The Light Again of Beginnings

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For seasons the walled meadow
south of the house built of its stone
grows up in shepherd’s purse and thistles
the weeds share April as a secret
finches disguised as summer earth
click the drying seeds
mice run over rags of parchment in August
the hare keeps looking up remembering 
a hidden joy fills the songs of the cicadas

two days’ rain wakes the green in the pastures
crows agree and hawks shriek with naked voices
on all sides the dark oak woods leap up and shine
the long stony meadow is plowed at last and lies
all day bare
I consider life after life as treasures
oh it is the autumn light

that brings everything back in one hand
the light again of beginnings
the amber appearing as amber
~ W. S. Merwin, “September Plowing” from Flower & Hand

 

 

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terrystree

 

The rain has returned –
too many weeks of parchment leaves and soil,
now moistened and refreshed.

The light is so different in the evenings,
autumnal beginnings and summer endings,
a burning amber of sky and earth.

It is treasured up and stored,
to be harvested in the dead of winter
when such amber light is only remembrance
in the midst of so much gray.

 

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ambernight

So Am I

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There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
John Calvin

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It is too easy to become blinded to the glory surrounding us if we allow it to be routine and commonplace.  I can’t remember the last time I celebrated a blade of grass,  given how focused we are in mowing it into conformity and submission.  Too often I’m not up early enough to witness the pink sunrise or I’m too busy to take time to watch the sun paint the sky red as it sets.

I miss opportunities to rejoice innumerable times a day.  It takes only a moment of recognition and appreciation to feel the joy, and for that moment time stands still.  Life stretches a little longer when I stop to acknowledge the intention of creation as an endless reservoir of rejoicing.   If a blade of grass, if a palette of color, if all this is made for joy, then so am I.

Even colorless commonplace me.

So am I.

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olhydrandra

Melted and Flowed

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Light and wind are running
over the headed grass
as though the hill had
melted and now flowed.
~Wendell Berry “June Wind”

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mowingfield

It will soon be haying time, as soon as a stretch of clear days appear on the horizon.  Today was to be cloudless but ended up drizzly and windy — not good hay cutting weather.

The headed grass is growing heavier, falling over, lodged before it can be cut, with the undulations of moist breezes flowing over the hill.   It has matured too fast, rising up too lush, too overcome with itself so that it can no longer stand.  It is melting, pulled back to the soil.  We must work fast to save it.

The light and wind works its magic on our hill.  The blades of the mower will come soon to lay it to the ground in green streams that flow up and down the slopes.  It will lie comfortless in its stoneless cemetery rows, until tossed about by the tedder into random piles to dry, then raked back into a semblance of order in mounded lines flowing over the landscape.

It will be crushed and bound together for transport to the barn, no longer bending but bent, no longer flowing but flown, no longer growing but grown and salvaged.

It becomes fodder for the beasts of the farm during the cold nights when the wind beats at the doors.   It melts in their mouths, as it was meant to.

Truly.

 

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photo by Nate Gibson

Coming to the End of Things

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And by and by Christopher Robin came to the end of things,
and he was silent,
and he sat there, looking out over the world,
just wishing it wouldn’t stop.

~A.A. Milne from The House at Pooh Corner

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dandydew3

Yes, long shadows go out
from the bales; and yes, the soul
must part from the body:
what else could it do?

…These things happen … the soul’s bliss
and suffering are bound together
like the grasses …

The last, sweet exhalations
of timothy and vetch
go out with the song of the bird;
the ravaged field
grows wet with dew.
~Jane Kenyon from “Twilight: After Haying”

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Bliss and suffering are bound together like the grasses; we are like the grasses withered and ravaged by time, released reluctant to the wind.

Tears flow today as they must, wetting the stubble left behind,  clinging and sparkling like dew.

We weep in sorrow for those we have lost;
we weep for joy each time we’re able to wake to another day.

For what else can a soul do but weep at parting and weep at welcoming?

These things happen, oh yes, they happen. I just wish it wouldn’t cut us so.

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Our days on earth are like grass; like wildflowers, we bloom and die.
~Psalm 103: 15

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Forgiving the Scythe

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To the earnest love that laid the swale in rows…

The fact is the sweetest dream that labor knows.
My long scythe whispered and left the hay to make.
~Robert Frost in “Mowing”

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Winslow Homer’s The Veteran in a New Field

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The grass around our orchard and yet-to-be-planted garden is now thigh-high. It practically squeaks while it grows. Anything that used to be in plain sight on the ground is rapidly being swallowed up in a sea of green: a ball, a pet dish, a garden gnome, a hose, a tractor implement, a bucket. In an effort to stem this tidal flood of grass, I grab the scythe out of the garden shed and plan my attack. The pastures are too wet yet for heavy hooves so I have hungry horses to provide for and there is more than plenty fodder to cut down for them.

I’m not a weed whacker kind of gal. First there is the necessary fuel, the noise necessitating ear plugs, the risk of flying particles requiring goggles–it all seems too much like and act of war to be remotely enjoyable. Instead, I’m trying to take scything lessons from my husband. Emphasis on “trying”.

