Lonely Unyielding Fir

A silence slipping around like death,
Yet chased by a whisper, a sigh, a breath,
One group of trees, lean, naked and cold,
Inking their crest ‘gainst a sky green-gold,
One path that knows where the corn flowers were;
Lonely, apart, unyielding, one fir;
And over it softly leaning down,
One star that I loved ere the fields went brown.
~Angelina Weld Grimke “A Winter Twilight”



I am astonished at my thirstiness
slaked by such simple things
as a moment of pink,
a burst of birdsong,
a cat balancing on a fence rail,
a focal fir that stands unyielding on a hill top,
a glimpse of tomorrow over the horizon of today.

Keeping Your Face Hidden

 

 

 

 

 

Vast whisp-whisp of wingbeats
awakens me and I look up
at a minute-long string of black geese’
following low past the moon the white
course of the snow-covered river and
by the way thank You for
keeping Your face hidden, I
can hardly bear the beauty of this world
~Franz Wright from “Cloudless Snowfall”

 

 

 

A psalm of geese
labours overland

cajoling each other
near half…

The din grew immense.
No need to look up.

All you had to do
was sit in the sound

and put it down
as best you could…

It’s not a lonesome sound
but a panic,

a calling out to the others
to see if they’re there;

it’s not the lung-full thrust of the prong of arrival
in late October;
not the slow togetherness

of the shape they take
on the empty land
on the days before Christmas:

this is different, this is a broken family,
the young go the wrong way,

then at daybreak, rise up and follow their elders
again filled with dread,
at the returning sound of the journey ahead.
~Dermot Healy from A Fool’s Errand 

 

 

 

We are here to witness the creation and abet it. We are here to notice each thing so each thing gets noticed. Together we notice not only each mountain shadow and each stone on the beach but, especially, we notice the beautiful faces and complex natures of each other. We are here to bring to consciousness the beauty and power that are around us and to praise the people who are here with us. We witness our generation and our times. We watch the weather. Otherwise, creation would be playing to an empty house.
~Annie Dillard from The Meaning of Life
 edited by David Friend

 

 

I am overwhelmed by the amount of “noticing” I need to do in the course of my work.  Each patient, and there are so many,  deserves my full attention for the few minutes we are together.  I start my clinical evaluation the minute I walk in the exam room and begin taking in all the complex verbal and non-verbal clues offered by another human being.

How are they calling out to me as they keep their faces hidden?

What someone tells me about what they are feeling may not always match what I notice:  the trembling hands, the pale skin color, the deep sigh, the scars of self injury.  I am their audience and a witness to their struggle; even more, I must understand it in order to best assist them.  My brain must rise to the occasion of taking in another person, offering them the gift of being noticed and being there for them, just them.

This work I do is distinctly a form of praise: the patient is the universe for a few moments and I’m grateful to be watching and listening. When my patient calls out to me, may they never feel they are playing to an empty house. May I always look for the beauty in their hidden faces.

Fray into the Future

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These sudden ends of time must give us pause.
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
More time, more time.
~Richard Wilbur from “Year’s End”

 

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For some time I thought there was time
and that there would always be time
for what I had a mind to do
and what I could imagine
going back to and finding it
as I had found it the first time
but by this time I do not know
what I thought when I thought back then

there is no time yet it grows less
there is the sound of rain at night
arriving unknown in the leaves
once without before or after
then I hear the thrush waking
at daybreak singing the new song
~W.S.Merwin “The New Song”

 

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Time sweeps me along,
takes me where it wishes,
even gets the better of me
until I clutch it for a moment
to see and hear and hold it close
to never forget~~

the multi-faceted tapestry of the past
fraying into the future

forever restless, time escapes my grasp
and so it shall ever be.

 

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To Recall the Very Hour

 

 

 

My mind lets go a thousand things
Like dates of wars and deaths of kings,
And yet recalls the very hour—
‘T was noon by yonder village tower,
And on the last blue noon in May—
The wind came briskly up this way,
Crisping the brook beside the road;
Then, pausing here, set down its load
Of pine-scents, and shook listlessly
Two petals from that wild-rose tree.
~Thomas Bailey Aldrich, more The Poems of Thomas Bailey Aldrich: Revised and Complete Household Edition with Illustrations

 

 

 

My mind plays tricks on me these days~
what I should remember,
I struggle to recall

and what I wish I could forget
sticks with me
too long

yet always relieved to realize
when life happens around me
I simply need to be present.

Paying attention.

 

photo by Harry Rodenberger

 

 

