Just That Kind of Day

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If ever there were a spring day so perfect,
so uplifted by a warm intermittent breeze
that it made you want to throw
open all the windows in the house
and unlatch the door to the canary’s cage,
indeed, rip the little door from its jamb,
a day when the cool brick paths
and the garden bursting with peonies
seemed so etched in sunlight
that you felt like taking
a hammer to the glass paperweight
on the living room end table,
releasing the inhabitants
from their snow-covered cottage
so they could walk out,
holding hands and squinting
into this larger dome of blue and white,
well, today is just that kind of day.
~Billy Collins  “Today”
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This is the kind of morning that begs to be admired from dawn’s first moment:  everything emerges from the fog so sharp and vivid bathed in golden light.

It takes away my breath at the same time as it delivers it deep within me.

How can I spring others free as I now have been sprung?
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Trust All This to be True

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Trust that there is a tiger, muscular
Tasmanian, and sly, which has never been
seen and never will be seen by any human
eye. Trust that thirty thousand sword-
fish will never near a ship, that far
from cameras or cars elephant herds live
long elephant lives. Believe that bees
by the billions find unidentified flowers
on unmapped marshes and mountains. Safe
in caves of contentment, bears sleep.
Through vast canyons, horses run while slowly
snakes stretch beyond their skins in the sun.
I must trust all this to be true, though
the few birds at my feeder watch the window
with small flutters of fear, so like my own.
~Susan Kinsolving “Trust”
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photo by Emily Vander Haak
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When I stand at the window watching the flickers, sparrows, finches, chickadees, and red-winged blackbirds come and go from the feeders, I wonder who is watching who.  They remain wary of me, fluttering away quickly if I approach with lens in hand.  They fear capture, even within a camera.  They have a life to be lived without my witness or participation.  So much happens that I never see or know about.

I understand:  I fear being captured too.

Even if only for a moment as an image preserved forever, I know it doesn’t represent all I am, all I’ve done, all I feel, all my moments put together.  The birds are, and I am, so much more than one moment.

Only God sees us fully in every moment, witness to our freedom and captivity,  our loneliness and grief, our joy and tears, knowing our best and our worst.
And because He knows us so well, in Him we must trust.
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photo by Tomomi Gibson

Visitors to the Farm

 

 

 

Fingers of twilight shadow
begin to reach over the hill
crawling down through the field
up unto the bank of blackberries
covering fences along the alder grove.

The horses chew their last
leaves of clover before
coming to the barn for night, eyelids heavy,
relaxed and full, drowsy with spring evening
peace at hand and hoof.

A sudden change in the air forces
their heads up and ears forward;
they form a line, staring at the hilltop
above them, riveted to the spot, alert
to an coming intruder, unfamiliar and foreign.

The roar is intermittent, like a warm wind
rattling a barn roof, but inconstant;
then peaking over the crest of the hill
a rounded top of technicolor glory:
The hot air balloon rises.

The horses silenced, baffled, fascinated;
no alpine instinct prepares their response
to this wizard’s act from Oz in their own backyard.
The basket riders wave and laugh at the equine audience below
in formation with golden noses in the air and white manes blowing in the breeze.

The balloon summits the hill, dipping low, almost touchable
before moving back up to race the sunset,
and search out other pastures, other valleys and hills.
The horses released from the spell
leap in response, snowy tails high, noses flared-

To race up the hill to catch impending darkness,
night mares cavort, float suspended
until their air is let out, gently, in softening snorts,
to settle down in a shavings bed in the barn
where night, blissful, becomes ordinary again.

 

 

 

 

 

 

 

 

Writing With Quiet Hands

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I want to make poems that say right out, plainly,
what I mean, that don’t go looking for the
laces of elaboration, puffed sleeves. I want to
keep close and use often words like
heavy, heart, joy, soon, and to cherish
the question mark and her bold sister

the dash. I want to write with quiet hands. I
want to write while crossing the fields that are
fresh with daisies and everlasting and the
ordinary grass. I want to make poems while thinking of
the bread of heaven and the
cup of astonishment; let them be

songs in which nothing is neglected,
not a hope, not a promise. I want to make poems
that look into the earth and the heavens
and see the unseeable. I want them to honor
both the heart of faith, and the light of the world;
the gladness that says, without any words, everything.
~Mary Oliver “Everything”

 

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Writing and riding with quiet hands –
a wonderful metaphor for moving forward
in gladness and astonishment
without trying to steer unnecessarily.
To feel connected without controlling,
to have faith in the unknowable
yet understand without a doubt, that it is good.