I grew up watching my father scythe our hay in our field because he couldn’t afford a mower for his tractor. He enjoyed physical labor in the fields and woods–his other favorite hand tool was a brush cutter that he’d take to blackberry bushes. He would head out to the field with the scythe over this shoulder, grim reaper style. Once he was standing on the edge of the grass needing to be mowed, he would then lower the scythe, curved blade to the ground, turn slightly, positioning his hands on the two handles just so, raise the scythe up past his shoulders, and then in a full body twist almost like a golf swing, he’d bring the blade down. It would follow a smooth arc through the base of the standing grass, laying clumps flat in a tidy pile alongside the 2 inch stubble left behind. It was a swift, silky muscle movement — a thing of beauty.

I’ve yet to manage anything nearly as graceful. I tend to chop and mangle rather than effect an efficient slicing blow. I unintentionally trample the grass I mean to cut. I get blisters from holding the handles too tightly. It feels hopeless that I’ll ever perfect that whispery rise and fall of the scythe, with the rhythmic shush sound of the slice that is almost hypnotic.

Not only am I an ineffective scything human, but I have also learned what it is like to be the grass I am unintentionally mutilating, on the receiving end of a glancing blow that misses the mark. I bear plenty of footprints from the trampling. It can take awhile to stand back up after being knocked repeatedly to the ground.

Sometimes it makes more sense to simply start over as stubble, oozing and bleeding green, with deep roots that no one can reach. As I grow back, I will sing rather than squeak, and I’ll forgive the scythe every time it comes down on my head.

 

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peekaboo

Mystery Made Visible

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applebuds

This fevers me, this sun on green,
On grass glowing, this young spring.
The secret hallowing is come,
Regenerate sudden incarnation,
Mystery made visible
In growth, yet subtly veiled in all,
Ununderstandable in grass,
In flowers, and in the human heart,
This lyric mortal loveliness,
The earth breathing, and the sun…

…The apple takes the seafoam’s light,
And the evergreen tree is densely bright.
April, April, when will he
Be gaunt, be old, who is so young?
This fevers me, this sun on green,
On grass lowing, this young spring.

~Richard Eberhart  from “This fevers me”

 

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sunsetleaf

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It is a mystery
how the dead,
so very dead
can live again.

Ground frozen
mere weeks ago
now leaps lush and vibrant.
Branches snapped off dry
in midwinter storm and ice
now burst with bloom.

A new leaf glows
in evening light,
pulsing illumination.

Beyond understanding
Beyond imagining
Beyond each fevered breath
that could be,
but isn’t,
our last.

 

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aprilsunsetpoplar

Green and Glorious

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I wished to wade in the trillium
and be warmed near the white flames.
I imagined the arch of my foot
massaged by the mosses.
This field immersed in gravity
defying growth.  Green and glorious.
It let me know that out of the
soil came I, and green I shall be.
Whether an unnamed weed or a
wild strawberry I will join in
the hymn.
~Luci Shaw from “Spring Song, Very Early Morning”

 

drizzlemoss

gnomie

Spring is finally in full swing here on the farm.  Grass grows so fast that mowing could be a twice a week activity,  dandelions are dotting the fields in a yellow carpet, the flowering plums and cherries are peaking, the daffodils are spent and the tulips are bursting forth.

 

The koi and goldfish in our pond have decided to surface from underneath all the winter debris and have grown to another 6 inches over the winter and now are busy feasting on mosquito larvae as the insects have awakened as well.   At times I feel so overwhelmed by the accelerated pace of growth and activity that I sheepishly long for the dark quiet gray days of winter, if just for the respite of a nap.

Instead of a nap, I hunt for trillium.  They are the traditional harbinger of spring and without them, it all seems like just so much pretending.  These are somber plants that will only grow in certain conditions of woods and shade, with leafy mulched soil.  Once established, they reliably spring up from their bulbs every spring with their rich green trio of leaves on each stem that are at once soft and slightly shimmery, and at the top the purest of three white petals, one per leaf cluster.  The blossoms last a week or two, then turn purplish and fade away, followed weeks later by the fading of the foliage, not to arise again from the soil until the following year. 

 

Picking a trillium blossom necessitates picking the leaf foliage beneath it, and that in turn destroys the bulb’s ability to nourish and regenerate, and the plant never forms again.  I think I have known this from my earliest childhood days as I was a compulsive wildflower gatherer as a little kid, having devastated more than my share of trillium bulbs until I learned the awful truth of the damage I had done.  I have since treated them as sacrosanct and untouchable.

There are trillium blossoms to be found on our farm, a few steadfast survivors, yet completely vulnerable to someone’s impulse to bring the beauty indoors for a few days in a vase.  What a tenuous grip on life when people are desiring to pluck them, with their resulting oblivion. How unknowingly destructive we are in our blind selfish pursuit of beauty for our own pleasure and purposes.  These pure triad blossoms and leaves, representing all that is preciously drawn from the earth and enriched and nourished by sunlight, can be obliterated, never to return, never to bloom, never to rise again from the dust to be green and glorious.

How much more precious is that which rises again to bloom and flourish forever despite our senseless destructiveness?  And He is here, among us, waiting for us, forgiving us for our thoughtless actions.

I look at the trillium longingly, wanting to touch them, wanting to own them and hold them, and knowing I never will.  They are meant to stay where they are, as I hope to remain, rooted and thriving, yet still fragile in the everlasting soil of life.

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