The Rain Drop Ploughs

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They sing their dearest songs —
    He, she, all of them — yea,
    Treble and tenor and bass,
        And one to play;
    With the candles mooning each face….
        Ah, no; the years O!
How the sick leaves reel down in throngs!

 

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They clear the creeping moss —
    Elders and juniors — aye,
    Making the pathways neat
        And the garden gay;
    And they build a shady seat….
        Ah, no; the years, the years;
See, the white storm-birds wing across!

 

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    They are blithely breakfasting all —
    Men and maidens — yea,
    Under the summer tree,
        With a glimpse of the bay,
    While pet fowl come to the knee….
        Ah, no; the years O!
And the rotten rose is ript from the wall.

 

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    They change to a high new house,
    He, she, all of them — aye,
    Clocks and carpets and chairs
        On the lawn all day,
    And brightest things that are theirs….
        Ah, no; the years, the years;
Down their carved names the rain-drop ploughs.
~Thomas Hardy “During Wind and Rain”

 

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A waning November moon reluctantly rose,
dimming from the full globe of the night before.
I drive a darkening country road, white lines sweeping past,
aware of advancing frost in the evening haze,
anxious to return home to familiar warmth and light.

Nearing a county road corner, slowing to a stop,
I glanced aside where
a lonely rural cemetery sits expectant.

Through open iron gates and tenebrous headstones,
there in the middle path, incongruous,
car’s headlights beamed bright.

I puzzled, thinking:
lovers or vandals would seek inky cover of night.

Instead, these lights focused on one soul alone,
kneeling graveside,
a hand resting heavily on a stone, head bowed in prayer.

This stark moment of solitary sorrow,
a visible grieving of a heart

illuminated by twin beams.

This benediction of mourning
as light pierced the blackness;

gentle fingertips traced
the engraved letters of a beloved name.

Feeling touched
as uneasy witness, I pull away 

to drive deeper into the night,
struggling to see despite
my eyes’ thickening mist.

~Emily Gibson – “Grief Illuminated”

 

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a stone pinecone, environmental art by Andy Goldsworthy, rural Scotland

An Everyday Epiphany

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“Gratitude bestows reverence, allowing us to encounter everyday epiphanies,
those transcendent moments of awe that change forever how we experience life and the world.”
~ John Milton

 

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Our farm looked like it had a remodel update this past week by the winds and rain, covering the yard with a yellow brown shag carpet of leaves thicker than ever I remember in our two 25 years here.   This transformation is temporary until the leaves start to rot under the burden of endless days of wintry drizzle and freezing weather, but transcendent over plain green sod nevertheless.

I need to remind myself that only 8 months ago, none of these leaves even existed.  They were mere potential in bud form, about to burst and grow in a silent awesome explosion of green and chlorophyll.   After their brief tenure as shade and protection and fuel factory for their tree, last week they rained to the ground in torrents, letting go of the only security they had known.

Now they are compost, returning to the soil to feed the roots of the trees that gave them life to begin with.

Transcendent death.

 

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Submerged Day After Day

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If God makes the world, populates the world,
infuses the world with every kind of ethical meaning,
then the signature of God is the beauty of the world.
Why even imagine a mystical experience when we’re born into one,
submerged in one, day after day?
~Marilynne Robinson from Image Journal

 

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I’m reminded,
drowning in a morass of tiny details,
trying to make sense
of the incomprehensible~
life sometimes spread so thin
it’s punched with gaping holes
filled only by God’s breath.
This is Him
staking His claim
by signing His name
on our hearts.
There is beauty in the world
from our insides out,
submerged in
every hole of nothingness,
every connecting thread
every letter He has ever written
reminding us we are His.

 

 

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All Seasons Sweet

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The winter will be short, the summer long,
The autumn amber-hued, sunny and hot,
Tasting of cider and of scuppernong;
All seasons sweet, but autumn best of all.
The autumn frosts will lie upon the grass
Like bloom on grapes of purple-brown and gold.
The misted early mornings will be cold;
The little puddles will be roofed with glass.
The sun, which burns from copper into brass,
Melts these at noon, and makes the boys unfold
Their knitted mufflers; full as they can hold
Fat pockets dribble chestnuts as they pass.
Down to the Puritan marrow of my bones 
There’s something in this richness that I hate. 
I love the look, austere, immaculate, 
Of landscapes drawn in pearly monotones. 
There’s something in my very blood that owns 
Bare hills, cold silver on a sky of slate, 
A thread of water, churned to milky spate 
Streaming through slanted pastures fenced with stones. 
I love those skies, thin blue or snowy gray, 
Those fields sparse-planted, rendering meagre sheaves
That spring, briefer than apple-blossom’s breath, 
Summer, so much too beautiful to stay, 
Swift autumn, like a bonfire of leaves, 
And sleepy winter, like the sleep of death.

