The Fragility of the Flower Unbruised

It is at the edge of a petal that love waits.

The fragility of the flower 
unbruised 
penetrates space
~William Carlos Williams from Spring and All (1923)

It is common to look for love only inside the heart of things, pulsing front and center as both showpiece and show off.    We think of love reverberating from deep within, loud enough for all the world to hear and know it is so.

But as I advance on life’s road, I have found the love that matters lies quietly waiting at the periphery of our hearts, so fragile and easily torn as a petal, often drenched in tears –  clinging to the edges of our lives and barely holding on through storms and trials.

This love remains ever-present , both protects and cherishes, fed by fine little veins which branch out from the center of the universe to the tender margins of infinity.

It is on that delicate edge of forever we dwell, our thirst waiting to be slaked and we stand ready, trembling with anticipation.

A Christmas Paradox: Fresh Born and Cross-Blessed

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As once a Child was planted in a womb
(and later, erected on a hill, a wooden cross)
one year we dug a hole to plant a tree.
Our choice, a Cornus Kousa with its fine,
pink, four-petaled bracts, each curving lip
touched with a red as deep as human blood.
It rooted well, and every year it grows
more glorious, bursting free in Spring—bud
into full flower, flame-colored, flushed as wine.
Even the slim sapling’s roughened bark
speaks of that tree, nail-pierced and dark.
Now, each new year, fresh blossoms shine
radiant, and each cross-blessed,
as if all love and loveliness has been compressed
into a flower’s face, fresh as the Son’s
new-born presence, a life only just begun.

The dogwood leaves turn iron red in Fall,
their centers fully ripening—into small seeded balls,
each one a fruit vivid as Mary’s love, and edible.
The sciontree, once sprung from Jesse’s root,
speaks pain and life and love compressed
and taken in, eye, mouth, heart. Incredible
that now all Eucharists in our year suggest
the living Jesus is our Christmas guest.
~Luci Shaw “Dogwood Tree” from 
Eye of the Beholder

 

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God is in the manger, wealth in poverty, light in darkness, succor in abandonment.
No evil can befall us; whatever men may do to us, they cannot but serve the God who is secretly revealed as love and rules the world and our lives.

— Dietrich Bonhoeffer from God Is in the Manger

 

 

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Today we celebrate the paradox of Christ, the Son of God, coming to the world through the womb of a woman, born homeless in order to bring us home with Him.

The uncontainable contained
the infinite made finite
the Deliverer delivered
the Eternal dwelling here and now,
already here but not yet.

We, the children of the Very God of Very God,
are cross-blessed to know He is found, fresh-born, beside us.
We have only to look, listen and taste.

 

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Remain As We Are

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Our final dogwood leans
over the forest floor

offering berries
to the birds, the squirrels.

It’s a relic
of the days when dogwoods

flourished—creamy lace in April,
spilled milk in May—

their beauty delicate
but commonplace.

When I took for granted
that the world would remain

as it was, and I
would remain with it.
~Linda Pastan “Elegy”

 

 

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The inevitable change of the seasons, as portrayed by the branches of our aging pink dogwood tree, is a reminder nothing stays the same.

Like this old tree, I lean over more, I have a few bare branches with no leaves, I have my share of broken limbs, I have my share of blight and curl.

Yet each stage and transition has its own beauty:  a breathtaking depth of color flourishes on what once was bare.

Nothing is to be taken for granted.  Nothing remains as it was.

Especially me.  Oh, especially me.

 

 

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Pink Synchrony

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After all, I don’t see why I am always asking for private, individual, selfish miracles when every year there are miracles like <white> dogwood.   (I insert pink here)
~Anne Morrow Lindbergh

It started this weekend.  The dogwood tree right in front of our porch, having looked pretty much dead to the world since October, started to bud out in subtle pink petaled blossoms. Last week there had been nothing remarkable whatsoever about the tree.

Suddenly it is a feast for the eyes, almost blinding in its brilliance.

Each year the old dogwood startles me.  From dead to brilliant in a mere two weeks.  And not only our tree, but every other pink dogwood within a twenty mile radius has answered the same April siren call: bloom!  bloom your heart out!  dazzle every retina in sight!

And it is done simultaneously on every tree, all the same day, without a sound, without an obvious signal, as if an invisible conductor had swooped a baton up and in the downbeat everything turned pink.  Or perhaps the baton is really a wand, shooting out pink stars to paint these otherwise plain and humble trees, so inconspicuous the rest of the year.

Ordinarily I don’t dress up in finery like these trees do.  I prefer inconspicuous myself.  But I love the celebratory joy of those trees in full blossom and enjoy looking for them in yards and parks and along sidewalks.

Maybe there is something pink in my closet I can wear.  Maybe conspicuous every once in awhile is exactly what is needed.

 

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Drawing Light from Shadow

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Tree, we take leave of you; you’re on your own.
Put down your taproot with its probing hairs
that sluice the darkness and create unseen
the tree that mirrors you below the ground.
For when we plant a tree, two trees take root:
the one that lifts its leaves into the air,
and the inverted one that cleaves the soil
to find the runnel’s sweet, dull silver trace
and spreads not up but down, each drop a leaf
in the eternal blackness of that sky.
The leaves you show uncurl like tiny fists
and bear small button blossoms, greenish white,
that quicken you. Now put your roots down deep;
draw light from shadow, break in on earth’s sleep.
~Roy Scheele “Planting a Dogwood”
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If I Might…

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If I might see another Spring
I’d laugh to-day, to-day is brief;
I would not wait for anything;
I’d use to-day that cannot last,
Be glad to-day and sing.
~Christina Georgina Rossetti from “Another Spring”

 

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