The Life That I Try

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Let there be not only the roses,
Not only the buds of the day,
But the noon and the hour that discloses
The full flower torn away:

Not only the bliss and the sweet
When the sun is soft and low,
But the weary aching of feet
Tired out by the harrow and hoe:

Not only the gazing and sighing
Where the heather stands thick on the moor,
But the lonely watch and the crying,
With hunger awake at the door:

Not only the wonder of reaping
The fruit that hangs red on the bough,
But the strain and the stagger of creeping
In the brown wake of the plough.

Let this be the way that I go,
And the life that I try,
My feet being firm in the field,
And my heart in the sky.
~Philip Bliss from Water at the Roots

 

 

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Within each day of each life
hides the joy of discovery
despite the weariness.

The truth of it is:
a hunger and ache consume me
if I don’t seek out and harvest beauty
growing in each moment.

Though my boots are dusty
and my steps less sure,
the life I try on each day
is the certainty of a heart in bloom.

 

 

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The First Gray Hair

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The foliage has been losing its freshness through the month of August, and here and there a yellow leaf shows itself like the first gray hair amidst the locks of a beauty who has seen one season too many.
~Oliver Wendell Holmes

 

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August has been particularly wearing on so many folks this year, aging us beyond recognition after weeks of smoke-filled horizons.  Those whose forests and homes have burned have nothing but cinders to return to.  My concerns are mere in comparison, as the ash sent forth from such destruction is only irritant and inconvenience, rather than the residue of lost life.

Yet no one thrives in a world of fire and ash as we go gray as the sky, as if we have lived one summer too many.

I dream of what was: green and lush foliage and cool rains with the occasional welcome glimpse of a yellow, rather than red, sun.

Color the gray away to thwart the inevitable?  Not this woman.  I await a different beauty, even if only in my dreams…

 

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Heart Strung on Tethers

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A weaver, this spider, she plays her eight thin
black legs and their needle-nail toes across
the threads faster, more precisely, than a harpist
at concert can pluck the strings in pizzicato.

Although blind at night, she nevertheless
fastens a thread to a branch of chokecherry
on one side of the path, links it to a limb
of shining sumac opposite, latches the scaffold
to ground stone and brace of rooted grasses.
And the structure takes dimension.

Skittering upside down across and around,
she hooks the hooks, knots the widening
spirals, the tightened radii, orbs and hubs,
bridges and bridgeheads. We can never hear
the music she makes as she plucks her silk
strings with all the toes and spurs and tarsal
tufts of her eight legs at once. She performs
the reading of her soul.

She expands the sky, her completed grid
a gamble, a ploy played on the night. The silk
is still, translucent and aerial, hanging in a glint
of half-moon. The work is her heart strung
on its tethers, ravenous, abiding.
~Pattiann Rogers from  “Hail, Spirit”

 

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I too often feel stretched between several points as well.

I attach to important touch points and I weave between them, sometimes not sure where I’ll land or what I’ll connect with or what I’ll leave behind.

Sometimes what I create is beautifully delicate and functional.
Sometimes it is blurry and out of focus.
The center doesn’t always hold.  The tethers loosen.  The periphery frays.

But it was once something.  That’s all that matters.

 

 

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The Thing With Feathers

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“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –
And sweetest – in the Gale – is heard –
And sore must be the storm –
That could abash the little Bird
That kept so many warm –
I’ve heard it in the chillest land –
And on the strangest Sea –
Yet – never – in Extremity,
It asked a crumb – of me.
~Emily Dickinson
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Our local fair feels much like I remember when I was a child in the 60’s, accompanying my father to the Lynden fairgrounds during those summers of political and social turmoil.  His job was to supervise the teachers of FFA kids (Future Farmers of America) so he did the rounds of the regional and county fairs and my brother and I tagged along to explore the exhibits and go on rides.

The heart beat of a country fair pulses deep for me: I fell in love with my future husband at a fair, and we spent twenty years from 1992-2012 at the local Lynden fair exhibiting our Haflinger horses together as family and friends. Once our children grew and flew away four years ago, my husband and I were relegated to mere fair-goers, exploring exhibits without the need to show up to muck out stalls at 6 AM.

