The Rain Drop Ploughs

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They sing their dearest songs —
    He, she, all of them — yea,
    Treble and tenor and bass,
        And one to play;
    With the candles mooning each face….
        Ah, no; the years O!
How the sick leaves reel down in throngs!

 

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They clear the creeping moss —
    Elders and juniors — aye,
    Making the pathways neat
        And the garden gay;
    And they build a shady seat….
        Ah, no; the years, the years;
See, the white storm-birds wing across!

 

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    They are blithely breakfasting all —
    Men and maidens — yea,
    Under the summer tree,
        With a glimpse of the bay,
    While pet fowl come to the knee….
        Ah, no; the years O!
And the rotten rose is ript from the wall.

 

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    They change to a high new house,
    He, she, all of them — aye,
    Clocks and carpets and chairs
        On the lawn all day,
    And brightest things that are theirs….
        Ah, no; the years, the years;
Down their carved names the rain-drop ploughs.
~Thomas Hardy “During Wind and Rain”

 

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anna

 

A waning November moon reluctantly rose,
dimming from the full globe of the night before.
I drive a darkening country road, white lines sweeping past,
aware of advancing frost in the evening haze,
anxious to return home to familiar warmth and light.

Nearing a county road corner, slowing to a stop,
I glanced aside where
a lonely rural cemetery sits expectant.

Through open iron gates and tenebrous headstones,
there in the middle path, incongruous,
car’s headlights beamed bright.

I puzzled, thinking:
lovers or vandals would seek inky cover of night.

Instead, these lights focused on one soul alone,
kneeling graveside,
a hand resting heavily on a stone, head bowed in prayer.

This stark moment of solitary sorrow,
a visible grieving of a heart

illuminated by twin beams.

This benediction of mourning
as light pierced the blackness;

gentle fingertips traced
the engraved letters of a beloved name.

Feeling touched
as uneasy witness, I pull away 

to drive deeper into the night,
struggling to see despite
my eyes’ thickening mist.

~Emily Gibson – “Grief Illuminated”

 

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stonecone
a stone pinecone, environmental art by Andy Goldsworthy, rural Scotland

At a Crossroads

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When a man thinks happily, he finds no foot-track in the field he traverses.
~Ralph Waldo Emerson from “Quotation and Originality”

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Yet knowing how way leads on to way,
I doubted if I should ever come back…
~Robert Frost from “The Road Not Taken”
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Two lonely cross-roads that themselves cross each other I have walked several times this winter without meeting or overtaking so much as a single person on foot or on runners. The practically unbroken condition of both for several days after a snow or a blow proves that neither is much travelled. Judge then how surprised I was the other evening as I came down one to see a man, who to my own unfamiliar eyes and in the dusk looked for all the world like myself, coming down the other, his approach to the point where our paths must intersect being so timed that unless one of us pulled up we must inevitably collide. I felt as if I was going to meet my own image in a slanting mirror. Or say I felt as we slowly converged on the same point with the same noiseless yet laborious stride as if we were two images about to float together with the uncrossing of someone’s eyes. I verily expected to take up or absorb this other self and feel the stronger by the addition for the three-mile journey home. But I didn’t go forward to the touch. I stood still in wonderment and let him pass by; and that, too, with the fatal omission of not trying to find out by a comparison of lives and immediate and remote interests what could have brought us by crossing paths to the same point in a wilderness at the same moment of nightfall. Some purpose I doubt not, if we could but have made out. I like a coincidence almost as well as an incongruity.
~Robert Frost from “Selected Letters”
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