God’s Gardener

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Grandma Kittie grew flowers–lots of them.  Her garden stretched along both sides of the sidewalk to her old two story farm house, in window boxes and beds around the perimeter, in little islands scattered about the yard anchored by a tree, or a piece of driftwood, a gold fish pond or a large rock.  Wisteria hung like a thick curtain of purple braids from the roof of her chicken coop, and her greenhouse, far bigger than her home, smelled moist and mossy with hanging fuschia baskets.  For her it was full time joy disguised as a job: she sold seedlings, and ready-to-display baskets, and fresh flower arrangements.  She often said she was sure heaven would be full of flowers needing tending, and she was just practicing for the day when she could make herself useful as a gardener for God.

Visiting Grandma was often an overnight stay, and summer evenings in her yard were heavy with wafting flower perfume.  One of her favorite flowers–indeed it was so hardy and independent it really could be considered a weed–was the evening primrose.  It was one of a few night blooming plants meant to attract pollinating moths.   Its tall stems were adorned by lance shaped leaves, with multiple buds and blooms per stem.  Each evening, and it was possible to set one’s watch by its punctuality, only one green wrapped bud per stem would open, revealing a bright yellow blossom with four delicate veined petals, a rosette of stamens and a cross-shaped stigma in the center, rising far above the blossom.  The yellow was so vivid and lively, it seemed almost like a drop of sun had been left on earth to light the night.  By morning, the bloom would begin to wither and wilt under the real sunlight, somehow overcome with the brightness, and would blush a pinkish orange as it folded upon itself, ready to die and drop from the plant in only a day or two, leaving a bulging seed pod behind.

I would settle down on the damp lawn at twilight, usually right before dusk fell, to watch the choreography of opening of blossoms on stem after stem of evening primrose.  Whatever the trigger was for the process of unfolding, there would be a sudden loosening of the protective green calyces, in an almost audible release.  Then over the course of about a minute, the overlapping yellow petals would unfurl, slowly, gently, purposefully, revealing their pollen treasure trove inside.   It was like watching time lapse cinematography, only this was an accelerated, real time flourish of beauty, happening right before my eyes.  I always felt privileged to witness each unveiling as Grandma liked to remind me that few flowers ever allowed us to behold their birthing process.  The evening primrose was not at all shy about sharing itself and it would enhance the show with a sweet lingering fragrance.

Grandma knew how much I enjoyed the evening primrose display, so she saved seeds from the seed pods for me, and helped me plant them at our house during one of her spring time visits.   I remember scattering the seeds with her in a specially chosen spot, in anticipation of the “drops of sun” that would grace our yard come summertime.  However, Grandma was more tired than usual on this particular visit, taking naps and not as eager to go for walks or eat the special meals cooked in honor of her visit.  Her usually resonant laughing brown eyes appeared dull, almost muddy.

The day she was to return home she came into the kitchen at breakfast time, wearily setting down her packed bags.  She gave me a hug and I looked at her, suddenly understanding what I had feared to believe.  Something was dreadfully wrong.  Grandma’s eyes were turning yellow.

Instead of returning home that day, she went to the hospital.  Within a day, she had surgery and within two days, was told she had terminal pancreatic cancer.  She did not last long, her skin becoming more jaundiced by the day, her eyes more icteric and far away.  She soon left her earthly gardens to cultivate those in heaven.

I’ve kept evening primrose in my garden ever since.  Grandma is inside each bloom as it unfolds precipitously in the evening, she wafts across the yard in its perfume.  Her spirit is a drop of sun coming to rest,  luminous,  for a brief stay upon the earth, only to die before we’re ready to let it go.  But as the wilted bloom lets go,  the seeds have already begun to form.

Grandma will grow flowers again–lots of them.

 

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The Life That I Try

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Let there be not only the roses,
Not only the buds of the day,
But the noon and the hour that discloses
The full flower torn away:

Not only the bliss and the sweet
When the sun is soft and low,
But the weary aching of feet
Tired out by the harrow and hoe:

Not only the gazing and sighing
Where the heather stands thick on the moor,
But the lonely watch and the crying,
With hunger awake at the door:

Not only the wonder of reaping
The fruit that hangs red on the bough,
But the strain and the stagger of creeping
In the brown wake of the plough.

Let this be the way that I go,
And the life that I try,
My feet being firm in the field,
And my heart in the sky.
~Philip Bliss from Water at the Roots

 

 

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Within each day of each life
hides the joy of discovery
despite the weariness.

The truth of it is:
a hunger and ache consume me
if I don’t seek out and harvest beauty
growing in each moment.

Though my boots are dusty
and my steps less sure,
the life I try on each day
is the certainty of a heart in bloom.

 

 

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The Great Good Night Rain

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Open the window, and let the air 
Freshly blow upon face and hair, 
And fill the room, as it fills the night, 
With the breath of the rain’s sweet might. 

Not a blink shall burn to-night 
In my chamber, of sordid light; 
Nought will I have, not a window-pane, 
‘Twixt me and the air and the great good rain, 
Which ever shall sing me sharp lullabies; 
And God’s own darkness shall close mine eyes; 
And I will sleep, with all things blest, 
In the pure earth-shadow of natural rest. 