 

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photo by Joel DeWaard

 

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photo by Brandon Dieleman

 

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photo by Emily Dieleman

 

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An Unimaginable Zero Summer

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At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.

I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving…
{Burnt Norton}

Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?
{Little Gidding}

~T.S. Eliot, from Four Quartets

 

ZeroSummerE-471x630Zero Summer by Makoto Fujimura

 

“Zero Summer” imagines the unimaginable horror of Hiroshima and Nagasaki, and yet points to epiphanic awakening that transcend human imagination at the same time. T.S. Eliot, who coined this term in his “Four Quartets,” longed for that eternal summer, birthed out of the “still point,” where imagination is met with grace and truth.
~Makoto Fujimura

 

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As a grade school child in November 1963, I learned the import of the U.S. flag being lowered to half mast in response to the shocking and violent death of our President. The lowering of the flag was so rare when I was growing up, it had dramatic effect on all who passed by — something very sad had happened to our country, warranting our silence and our stillness.

Since 9/11/01, our flag has spent significant time at half mast, so much so that I’m befuddled instead of contemplative, puzzling over what the latest loss might be as there are so many, sometimes all happening in the same time frame.  We no longer are silenced by this gesture of honor and respect and we certainly are not stilled, personally and corporately instigating and suffering the same mistakes against humanity over and over again.

Eliot wrote the prescient words of the Four Quartets in the midst of the WWII German bombing raids that destroyed people and neighborhoods. Perhaps he sensed the destruction he witnessed would not be the last time in history that evil visits the innocent, leaving them in ashes. There would be so many more losses to come, as Makoto Fujimura illustrates in his artistic depiction of the horrors of Hiroshima and Nagasaki transcending to an epiphany of the human imagination.  And then the horror of 9/11/01.

There remains so much more sadness to be borne, such abundance of grief that our world has become overwhelmed and stricken and it seems we’ve lost all imagination for “a grace of sense”.

Eliot was right: we have yet to live in a Zero summer of endless hope and fruitfulness, of spiritual awakening and understanding.  Where is it indeed?

We must return, as people of faith, as Eliot did, as Fujimura has, to that still point to which we are called on a day such as today.  We must be stilled; we must be silenced. We must grieve the losses of this turning world and pray for release from the suffering we cause and we endure.  Only in the asking, only in the kneeling down and pleading, are we surrounded by grace.   A flag half lowered may have lost its power to punch our gut, but we are illuminated by the Light,  a grace of senses on the move in our lives.

 

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“There Are No Words” written on 9/11/2001
by Kitty Donohoe

there are no words there is no song
is there a balm that can heal these wounds that will last a lifetime long
and when the stars have burned to dust
hand in hand we still will stand because we must

in one single hour in one single day
we were changed forever something taken away
and there is no fire that can melt this heavy stone
that can bring back the voices and the spirits of our own

all the brothers, sisters and lovers all the friends that are gone
all the chairs that will be empty in the lives that will go on
can we ever forgive though we never will forget
can we believe in the milk of human goodness yet

we were forged in freedom we were born in liberty
we came here to stop the twisted arrows cast by tyranny
and we won’t bow down we are strong of heart
we are a chain together that won’t be pulled apart

 

Indeed I Tremble For My Country

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The God who gave us life gave us liberty at the same time:
the hand of force may destroy, but cannot disjoin them.

–Thomas Jefferson, in “A Summary View of the Rights of British America”

 

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Can the liberties of a nation be thought secure when we have removed their only firm basis, a conviction in the minds of the people that these liberties are of the gift of God? That they are not to be violated but with his wrath?

Indeed I tremble for my country when I reflect that God is just:
that his justice can not sleep forever…
― Thomas Jefferson, in Notes on the State of Virginia on the need for abolition of slavery

 

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Would Thomas Jefferson, architect of our Declaration of Independence celebrated on July 4, tremble for his country today?