The chicken exhibit building is one of the same buildings I wandered through as a child over fifty years ago.  As we entered, it struck me I was admiring designs and color schemes, layered with nuance and texture, much like the nearby quilt exhibit — these feathers are God’s threads put to exquisite use to blanket a mere chicken.
So much design, so much detail, so much hope covers something as mere as a chicken … and me.
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The Power To Break Rocks

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“The violets in the mountains have broken the rocks.”
~Tennessee Williams in “Camino Real”
(These words became his epitaph)

 

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Some beginnings in this life commence on inhospitable ground:
no soil, no protection, no nurture, barely enough water.

Here lies a drive to thrive and transcend: forcing through a crack in the pavement while exposed to relentless heat.

Such delicate beauty comes from nothing but a seed packed with the potential to transform its circumstances through perseverance.  We all are created with the potential power to break through rocks and change the world.

Forever and ever.

Amen.

 

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Only Partly Alive

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You who believe,
and you who sometimes believe and sometimes don’t believe much of anything,
and you who would give almost anything to believe if only you could.

You happy ones and you who can hardly remember what it was like once to be happy.

You who know where you’re going and how to get there
and you who much of the time aren’t sure you’re getting anywhere.

“Get up,” he says, all of you – all of you! –
and the power that is in him is the power to give life not just to the dead like the child,

but to those who are only partly alive,
which is to say to people like you and me

who much of the time live with our lives closed to the wild beauty and miracle of things, including the wild beauty and miracle of every day we live

and even of ourselves.

~Frederick Buechner -Originally published in Secrets in the Dark

 

 

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May I never just be partly alive…

To be fully alive to the wild beauty and miracle of every day,
I also must know disappointment and discouragement
and death.

It is part of the package:
the shadows as well as the brilliance.

I heed the call to “get up!” no matter what.

And believe
~truly believe~
I am called to be alive this day.

 

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Lost in the Clover

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Some sings of the lily, and daisy, and rose,
And the pansies and pinks that the Summertime throws
In the green grassy lap of the medder that lays
Blinkin’ up at the skyes through the sunshiney days;
But what is the lily and all of the rest
Of the flowers, to a man with a hart in his brest
That was dipped brimmin’ full of the honey and dew
Of the sweet clover-blossoms his babyhood knew?
I never set eyes on a clover-field now,
Er fool round a stable, er climb in the mow,
But my childhood comes back jest as clear and as plane
As the smell of the clover I’m sniffin’ again;
And I wunder away in a bare-footed dream,
Whare I tangle my toes in the blossoms that gleam
With the dew of the dawn of the morning of love
Ere it wept ore the graves that I’m weepin’ above.

And so I love clover–it seems like a part
Of the sacerdest sorrows and joys of my hart;
And wharever it blossoms, oh, thare let me bow
And thank the good God as I’m thankin’ Him now;
And I pray to Him still fer the stren’th when I die,
To go out in the clover and tell it good-bye,
And lovin’ly nestle my face in its bloom
While my soul slips away on a breth of purfume
~James Whitcomb Riley “The Clover Poem”

 

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Lightly it flew to the pleasant home
Of the flower most truly fair,
On Clover’s breast he softly lit,
And folded his bright wings there.
‘Dear flower,’ the butterfly whispered low,
‘Long hast thou waited for me;
Now I am come, and my grateful love
Shall brighten thy home for thee;
Thou hast loved and cared for me, when alone,
Hast watched o’er me long and well;
And now will I strive to show the thanks
The poor worm could not tell.
Sunbeam and breeze shall come to thee,
And the coolest dews that fall;
Whate’er a flower can wish is thine,
For thou art worthy all.
~Louisa May Alcott from “Clover-Blossom”

 

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Can anything be as plain to the eye as one of a million clover blossoms?

Then you look up close.
There is nothing quite as lovely — each individual little bloom of the clover ball is a part of a greater whole.

Here is a place to tangle our toes and nestle our nose.
Here we roll over.
Here we find the sacredest sorrow and joy of our heart.
Here is a place to get lost and be found.

 

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