Would You Like to Make a Comment?

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And that is just the point…
how the world, moist and beautiful,
calls to each of us to make a new and serious response.

That’s the big question,
the one the world throws at you every morning.
“Here you are, alive.
Would you like to make a comment?”
~Mary Oliver

 

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It is impossible to stay a silent observer of the world when you awake still alive.
It demands a response.

I would like to make a comment.

It isn’t only nature pulling what was once lush and young into the ground:
daily we witness flying leaves and dropping temperatures, brisk winds and chill rains.

Human kind also is skilled at killing and dying too young.

There can be no complacency in observing such violence in progress.
It blusters, rips, drenches, encompasses, buries.
Nothing remains as it was.

And here I am, alive.
Struck and wrung.
A witness.
Called to comment.
Dying to respond.

 

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Telling the Bees

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beehives

 

Here is the place; right over the hill 
   Runs the path I took; 
You can see the gap in the old wall still, 
   And the stepping-stones in the shallow brook. 
There is the house, with the gate red-barred, 
   And the poplars tall; 
And the barn’s brown length, and the cattle-yard, 
   And the white horns tossing above the wall. 
There are the beehives ranged in the sun; 
   And down by the brink 
Of the brook are her poor flowers, weed-o’errun, 
   Pansy and daffodil, rose and pink. 
A year has gone, as the tortoise goes, 
   Heavy and slow; 
And the same rose blows, and the same sun glows, 
   And the same brook sings of a year ago. 
I can see it all now,—the slantwise rain 
   Of light through the leaves, 
The sundown’s blaze on her window-pane, 
   The bloom of her roses under the eaves. 
Just the same as a month before,— 
   The house and the trees, 
The barn’s brown gable, the vine by the door,— 
   Nothing changed but the hives of bees. 
Before them, under the garden wall, 
   Forward and back, 
Went drearily singing the chore-girl small, 
   Draping each hive with a shred of black. 
Trembling, I listened: the summer sun 
   Had the chill of snow; 
For I knew she was telling the bees of one 
   Gone on the journey we all must go! 
~John Greenleaf Whittier from “Telling the Bees”
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An old Celtic tradition necessitates sharing any news from the household with the local bee hives, whether cheery like a new birth or a wedding celebration or sad like a family death.  This ensures the hives’ well-being and continued connection to home and farm – the bees are kept in the loop, so to speak, so they stay at home, not swarm and move on to a more hospitable place.
Good news seems always easy to share; we tend to keep bad news to ourselves so this tradition helps remind us that what affects one of us, affects us all.
These days, with instant news at our fingertips at any moment, bad news is constantly bombarding us. Like the bees in the hives of the field, we want to flee from it and find a more hospitable home.
I do hope the Beekeeper comes personally to say:
“Here is what has happened. All will be okay. We will navigate this life together.”
O gentle bees, I have come to say
That grandfather fell to sleep to-day.
And we know by the smile on grandfather’s face.
He has found his dear one’s biding place.
So, bees, sing soft, and, bees, sing low.
As over the honey-fields you sweep,—
To the trees a-bloom and the flowers a-blow
Sing of grandfather fast asleep;
And ever beneath these orchard trees
Find cheer and shelter, gentle bees.
~Eugene Field from “Telling the Bees”
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beeswarm51410

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An Unimaginable Zero Summer

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At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is,
But neither arrest nor movement. And do not call it fixity,
Where past and future are gathered. Neither movement from nor towards,
Neither ascent nor decline. Except for the point, the still point,
There would be no dance, and there is only the dance.

