A Rest Between Two Notes

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I am the rest between two notes,
which are somehow always in discord
because Death’s note wants to climb over—
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.”
~Rainer Maria Rilke from “My Life is Not This Steeply Sloping Hour”

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photo by Josh Scholten

 

At the end of this past Sunday’s Easter worship, while playing a complicated version of the Doxology on the piano in our church, I hit some wrong notes.  Usually I can recover from such mistakes but I lost my way in the music on the page, struggling to recover in time to finish with the undaunted congregation, my fingers trembling to find the right keys.

Waking yesterday, I felt my usual Monday morning uneasiness but even more so: I’m the spot in the middle between discordant notes. There is on one side of me the pressure of catching up from what was left undone through the weekend and on the other side the anticipated demands of the coming week.

Before I even arrive at work, I find myself uneasy in dead center, immobilized by the unknown ahead and the known messiness I’ve left behind.

This moment of rest in the present, between the trembling past and uncertain future, is a precious moment of reconciliation, my Sabbath extended. I must allow myself an instant of silence and reflection and forgiveness before I surge ahead into the week, knowing that on my continuing journey I’ll inevitably hit wrong notes.

But it can be beautiful nevertheless.

Even the least harmonious notes find reconciliation within the next chord. I move from the rest of my Sabbath back into the rhythm of my life, renewed and forgiven.

But trembling, still trembling.

 

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Ode to Oatmeal

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I eat oatmeal for breakfast.
I make it on the hot plate and put skimmed milk on it.
I eat it alone.
I am aware it is not good to eat oatmeal alone.
Its consistency is such that is better for your mental health
if somebody eats it with you.
That is why I often think up an imaginary companion to have
breakfast with.
Possibly it is even worse to eat oatmeal with an imaginary
companion.
Nevertheless, yesterday morning, I ate my oatmeal porridge,
as he called it with John Keats.
Keats said I was absolutely right to invite him:
due to its glutinous texture, gluey lumpishness, hint of slime,
and unusual willingness to disintegrate, oatmeal should
not be eaten alone…
~Galway Kinnell from “Oatmeal”

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But when the melancholy fit shall fall
Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
Or on the rainbow of the salt sand-wave,
Or on the wealth of globed peonies;
~John Keats from “Ode on Melancholy”

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Oatmeal porridge and melancholy,
poets and peonies —
it is so early, so Monday morning…
nothing more need be said.

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Monday Morning

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My life is not this steeply sloping hour,
in which you see me hurrying.
Much stands behind me;
I stand before it like a tree;

I am the rest between two notes,
which are somehow always in discord
because Death’s note wants to climb over—
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.”
Rainer Maria Rilke from “My Life is Not This Steeply Sloping Hour”

_________________________

On Monday mornings I often feel I’m stuck immobilized in the spot in the middle between discordant notes. There is on one side of me the pressure of catch-up from what was left undone through the weekend and on the other side is the anticipated demand of the coming week. Before I arrive to work, I dwell uneasily in dead center between the unknown ahead and the known behind.

This moment of rest in the present, this trembling broken Now, is my moment of reconciliation, my Sabbath extended.

This Monday morning I allow myself an instant of silence and reflection before I surge full bore into the week, knowing that on my journey I’ll inevitably hit wrong notes, just as I do when I play, unprepared, at the piano.

But it can be beautiful nevertheless.

Even the least harmonious notes seek reconciliation within the next chord. I now move from the rest of my Sabbath back into the rhythm of my life.

Trembling, still trembling.

 

icepile

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Reconciled Trembling

photo by Josh Scholten
photo by Josh Scholten

I am the rest between two notes,
which are somehow always in discord
because Death’s note wants to climb over—
but in the dark interval, reconciled,
they stay there trembling.
And the song goes on, beautiful.”
Rainer Maria Rilke from “My Life is Not This Steeply Sloping Hour”

On Mondays I often feel I’m the spot in the middle between discordant notes. There is on one side of me the pressure of catch-up from what was left undone through the weekend and on the other side is the anticipated demand of the coming week. Before I arrive to work, I’m uneasily in dead center, immobilized by the unknown ahead and the known behind.

This moment of rest in the present, between the trembling past and future, is my moment of reconciliation, my Sabbath extended. This morning I allow myself an instant of silence and reflection before I surge ahead into the week, knowing that on my journey I’ll inevitably hit wrong notes, but it can be beautiful nevertheless.

Even the least harmonious notes find reconciliation within the next chord. I now move from the rest of my Sabbath back into the rhythm of my life.

Trembling, still trembling.