To Find the Poem Itself

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In science we have been reading only the notes to a poem:
in Christianity we find the poem itself.
~C.S. Lewis from Miracles

 

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Science fails when we need a miracle:
it can’t
~love us always no matter what,
~give us reason to keep on living when we want to give up,
~grasp the hand of the dying who aren’t ready,
~provide hope to the weak and courage to the fearful,
~become sacrifice for all we’ve done wrong,
~redeem us through everlasting forgiveness and grace.

Science is merely the footnote
to a Word and Truth more vast:
a fermata allowing us just a long enough rest to admire Creation,
dwelling for a moment of silence
inside His ultimate symphonic Work.

 

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Running Over the Headed Grass

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Light and wind are running
over the headed grass
as though the hill had 
melted and now flowed.
~Wendell Berry “June Wind”

 

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It is haying time now, as soon as another stretch of clear days appears on the horizon.  We missed a haying window last week, and now are staring at a week and a half of uncertain weather with forecast rain and clouds interspersed among sunny warmer days.

The headed grass is growing heavier, falling over, lodged before it can be cut, with the undulations of moist breezes flowing over the hill.   It has matured too fast, rising up too lush, too overcome with itself so that it can no longer stand.  It is melting and undulating like a lava flow, pulled back into the soil.

We must move fast to save it.

Light and wind work magic on our hill.  The blades of the mower will come soon to lay it to the ground in green streams that flow up and down the slopes.  It will lie comfortless in its stoneless cemetery rows, until tossed about by the tedder into random piles to dry, then raked back into a semblance of order in mounded lines flowing over the landscape.

It will be crushed and bound together for transport to the barn, no longer bending but bent, no longer flowing but flown, no longer growing but grown.

Salvaged.

It becomes fodder for the beasts of the farm during the cold nights when the wind beats at the doors.   It melts in their mouths, as it was meant to, just as we are meant to melt and flow ourselves, rescued by light and wind and spirit.

Saved.

 

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The Velvet of Sleep

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The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

 

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Each of many nights of a child wakening,
each of many moments of rocking them in the dark,
lulling them back to that soft velvet of sleep,
I feel my budding love
unfurling in fragrance
of blossomed fullness,
unfurling until there is no inner spiral left,
and each petal, one by one, drops away,
grateful.

 

 

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Almost There

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Take me as I drive alone
Through the dark countryside.
As the strong beams clear a path,
Picking out fences, weeds, late
Flowering trees, everything
That streams back into the past
Without sound. I smell the grass
And the rich chemical sleep
Of the fields. An open moon
Sails above, and a stalk
Of red lights blinks, miles away.

It is at such moments I
Am called, in a voice so pure
I have to close my eyes and enter
The breathing darkness just beyond
My headlights. I have come back.
I think, to something I had
Almost forgotten, a mouth
That waits patiently, sighs, speaks,
And falls silent. No one else
Is alive. The blossoms are
White, and I am almost there.
Robert Mezey “White Blossoms” from Collected Poems

 

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So much of our lives, we travel in near darkness, barely discerning where we are headed, the beams of the headlights only reaching so far.  It is disconcerting not knowing the destination or when the journey will end.

Traveling blind, so to speak.

Yet there is much to see and hear and touch along the way, so we stay awake and pay attention.

We’re almost there.  Almost there.

 

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Their Eyes Shine, Reflecting Stars

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Two whistles, one for each,
and familiar sounds draw close in darkness—
cadence of hoof on hardened bottomland,
twinned blowing of air through nostrils curious, flared.
They come deepened and muscular movements
conjured out of sleep: each small noise and scent
heavy with earth, simple beyond communion…

…and in the night, their mares’ eyes shine, reflecting stars,
the entire, outer light of the world here. 
~Jane Hirschfield from “After Work”

 

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It’s tempting to fall into this fathomless well –
Their eyes are what I see first,
This retinal magnet drawing my own into
Such incalculable depths.

Yet I’m merely reflected like starlight;
Only dancing on a mirrored surface
When I long to dive in deeper~
To be so lost I must be found.

 

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Lost in the Clover

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Some sings of the lily, and daisy, and rose,
And the pansies and pinks that the Summertime throws
In the green grassy lap of the medder that lays
Blinkin’ up at the skyes through the sunshiney days;
But what is the lily and all of the rest
Of the flowers, to a man with a hart in his brest
That was dipped brimmin’ full of the honey and dew
Of the sweet clover-blossoms his babyhood knew?
I never set eyes on a clover-field now,
Er fool round a stable, er climb in the mow,
But my childhood comes back jest as clear and as plane
As the smell of the clover I’m sniffin’ again;
And I wunder away in a bare-footed dream,
Whare I tangle my toes in the blossoms that gleam
With the dew of the dawn of the morning of love
Ere it wept ore the graves that I’m weepin’ above.

And so I love clover–it seems like a part
Of the sacerdest sorrows and joys of my hart;
And wharever it blossoms, oh, thare let me bow
And thank the good God as I’m thankin’ Him now;
And I pray to Him still fer the stren’th when I die,
To go out in the clover and tell it good-bye,
And lovin’ly nestle my face in its bloom
While my soul slips away on a breth of purfume
~James Whitcomb Riley “The Clover Poem”

 

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Lightly it flew to the pleasant home
Of the flower most truly fair,
On Clover’s breast he softly lit,
And folded his bright wings there.
‘Dear flower,’ the butterfly whispered low,
‘Long hast thou waited for me;
Now I am come, and my grateful love
Shall brighten thy home for thee;
Thou hast loved and cared for me, when alone,
Hast watched o’er me long and well;
And now will I strive to show the thanks
The poor worm could not tell.
Sunbeam and breeze shall come to thee,
And the coolest dews that fall;
Whate’er a flower can wish is thine,
For thou art worthy all.
~Louisa May Alcott from “Clover-Blossom”

 

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Can anything be as plain to the eye as one of a million clover blossoms?

Then you look up close.
There is nothing quite as lovely — each individual little bloom of the clover ball is a part of a greater whole.

Here is a place to tangle our toes and nestle our nose.
Here we roll over.
Here we find the sacredest sorrow and joy of our heart.
Here is a place to get lost and be found.

 

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One Tree – A Hundred Backdrops

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If I can put one touch of rosy sunset into the life of any man or woman, I shall feel that I have worked with God.
~G.K. Chesterton

 

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Most evenings there is no sunset fanfare, no departing glowing orb on the horizon, no color spreading upward into the clouds.  The typical evening canvas is just grey and ordinary at dusk, transitioning to twilight, giving into nightfall.

Grey–>darkergrey–>black.

Yet there are times not at all ordinary.  On those evenings, the Master reaches deep for his palette and starts mixing.  As He begins His work,  grey gradually gives way to amber and orange, shifting to red and purple and yellow.   A daub here, a speckle there, then full out splash and streak.  The backdrop is never the same night after night.  He takes creative license with His creation.

We are invited to pick up a brush and apprentice for Him, learning the sweep of the hand, the grace of the wrist stroke, the fine work of the brush tip outlining the black of darkening shadows.

There can be no wrong color combination; anything goes.  It is a riveting gift of extraordinary artwork: it is meant to be shared, to be taught, to be cherished even if only for a few brief minutes.

When the sky glows like unfolding rose petals, all will see it; this work won’t be hidden away in a gallery or museum.

All too soon it moves on, the canvas plain and dark once again.  And we’re left holding the brush, eager and ready to try again when the timing is right.

 

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There is no way in which a man can earn a star or deserve a sunset.
~G.K. Chesterton

 

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