The Windowed Light

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In its web I see the mountains
swell with slow rhythmic oscillations
in a sea of sky and waves of breaking clouds.

I listen to the leaves—
those that fall, those that persist
on their dichotomy of stems—

Dissection never reveals the whole.
The fragile rings hide their slender strength,
as the trees abide the sultry air,

brandishing their rattling bassinets
in Spring and in the throes of Autumn
drop their dappled dress exposed.

This is the fineness that holds me
here, fibers that vibrate from my searching
for the words to describe them,

words, like houses made of trees,
that let the winds play at their doors,
and let the windowed light know where I am.
~Richard Maxson, from “A Green and Yellow Basket” in Molly and the Thieves

 

 

 

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There are no words for this light, for this color, for this richness
so I simply dwell within it, failing to describe it.

I can’t stop looking, can’t stop breathing it in.

How is it dying is so glorious that it makes me gasp at being alive?

 

 

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Nature’s Funeral Month

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October is nature’s funeral month.
Nature glories in death more than in life.
The month of departure is more beautiful
than the month of coming – October than May.
Every green thing
loves to die in bright colors.
~Henry Ward Beecher
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I don’t know…
I myself feel pretty drab these days, gray and fading,
with ripples and wrinkles, more fluff than firm.I’m reminded to hang on to an October state of mind:
more raucous color than somber funereal attire
so when it is time to take my leave,
I go brightly, in joyous celebration of what has been~~
and knowing, without any doubt,
where I’m heading as I wander down the road a piece.
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A Residual Celestial Heat

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“Somehow the question of identity is always emerging on this farm. I found the body of a barn swallow lying just inside the barn the other day. There was no telling how it died. I noticed the intense particularity of its body, its sharply cut wings, the way its plumage seemed to glow with some residual celestial heat. But it was the particularity of death, not the identity of life, a body in stillness while all around me its kin were twittering and swooping in and out of the hayloft.”
~Verlyn Klinkenborg from “A Swallow in the Hand”

 

 

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Stumbling across death on the farm is always startling.  The farm teems with life 24 hours a day: frogs croaking, dawn bird chorus, insects buzzing and crawling, cats stalking, coyotes yipping, raccoons stealing, dogs wagging, horses galloping, owls and bats swooping.  Amid so much activity, it doesn’t seem possible that some simply cease to be.

An ancient apple tree mysteriously topples over one morning, a beloved riding horse dies of colic, another dies of lymphoma, an old cat finds her final resting place in the hay loft, another old cat naps forever under a tree,  a newborn foal fails to break free of its amniotic sac, another foal delivered unexpectedly and prematurely lies still and lifeless in the shavings of the stall, a vibrantly alive dog is put to sleep due to a growing tumor,  an old dog passes during an afternoon nap, a predator raids the dove cage and leaves behind carnage, our woods bears its own tragic history.

Yet, as often as it happens,  there is a unique particularity about the end of life.  The stillness of death permits a full appreciation of who this individual is, the remarkable care that went into creating every molecule of its being.

The sudden presence of absence is a stark and necessary reminder of what I myself want to leave behind.

In truth, we will glow with residual celestial heat, still warm even after our hearts cease to beat.  We are distinct individuals in our own particularity:  living and dying at a particular time and place as a unique creature, given a chance in the cosmos of infinite possibilities.  The Creator knit us together specially, every feather, hair, bone and sinew a unique work of His Hands, and what we do with what we are given is the stuff between our first God-given breath and our last, handed back to Him.

May we not squander our particular role in the history of the world.

 

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To Find the Poem Itself

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In science we have been reading only the notes to a poem:
in Christianity we find the poem itself.
~C.S. Lewis from Miracles

 

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Science fails when we need a miracle:
it can’t
~love us always no matter what,
~give us reason to keep on living when we want to give up,
~grasp the hand of the dying who aren’t ready,
~provide hope to the weak and courage to the fearful,
~become sacrifice for all we’ve done wrong,
~redeem us through everlasting forgiveness and grace.

Science is merely the footnote
to a Word and Truth more vast:
a fermata allowing us just a long enough rest to admire Creation,
dwelling for a moment of silence
inside His ultimate symphonic Work.

 

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A Breath Does the Rest

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This dandelion has long ago surrendered its golden petals, and has reached its crowning stage of dying – the delicate seed globe must break up now – it gives and gives till it has nothing left.  The hour of this new dying is clearly defined to the dandelion globe; it is marked by detachment.  There is no sense of wrenching; it stands ready, holding up its little life, no knowing when or where or how the wind that bloweth where it listeth may carry it away.  It holds itself no longer for its own keeping, only as something to be given; a breath does the rest…
~Lilias Trotter from “The Dandelion”

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The farm is covered with them now;  momentary perfection standing ready to break apart and fly whether jostled by human or animal, breeze or breath.

The sacrifice of one becomes a gift of millions. A breath started it all and ends it all.

How can it be when nothing is left, everything is gained?

 

 

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Let Us Go In

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Let us go in; the fog is rising…
~Emily Dickinson, her last words

 

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I have watched the dying
in their last hours:
often they see what I cannot,
listen to what is beyond my hearing,
stretch their arms overhead
as fingers touch what is beyond my reach.

I watch and wonder what it will be like
to reverse the steps that brought me here
from the fog of amnion.

The mist of living lifts
as we enter a place
unsurpassed in brilliance and clarity;
the mystery of what lies beyond is solved
simply by going in.

 

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The Dying of the Year

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Now winter downs the dying of the year,   
And night is all a settlement of snow; 
From the soft street the rooms of houses show   
A gathered light, a shapen atmosphere,   
Like frozen-over lakes whose ice is thin   
And still allows some stirring down within. 
These sudden ends of time must give us pause.   
We fray into the future, rarely wrought 
Save in the tapestries of afterthought. 
More time, more time. Barrages of applause   
Come muffled from a buried radio. 
The New-year bells are wrangling with the snow.
~Richard Wilbur from “Year’s End”
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The melancholy days are come, the saddest of the year,
Of wailing winds, and naked woods, and meadows brown and sear.
Heaped in the hollows of the grove, the autumn leaves lie dead;
They rustle to the eddying gust, and to the rabbit’s tread.
The robin and the wren are flown, and from the shrubs the jay,
And from the wood-top calls the crow through all the gloomy day.
~William Cullen Bryant from “The Death of the Flowers”

 

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These dark, icy,  and sodden days are scarcely recalled while basking in the lightness of June when the sun shines 19 hours a day.

There is no way to cope with such overwhelming darkness except by adding in a few minutes more a day over six months, otherwise the shock of leaving behind the light would be too great.  Howling wind knocks and batters, freezing rain beats mercilessly at the window panes to coat everything with a 1/4 inch of ice,  puddles stand deeper than they appear, mud sucks off boots, leaves are thoroughly shaken from embarrassed branches.

We have no remnant of summer civility and frivolity left; we must adapt or cry trying, only adding to a pervasive sogginess.

Nevertheless, these melancholy days have their usefulness — there are times of joyful respite from frenetic activity while reading, snuggled deep under quilts, safe and warm.  Without such stark contrast, the light and bright time of year would become merely routine, yet just another sunny day.

That never happens here in the Pacific northwest.

We celebrate the emerging light with real thanksgiving and acknowledge this encompassing darkness makes our gratitude more genuine.

We are privileged to live within such a paradox:  there is, after all, a certain gladness in our sadness.

 

 

 

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