A Little Tepid

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I know what my heart is like
      Since your love died:
It is like a hollow ledge
Holding a little pool
      Left there by the tide,
      A little tepid pool,
Drying inward from the edge.
~Edna St. Vincent Millay “Ebb”
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I wondered if that was how forgiveness budded;
not with the fanfare of epiphany,
but with pain gathering its things,
packing up,
and slipping away unannounced in the middle of the night.

— Khaled Hosseini from The Kite Runner

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My mother was 58 when my father left her for a younger woman.  For weeks my mother withered, crying until there were no more tears left, drying inward from her edges.
It took ten years, but he returned like an overdue high tide.
She was sure her love had died but somehow forgiveness budded, that dry pool refilled with water somewhat cooler to the touch, yet more amazing, overflowing in its clarity.
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Love Stored Up

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the finale this morning
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today’s sunrise at its peak
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As it began this morning

Believe in a love that is being stored up for you like an inheritance, and have faith that in this love there is a strength and a blessing so large that you can travel as far as you wish without having to step outside it.
~Rainer Maria Rilke from Letters to a Young Poet

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The sunrise this morning kept giving and giving, vanquishing the darkness through an illumination that made all things, even the sorry and the plain, beautiful.

So is the love of one person for another, reflecting the Light that illuminates us all, even to the depths of our shadows.

May we too give and give without ceasing, our plainness made beautiful, our shadows no more.

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That Still Room

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The time is ripe for looking back over the day, the week, the year,
and trying to figure out where we have come from and where we are going to,
for sifting through the things we have done
and the things we have left undone for a clue to who we are and who,
for better or worse, we are becoming.

We cling to the present out of wariness of the past.
But there is a deeper need yet, I think, and that is the need
—not all the time, surely, but from time to time—
to enter that still room within us all
where the past lives on as a part of the present,
where the dead are alive again,
where we are most alive ourselves to turnings
and to where our journeys have brought us.

The name of the room is Remember—
the room where with patience, with charity, with quietness of heart,
we remember consciously to remember the lives we have lived.
~Frederick Buechner

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In 1959, when I was five years old, my father left his high school agriculture teaching position for a new supervisor position with the state. Our family moved from a large 3 story farm house in a rural community to a 1950’s newer rambler style home just outside the city limits of the state capitol.  It was a big adjustment to move to a much smaller house without a basement or upper story, no garage, and no large haybarn nor chicken coop.  It meant most things we owned didn’t make the move with us.

The rambler had two side by side mirror image rooms as the primary central living space between the kitchen on one side and the hallway to the bedrooms on the other.  The living room could only be entered through the front door and the family room was accessed through the back door with a shared sandstone hearth in the center, containing a fireplace in each room.  The only opening between the rooms had a folding door shut most of the year.  In December, the door was opened to accommodate a Christmas tree, so it sat partially in the living room and depending on its generous width, spilled over into the family room.  That way it was visible from both rooms, and didn’t take up too much floor space.

The living room, because it contained the only carpeting in the house, and our “best” furniture,  was strictly off-limits. In order to keep our two matching sectional knobby gray fabric sofas,  a green upholstered chair and gold crushed velvet covered love seat in pristine condition, the room was to be avoided unless we had company. The carpet was never to develop a traffic pattern, there would be no food, beverage, or pet ever allowed in that room, and the front door was not to be used unless a visitor arrived.  The hearth never saw a fire lit on that side because of the potential of messy ashes or smoke smell. This was not a room for laughter, arguments or games and certainly not for toys. The chiming clock next to the hearth, wound with weighted cones on the end of chains, called out the hours without an audience.

One week before Christmas, a tree was chosen to fit in the space where it could overflow into the family room.  I particularly enjoyed decorating the “family room” side of the tree, using all my favorite ornaments that were less likely to break if they fell on the linoleum floor on that side of the door.

It was as if the Christmas tree became divided, with a “formal” side in the living room and a “real life” face on the other side where the living (and hurting) was actually taking place.

The tree straddled more than just two rooms.  Every year that tree’s branches reached out to shelter a family that was slowly, almost imperceptibly, falling apart, like the fir needles dropping to the floor to be swept away.

Each year since, the Christmas tree bearing those old ornaments from my childhood reminds me of a still room of memories within me.  I am no longer wary of the past, and when I sweep up the fir needles that inevitably drop, I no longer weep.

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Preparing the Heart: The Petals in Your Pocket

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“ZuZu’s Petals”
~Lessons from “It’s a Wonderful Life”~

Our children had to be convinced
Watching black and white holiday movies
Was worthwhile~
This old tale and its characters
Caught them up right away
From steadfast George Bailey
to evil Mr. Potter-
They resonate in our hearts.

What surprised me most
Was our sons’ response to Donna Reed’s Mary:
~where can we find one like her?
Her loyalty and love unequaled,
Never wavering…

I want to be like her for you.
When things go sour
I won’t forget what brought us together
In the first place.
I’m warmth in the middle-of-the-night storm
When you need shelter.
I’m ZuZu’s petals in your pocket
When you are trying to find your way back home.

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What Endures

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I want to remember us this way—
late September sun streaming through
the window, bread loaves and golden
bunches of grapes on the table,
spoonfuls of hot soup rising
to our lips, filling us
with what endures.
~Peter Pereira from “A Pot of Red Lentils”

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I cherish the moments that are most basic, plain, and simple and have the best chance of happening again.  I’m not talking about exotic travels, nor the extravagant meal out, nor the once in a lifetime experience. My most cherished moments are everyday, and I store them up to fill the decades full.

Most cherished of all is “that look” that says “I want to look into your eyes forever and get lost there.”

I am lucky enough to know what that feels like.  I get that butterfly in the stomach feeling anytime it happens.  My husband held my eyes with his from across a room early in our relationship, and over thirty five years later, he still holds them when he looks at me, even over bowls of soup at the kitchen table.

And I look at him just that way as well.  The eyes say what words cannot.  The eyes don’t lie.  The eyes never change even though the years bring gray hair and crow’s feet.

It is what endures. I want to look at you forever, just like this, just as you are, wherever you are because of who you are.

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Let Me Remember

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Lyric night of the lingering Indian Summer,
Shadowy fields that are scentless but full of singing,
Never a bird, but the passionless chant of insects,
Ceaseless, insistent.
 
The grasshopper’s horn, and far-off, high in the maples,
The wheel of a locust leisurely grinding the silence
Under a moon waning and worn, broken,
Tired with summer.
 
Let me remember you, voices of little insects,
Weeds in the moonlight, fields that are tangled with asters,
Let me remember, soon will the winter be on us,
Snow-hushed and heavy.
 
Over my soul murmur your mute benediction,
While I gaze, O fields that rest after harvest,
As those who part look long in the eyes they lean to,
Lest they forget them.
~Sara Teasdale “September Midnight”
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When time stands still,
and it does, for an instant
before moving on, relentless,
I balance barely on that moment~
tipping backward to what has been,
leaning forward to what will be,
and forgetting this, now, here
until I look long into your eyes
and know you too are
now, here, this-
locked together,
leaning in
so we won’t fall
as winter comes,
so we will remember.
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A Commonwealth of Joy

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What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.

I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you.
~Wendell Berry from “The Country of Marriage”

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And so again we find ourselves alone together ~
planted in each other so deeply
we cannot always know
where one ends and another begins,
a commonwealth of shared everything,
the joy and the tears,
no matter what comes next.
Mine is yours.

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