~Elinor Wylie from “Wild Peaches”

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Amber stretches from sky to ground.
The clouds key-holed in the chill
and below, the leaves suffer their own keyholes
as they slowly melt away.
I’m feeling holey myself,
punched and transparent,
pondering where holiness is found
when life wholly shows its holes.
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These Tattered and Tumbling Skies

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The rain and the wind, the wind and the rain —
They are with us like a disease:
They worry the heart,
they work the brain,
As they shoulder and clutch at the shrieking pane,
And savage the helpless trees.
What does it profit a man to know
These tattered and tumbling skies
A million stately stars will show,
And the ruining grace of the after-glow
And the rush of the wild sunrise?
~William Ernest Henley from “The Rain and the Wind”
 
 
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Yesterday started with a calm and steady rain
making even more sodden a sullen gray dawn–
then unbidden, a sudden chilly gust from the northeast
ripped loose remaining leaves
and sent them spinning,
swirling earthbound
in yellow clouds.

The battering of rain and wind
followed by an early snowfall
leaves no doubt
summer is done for good —
the past is past.

I hunker through the turbulence
to await a clear night when once again
heaven empties itself out
into a fragile crystalline dawn.

 

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A Soft-Dying Day

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Season of mists and mellow fruitfulness, 
        Close bosom-friend of the maturing sun;

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too, —
While barred clouds bloom the soft-dying day, 

        And touch the stubble plains with rosy hue —

~John Keats, lines from “To Autumn”

 

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The trees are undressing, and fling in many places—
On the gray road, the roof, the window-sill—
Their radiant robes and ribbons and yellow laces;
A leaf each second so is flung at will,
Here, there, another and another, still and still.
~Thomas Hardy from “Last Week in October”

 

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We think we are mere witness to this,
this transformation happening before our eyes
as unforgiving wind strips leaves from trees
left bare and naked in their bones–

yet we too will be exposed for who we are
under the window dressing we spend so much to create,
too soon nothing is left to cover our flaws
and our bones alone will tell our story of redemption.

 

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The Black Walnut

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My mother and I debate:
we could sell
the black walnut tree
to the lumberman,
and pay off the mortgage.
Likely some storm anyway
will churn down its dark boughs,
smashing the house. We talk
slowly, two women trying
in a difficult time to be wise.
Roots in the cellar drains,
I say, and she replies
that the leaves are getting heavier
every year, and the fruit
harder to gather away.
But something brighter than money
moves in our blood – an edge
sharp and quick as a trowel
that wants us to dig and sow.
So we talk, but we don’t do
anything.

What my mother and I both know
is that we’d crawl with shame
in the emptiness we’d made
in our own and our fathers’ backyard.
So the black walnut tree
swings through another year
of sun and leaping winds,
of leaves and bounding fruit,
and, month after month, the whip-
crack of the mortgage.
~Mary Oliver from “The Black Walnut Tree” from Twelve Moons

 

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photo by Dan Gibson

 

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We bought this old farm twenty five years ago:
the Lawrence family “Walnut Hill Farm”~
a front yard lined with several tall black walnut trees
brought as seedlings in a suitcase from Ohio
in the ought-1900’s.

These trees thrived for 80 years on this hilltop farm
overlooking the Canadian mountains to the north,
the Nooksack River valley to the west,
the Cascade peaks to the east,
each prolific in leaves
and prodigious in fruit.

The first year we were here,
a windstorm took one tree down.
A neighbor offered
to mill the twisted trunk for shares
so the fallen tree became planks
of fine grained chocolate hued lumber.

This old tree lines our kitchen cupboards,
a daily reminder of an immortality
living on in a legacy left behind~
sturdy while imperfect,
so beautiful to the eye and the heart.

 

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