I can only say, there we have been: but I cannot say where.
And I cannot say, how long, for that is to place it in time.
The inner freedom from the practical desire,
The release from action and suffering, release from the inner
And the outer compulsion, yet surrounded
By a grace of sense, a white light still and moving…
{Burnt Norton}

Than that of summer, neither budding nor fading,
Not in the scheme of generation.
Where is the summer, the unimaginable
Zero summer?
{Little Gidding}

~T.S. Eliot, from Four Quartets

 

ZeroSummerE-471x630Zero Summer by Makoto Fujimura

 

“Zero Summer” imagines the unimaginable horror of Hiroshima and Nagasaki, and yet points to epiphanic awakening that transcend human imagination at the same time. T.S. Eliot, who coined this term in his “Four Quartets,” longed for that eternal summer, birthed out of the “still point,” where imagination is met with grace and truth.
~Makoto Fujimura

 

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As a grade school child in November 1963, I learned the import of the U.S. flag being lowered to half mast in response to the shocking and violent death of our President. The lowering of the flag was so rare when I was growing up, it had dramatic effect on all who passed by — something very sad had happened to our country, warranting our silence and our stillness.

Since 9/11/01, our flag has spent significant time at half mast, so much so that I’m befuddled instead of contemplative, puzzling over what the latest loss might be as there are so many, sometimes all happening in the same time frame.  We no longer are silenced by this gesture of honor and respect and we certainly are not stilled, personally and corporately instigating and suffering the same mistakes against humanity over and over again.

Eliot wrote the prescient words of the Four Quartets in the midst of the WWII German bombing raids that destroyed people and neighborhoods. Perhaps he sensed the destruction he witnessed would not be the last time in history that evil visits the innocent, leaving them in ashes. There would be so many more losses to come, as Makoto Fujimura illustrates in his artistic depiction of the horrors of Hiroshima and Nagasaki transcending to an epiphany of the human imagination.  And then the horror of 9/11/01.

There remains so much more sadness to be borne, such abundance of grief that our world has become overwhelmed and stricken and it seems we’ve lost all imagination for “a grace of sense”.

Eliot was right: we have yet to live in a Zero summer of endless hope and fruitfulness, of spiritual awakening and understanding.  Where is it indeed?

We must return, as people of faith, as Eliot did, as Fujimura has, to that still point to which we are called on a day such as today.  We must be stilled; we must be silenced. We must grieve the losses of this turning world and pray for release from the suffering we cause and we endure.  Only in the asking, only in the kneeling down and pleading, are we surrounded by grace.   A flag half lowered may have lost its power to punch our gut, but we are illuminated by the Light,  a grace of senses on the move in our lives.

 

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“There Are No Words” written on 9/11/2001
by Kitty Donohoe

there are no words there is no song
is there a balm that can heal these wounds that will last a lifetime long
and when the stars have burned to dust
hand in hand we still will stand because we must

in one single hour in one single day
we were changed forever something taken away
and there is no fire that can melt this heavy stone
that can bring back the voices and the spirits of our own

all the brothers, sisters and lovers all the friends that are gone
all the chairs that will be empty in the lives that will go on
can we ever forgive though we never will forget
can we believe in the milk of human goodness yet

we were forged in freedom we were born in liberty
we came here to stop the twisted arrows cast by tyranny
and we won’t bow down we are strong of heart
we are a chain together that won’t be pulled apart

 

That Pivoting Ear

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ahmama

Near dusk, near a path, near a brook,
we stopped, I in disquiet and dismay
for the suffering of someone I loved,
the doe in her always incipient alarm.

All that moved was her pivoting ear
the reddening sun was shining through
transformed to a color I’d only seen
in a photo of a new child in a womb.

Nothing else stirred, not a leaf,
not the air, but she startled and bolted
away from me into the crackling brush.

The part of my pain which sometimes
releases me from it fled with her, the rest,
in the rake of the late light, stayed.
~C. K. Williams  “The Doe”

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wwudeer2

Oh little one
to have been born this week in June
thirty four years ago~
so wanted
so anticipated
but lost too soon
gone as swiftly in a clot of red
as a doe disappearing in a thicket:
a memory that makes me question
if you were real,
but you were
and you are
and someday
I’ll know you when I see you
and curious about who I am,
you won’t flee,
but stay to find out.

wwudeer2

 

 

Cherish Your Humble and Silky Life

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peonyrain

This morning the green fists of the peonies are getting ready
to break my heart
as the sun rises, 
as the sun strokes them with his old, buttery fingers

and they open —
pools of lace, 
white and pink —
and all day the black ants climb over them,

boring their deep and mysterious holes
into the curls, 
craving the sweet sap, 
taking it away

to their dark, underground cities —
and all day
under the shifty wind, 
as in a dance to the great wedding,

the flowers bend their bright bodies, 
and tip their fragrance to the air, 
and rise, 
their red stems holding

all that dampness and recklessness 
gladly and lightly, 
and there it is again — 
beauty the brave, the exemplary,

blazing open. 
Do you love this world? 
Do you cherish your humble and silky life? 
Do you adore the green grass, with its terror beneath?

