this
Strung perfectly on the necklace of days.
Slightly overcast
Yellow leaves
Your jacket hanging in the hallway
Next to mine.
~Joy Harjo “Fall Song”

 

 

 

 

 

In the string of fall days,
each differs from the one before
and the one that comes after,
a transitional linkage to winter
at once gradual and unrelenting.
If I were to try to stop time,
hold tight a particular moment,
this necklace of days would break and scatter,
as the connection depends
on what was before
what is now
and what is to come.

 

As Trees Undress

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Everybody here knows what you mean
when you say, “The colors,” especially now,

the second day in October. They know
you’re talking about leaves turning away

from green — as in the yellows of elm and cottonwood,
the red-orange maple, the purple-red ash and aspen gold.

But only because we live here. Someplace else, where a year
is not so divided by seasons, colors

means something else — as in a knitter’s choice of skeins,
a budding artist’s paints for her work

in progress, a chef’s arrangement of aubergines
nestled against purple baby potatoes

and yams as bright as, yes, the turning leaves.
Colors — as in every shade surrounding

the second day of October, the day this year
when my mother would have turned eighty

and I remember that she loved palette words:
ecru,
chartreuse,
fuchsia,
and all the brightest reds
of the turning leaves.
~Monica Sharman, “The Colors” from Monica Sharman Editing

 

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I’m wistful about the flame-out of color happening now – autumn leaves have been so exorbitantly boisterous and vibrant that watching the trees undressed by the wind feels unseemly and scandalous.  They seem more naked than usual because their costuming has been so extravagantly rich for weeks.

I’m depleted of exuberant words to describe the landscape so will just settle in behind my retinas and enjoy what’s left for dessert.  I’m satiated and ready for a nap.

Through the deep of winter, as I close my eyes,  visions of reds and golds and oranges will continue to dance merrily in my head.

 

 

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A Mosaic of Leaves

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And then in the falling comes a rising, 
as of the bass coming up for autumn’s last insects 
struggling amid the mosaic of leaves on the lake’s surface. 
We express it as the season of lacking, but what is this nakedness
— the unharvested corn frost-shriveled but still a little golden 
under the diffuse light of a foggy sky,
the pin oak’s newly stark web of barbs, the woodbine’s vines 
shriven of their scarlet and left askew in the air 
like the tangle of threads on the wall’s side 
of the castle tapestry—what is it but greater intimacy,
the world slackening its grip on the veils, letting them slump
to the floor in a heap of sodden colors, and saying,
this is me, this is my skeletal muscle, 
my latticework of bones, my barren winter skin, 
this is it and if you love me, know that this is what you love. 
~Laura Fargas “October Struck” from Animal of the Sixth Day

 

 

 

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Something about the emerging nakedness of autumn reassures that we can be loved even when stripped down to our bones. We do make quite a show of shedding our coverings, our bits and pieces fluttering down to rejoin the soil, but what is left is meager lattice.

But when the light is just right, we are golden, illuminated and illuminating, even if barely there.

 

 

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This Wild November

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The wild November come at last
Beneath a veil of rain;
The night winds blows its folds aside,
Her face is full of pain.

The latest of her race, she takes
The Autumn’s vacant throne:
She has but one short moon to live,
And she must live alone.

A barren realm of withered fields
Bleak woods of fallen leaves,
The palest morns that ever dawned,
The dreariest of eves:

It is no wonder that she comes
Poor month, with tears of pain:
But what can one so hopeless do,
But weep, and weep again?
~Richard Henry Stoddard “November”

 

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November is here,
having swept in on rain and wind,
leaving a mess of sorrow and silt in its wake,
a reminder of our fragility and need for shelter
from the storms of life.

Blown off course,
drenched to the marrow,
pining for the light lost
to the advancing calendar,
we hunker down in place,
burrowing in for the long dark winter.

It is coming,
this veil of tears.
It is coming,
these night winds blowing away
our shield and protection.
It is coming,
this new moon forgetting how to shine.

Even so.
Our light illuminates from within,
ignited and irrepressible,
fueled by an overflowing abundance
of gentle loving and tender mercies.

 

 

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