~James Henry Leigh Hunt from “A Night-Rain in Summer”
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The rain returned briefly this weekend – a blissful reminder of God’s intent to refresh and replenish us when we are at our driest.
It is sweet to fall asleep listening in the dark to the patter of raindrops after weeks of drought.
I’ll make sure to remember the relief I felt these nights while grumbling and sloshing around in the fortieth day of rain this winter.
When will I be satisfied there is enough but not too much?
~~when God’s own darkness closes my eyes in natural rest and His glory opens my eyes to the illumination of eternity.
In the meantime, let it rain – preferably as I sleep.
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Warm and Steady Sweetness

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It’s ripe, the melon 
by our sink. Yellow, 
bee-bitten, soft, it perfumes 
the house too sweetly. 
At five I wake, the air 
mournful in its quiet. 
My wife’s eyes swim calmly 
under their lids, her mouth and jaw 
relaxed, different. 
What is happening in the silence 
of this house? Curtains 
hang heavily from their rods. 
Ficus leaves tremble 
at my footsteps. Yet 
the colors outside are perfect– 
orange geranium, blue lobelia. 
I wander from room to room 
like a man in a museum: 
wife, children, books, flowers, 
melon. Such still air. Soon 
the mid-morning breeze will float in 
like tepid water, then hot. 
How do I start this day, 
I who am unsure 
of how my life has happened 
or how to proceed 
amid this warm and steady sweetness?
~Albert Garcia from Skunk Talk 
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How do I start this day?
When sleep was elusive, the air still with heat at midnight.
When even a melon-colored sky looks dry along with everything beneath it.
When wildfire smoke drifts in on waves from north and south, obscuring, rounding out the sharp edges.

I accept the sweetness that is offered this tepid summer morning that will turn too hot.

I’m here.
Let the day begin.

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Only Partly Alive

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You who believe,
and you who sometimes believe and sometimes don’t believe much of anything,
and you who would give almost anything to believe if only you could.

You happy ones and you who can hardly remember what it was like once to be happy.

You who know where you’re going and how to get there
and you who much of the time aren’t sure you’re getting anywhere.

“Get up,” he says, all of you – all of you! –
and the power that is in him is the power to give life not just to the dead like the child,

but to those who are only partly alive,
which is to say to people like you and me

who much of the time live with our lives closed to the wild beauty and miracle of things, including the wild beauty and miracle of every day we live

and even of ourselves.

~Frederick Buechner -Originally published in Secrets in the Dark

 

 

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May I never just be partly alive…

To be fully alive to the wild beauty and miracle of every day,
I also must know disappointment and discouragement
and death.

It is part of the package:
the shadows as well as the brilliance.

I heed the call to “get up!” no matter what.

And believe
~truly believe~
I am called to be alive this day.

 

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The Velvet of Sleep

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The children have gone to bed.
We are so tired we could fold ourselves neatly
behind our eyes and sleep mid-word, sleep standing
warm among the creatures in the barn, lean together
and sleep, forgetting each other completely in the velvet,
the forgiveness of that sleep.

Then the one small cry:
one strike of the match-head of sound:
one child’s voice:
and the hundred names of love are lit
as we rise and walk down the hall.

One hundred nights we wake like this,
wake out of our nowhere
to kneel by small beds in darkness.
One hundred flowers open in our hands,
a name for love written in each one.
~Annie Lighthart “The Hundred Names of Love”

 

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Each of many nights of a child wakening,
each of many moments of rocking them in the dark,
lulling them back to that soft velvet of sleep,
I feel my budding love
unfurling in fragrance
of blossomed fullness,
unfurling until there is no inner spiral left,
and each petal, one by one, drops away,
grateful.

 

 

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The Light that gets Lost

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The world is blue at its edges and in its depths. This blue is the light that got lost. Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses among the molecules of the air, it scatters in water. Water is colorless, shallow water appears to be the color of whatever lies underneath it, but deep water is full of this scattered light, the purer the water the deeper the blue. The sky is blue for the same reason, but the blue at the horizon, the blue of land that seems to be dissolving into the sky, is a deeper, dreamier, melancholy blue, the blue at the farthest reaches of the places where you see for miles, the blue of distance. This light that does not touch us, does not travel the whole distance, the light that gets lost, gives us the beauty of the world, so much of which is in the color blue.

For many years, I have been moved by the blue at the far edge of what can be seen, that color of horizons, of remote mountain ranges, of anything far away. The color of that distance is the color of an emotion, the color of solitude and of desire, the color of there seen from here, the color of where you are not. And the color of where you can never go. For the blue is not in the place those miles away at the horizon, but in the atmospheric distance between you and the mountains.

“Longing,” says the poet Robert Hass, “because desire is full of endless distances.”

Blue is the color of longing for the distances you never arrive in, for the blue world.
~Rebecca Solnit from A Field Guide for Getting Lost

 

 

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I am easily lost in a horizon of blue mountains
or a vivid sky with clouds
or the innards of a blue iris~
these are landscapes in my mind
forever beyond my reach,
where I can never go,
but dwell nevertheless
simply by opening my eyes to see,
my heart forgets me not
my soul, once lost, now found.

 

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