Do you also hurry, half-dressed and barefoot, into the garden, 
and softly, 
and exclaiming of their dearness, 
fill your arms with the white and pink flowers,

with their honeyed heaviness, their lush trembling, 
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?

~Mary Oliver from “Peonies” from New And Selected Poems

 

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White peonies blooming along the porch
send out light
while the rest of the yard grows dim.
Outrageous flowers as big as human

heads! They’re staggered
by their own luxuriance: I had
to prop them up with stakes and twine.
The moist air intensifies their scent,

and the moon moves around the barn
to find out what it’s coming from.
In the darkening June evening

I draw a blossom near, and bending close
search it as a woman searches
a loved one’s face.
~Jane Kenyon “Peonies at Dusk”

 

tennantpeony

 

Year after year, I bring our peonies to the graves
of those from whom I came,
to lay one after another exuberant head
upon each headstone,
a moment of connection between those in the ground
and me standing above
before this humble and silky life shatters
and becomes nothing,
its petals perfectly
scattered, lush and trembling,
to the wind.

 

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The Art of Showing Up

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I learned from my mother how to love
the living, to have plenty of vases on hand
in case you have to rush to the hospital
with peonies cut from the lawn, black ants
still stuck to the buds. I learned to save jars
large enough to hold fruit salad for a whole
grieving household, to cube home-canned pears
and peaches, to slice through maroon grape skins
and flick out the sexual seeds with a knife point.
I learned to attend viewings even if I didn’t know
the deceased, to press the moist hands
of the living, to look in their eyes and offer
sympathy, as though I understood loss even then.
I learned that whatever we say means nothing,
what anyone will remember is that we came.
I learned to believe I had the power to ease
awful pains materially like an angel.
Like a doctor, I learned to create
from another’s suffering my own usefulness, and once
you know how to do this, you can never refuse.
To every house you enter, you must offer
healing: a chocolate cake you baked yourself,
the blessing of your voice, your chaste touch.
~Julie Kasdorf– “What I Learned from my Mother”

 

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Usually a mom knows best about these things — how to love others when and how they need it.  Showing up with food you’ve made yourself is always a good thing but it is the showing up part that is the real food;  bringing along a cake is simply the icing.

This is a good reminder that as a doctor, my usefulness is completely dependent on others’ suffering. No illness, no misery, no symptoms and I’m out of a job.

If only.
What a world that would be.
And then I can still be a mom even if there is no more doctor work:

….if I’d known it could help, I’d have baked a cake…

 

 

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Coming to the End of Things

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And by and by Christopher Robin came to the end of things,
and he was silent,
and he sat there, looking out over the world,
just wishing it wouldn’t stop.

~A.A. Milne from The House at Pooh Corner

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Yes, long shadows go out
from the bales; and yes, the soul
must part from the body:
what else could it do?

…These things happen … the soul’s bliss
and suffering are bound together
like the grasses …

The last, sweet exhalations
of timothy and vetch
go out with the song of the bird;
the ravaged field
grows wet with dew.
~Jane Kenyon from “Twilight: After Haying”

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Bliss and suffering are bound together like the grasses; we are like the grasses withered and ravaged by time, released reluctant to the wind.

Tears flow today as they must, wetting the stubble left behind,  clinging and sparkling like dew.

We weep in sorrow for those we have lost;
we weep for joy each time we’re able to wake to another day.

For what else can a soul do but weep at parting and weep at welcoming?

These things happen, oh yes, they happen. I just wish it wouldn’t cut us so.

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Our days on earth are like grass; like wildflowers, we bloom and die.
~Psalm 103: 15

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