Get On With Work or Take It Slow

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Sweet smell of phlox drifting across the lawn—
an early warning of the end of summer.
August is fading fast, and by September
the little purple flowers will all be gone.
Season, project, and vacation done.
One more year in everybody’s life.
Add a notch to the old hunting knife
Time keeps testing with a horny thumb.
Over the summer months hung an unspoken
aura of urgency. In late July
galactic pulsings filled the midnight sky
like silent screaming, so that, strangely woken,
we looked at one another in the dark,
then at the milky magical debris
arcing across, dwarfing our meek mortality.
There were two ways to live: get on with work,
redeem the time, ignore the imminence
of cataclysm; or else take it slow,
be as tranquil as the neighbors’ cow
we love to tickle through the barbed wire fence
(she paces through her days in massive innocence,
or, seeing green pastures, we imagine so).
In fact, not being cows, we have no choice.
Summer or winter, country, city, we
are prisoners from the start and automatically,
hemmed in, harangued by the one clamorous voice.
Not light but language shocks us out of sleep
ideas of doom transformed to meteors
we translate back to portents of the wars
looming above the nervous watch we keep.
~Rachel Hadas from “The End of Summer”
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In observance of Labor Day:
I did not grow up in a household that took time off.  Time was redeemed by work, and work was noble and honorable and proved we had a right to exist.
Vacation road trips were rare and almost always associated with my father’s work.  When he came home from his desk job in town, he would immediately change into his farm clothes and put in several hours of work outside, summer or winter, rain or shine, light or dark.
My mother did not work in town while we were children, but worked throughout her day inside and outside the house doing what farm wives and mothers need to do: growing, hoeing, harvesting, preserving, washing, cleaning, sewing, and most of all, being there for us.
As kids, we had our share of chores that were simply part of our day as our work was never done on a farm. When we turned twelve, we began working for others: babysitting, weeding, barn and house cleaning, berry picking.  I have now done over 52 years of gainful employment – there were times I worked four part-time jobs at once because that was what I could put together to keep things together.
The thought of “retirement” is anathema for me but that time will come for me when I am ready to take it slow. I know I’ve missed out on much of life being a “nose to the grindstone” person.
I wish there had been more times I had taken a few moments to be more like the cows I see meandering, tranquil and unconcerned, in the surrounding green pastures. Part of every day now I pull myself away from the work to be done, the work that is always calling and staring me in the face, and try a different way to redeem my time: to notice, to record, to observe, to appreciate beauty that exists in the midst of chaos and cataclysm and neverending portents of war.
Life isn’t all about non-stop labor, yet we get on with our work because work is about showing up when and where we are needed. Not being cows, we may feel we have no choice in the matter. Just maybe, like cows, we can manage to slow down,  watch what is happening around us, and by chewing our cud, keep contemplating and digesting whatever life feeds us, the sweet and the sour.
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When August Burns Low

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Further in Summer than the Birds
Pathetic from the Grass
A minor Nation celebrates
Its unobtrusive Mass.

No Ordinance be seen
So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

Antiquest felt at Noon
When August burning low
Arise this spectral Canticle
Repose to typify

Remit as yet no Grace
No Furrow on the Glow
Yet a Druidic Difference
Enhances Nature now 
~Emily Dickinson

 

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“…one of the great poems of American literature. The statement of the poem is profound; it remarks the absolute separation between man and nature at a precise moment in time.  The poet looks as far as she can into the natural world, but what she sees at last is her isolation from that world.  She perceives, that is, the limits of her own perception. But that, we reason, is enough. This poem of just more than sixty words comprehends the human condition in relation to the universe:

So gradual the Grace
A pensive Custom it becomes
Enlarging Loneliness.

But this is a divine loneliness, the loneliness of a species evolved far beyond all others. The poem bespeaks a state of grace. In its precision, perception and eloquence it establishes the place of words within that state.  Words are indivisible with the highest realization of human being.”
~N. Scott Momaday from The Man Made of Words

 

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On the first day I took his class on Native American Mythology and Lore in 1974 at Stanford, N.Scott Momaday strolled to the front, wrote the 60 words of this Dickinson poem on the blackboard.  He told us we would spend at least a week working out the meaning of what he considered the greatest poem written — this in a class devoted to Native American writing and oral tradition.  In his resonant bass, he read the poem to us many times, rolling the words around his mouth as if to extract their sweetness. This man of the plains, a member of the Kiowa tribe, loved this poem put together by a New England recluse poet — someone as culturally distant from him and his people as possible.

But grace works to unite us, no matter our differences, and Scott knew this as he led us, mostly white students, through this poem.  What on the surface appears a paean to late summer cricket song doomed to extinction by oncoming winter, is a statement of the transcendence of man beyond our understanding of nature and the world in which we, its creatures, find ourselves.

As summer begins its descent into the dark death of winter, we, unlike the crickets, become all too aware we too are descending, particularly when the skies are filled with smoke from uncontrolled wildfires in the north, the east and the south.  There is no one as lonely as an individual facing their mortality and no one as lonely as a poet facing the empty page, in search of words to describe the sacrament of sacrifice and perishing.

Yet the Word brings Grace unlike any other, even when the cricket song, pathetic and transient as it is, is gone.  The Word brings Grace, like no other, to pathetic and transient man who will emerge transformed.

There is no furrow on the glow.  There is no need to plow and seed our salvaged souls, already lovingly planted and nurtured by our Creator God, yielding a fruited plain.

 

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The Sun Got Round Behind You

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sunsetkids

 

… if you ran, time ran. You yelled and screamed and raced and rolled and tumbled and all of a sudden the sun was gone and the whistle was blowing and you were on your long way home to supper. When you weren’t looking, the sun got around behind you! The only way to keep things slow was to watch everything and do nothing! You could stretch a day to three days, sure, just by watching!
~Ray Bradbury from Dandelion Wine

 

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farmgirls

 

Late summer is a time to slow down and just watch, to stretch the days out as long as possible.

I have a tendency to race through the hours granted to me, heedless of the sun settling low behind me; I don’t want to surrender the day to the advancing march of darkness.

So I choose for now to be observer and recorder rather than runner and racer, each moment preserved like so many jars of sweet jam on a pantry shelf.

The sun may be setting, but I want it to take its time.

 

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