I believe he would, even considering how his views were radical in his day, his religious convictions unconventional. He wrote that foundational document even as his own home and property was managed by slaves of African descent.  He personally understood the moral quicksand on which he stood so tenuously – a conflict he felt as close as his own bedroom:  story telling may romanticize the relationship, but what liberty was there for the slave who bore their six mixed race children?

Jefferson personally recognized and mourned our abuse of our liberties secured and maintained through the blood shed by our forefathers, our brothers, sisters and descendants, no matter what color their skin.

Today we are sinking deeply in that same moral quicksand, having done no better than Jefferson at forging a personal and ethical foundation on which to firmly stand.  We need only to look at who we place in the White House and who we see in the mirror.

We have squandered our autonomy with selfishness rather than selflessness borne out of gratitude for the gift of freedom.  We strive to secure and protect what is ours before we worry in humility if others have what they need first.   We trample daily on others’ rights in the name of self-determination and freedom of choice, especially discarding the defenseless for their imperfect genetics, undesired gender or simply being ill-timed and inconvenient.

Just whose life, liberty and pursuit of happiness is at stake here?

History as recorded in the Word and elsewhere shows when everyone does as they see fit, there is no immunity from judgment and wrath:

In those days there was no king in Israel, but every man did that which was right in his own eyes.
Judges 17:6

And how well is that working out for us?

It took a true servant King who sacrificed Himself to save us from destroying ourselves and each other.

He is still waiting for our response. Still waiting…

Let us remember with conviction today the only true source of our life and liberty —  His justice does not sleep.

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What else does this craving, and this helplessness,
proclaim but that there was once in man a true happiness,
of which all that now remains is the empty print and trace?
This he tries in vain to fill with everything around him,
seeking in things that are not there the help he cannot find in those that are,
though none can help,
since this infinite abyss can be filled only with an infinite and immutable object;
in other words by God himself.
~Blaise Pascal

 

 

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His Truth is marching on…

 

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Getting a Grip

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In the Pasture–Julien Dupre`

 

This painting by French realist Julien Dupre` resonated with me this past week. I know well the feeling of pulling against a momentum determined to break free of the strength I can muster to keep it under control. This is what my life often feels like, both on the farm and at work. It seems I am barely hanging on, at times losing my grip, my feet braced but slipping beneath me.

The full-uddered cow in the painting is compelled to join her herd in a pastoral scene just across the creek, but the milk maid must resist the cow’s escape. For the cow’s benefit and comfort, she must be milked. The cow has another agenda. She has snapped her rope tie, almost pulled up the stake, and in a show of strength and determination, the maid braces to pull a much larger animal around to retie her and restore things to how they were.

The action suggests the maid may succeed, but the cow’s attention is directed far afield. She doesn’t even feel the tug on her halter. We’re not fully convinced the cow won’t suddenly pull loose and break away from the maid’s grip, leaping the stream, tail raised straight in the air like a flag of freedom.

Right now, as spring advances rapidly with grass growing thick in the pastures, our horses can smell that richness in the air. Sometimes this tug of war takes place when my plan is different than the horse’s. The fields are too wet for them to be out full time yet, so they must wait for the appropriate time to be released to freedom. The grass calls to them like a siren song as I feed them their portion of last summer’s uninviting hay. They can pull my shoulders almost out of joint when they are determined enough, they break through fences in their pursuit of green, they push through stall doors and lift gates off hinges. Right now I’m barely an adequate counterbalance to the pursuit of their desires and I struggle to remind them I’m on the other end of their lead rope.

Each day I try too hard to restore order in my life, on the farm, in the house, in my clinic, with my patients and coworkers, with my family. I want to pull that cow back around, get her tied up and relieved of her burden of milk so that it can nurture and replenish others. Sometimes I hang on, only to be pulled along on the ground, roughed up in the process. Sometimes I just let go and have to try to catch that cow all over again.

Once in awhile I successfully get the cow turned around and actually milked without a spill.

I’ve held on. I’ve got a grip.
And maybe, just maybe, I will make cheese….

tony2017

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