To Muck and Shovel and Sing

“He (the professor) asked what I made of the other students (at Oxford) so I told him.
They were okay, but they were all very similar…
they’d never failed at anything or been nobodies,
and they thought they would always win.
But this isn’t most people’s experience of life.

He asked me what could be done about it.
I told him the answer was to send them all out for a year
to do some dead-end job
like working in a chicken processing plant
or spreading muck with a tractor.
It would do more good than a gap year in Peru. 

He laughed and thought this was tremendously witty.
It wasn’t meant to be funny.

~James Rebanks from The Shepherd’s Life
(how a sheep farmer succeeds at Oxford and then goes back to the farm)


In our barn we have a very beat up old AM/FM radio that sits on a shelf next to the horse stalls and serves as company to the horses during the rainy stormy days they stay inside, and serves as distraction to me as we clean stalls of manure and wet spots in the evening.  We live about 10 miles south of the Canadian border, so most stations that come in well on this radio’s broken antenna are from the lower mainland of British Columbia.  This includes a panoply of stations spoken in every imaginable language– a Babel of sorts that I can tune into: Spanish, Japanese, Chinese, Hindi, Russian, French and of course, proper British accent English.  But standard issue American melting pot genetic mix that I am, I prefer to tune into the “Oldies” Station and reminisce.

There is a strange comfort in listening to songs that I enjoyed 40-50+ years ago, and I’m somewhat miffed and perplexed that they should be called “oldies”.  Oldies always referred to music from the 20’s, 30’s and 40’s, not the 50’s, 60’s, and 70’s!   I listen and sing along with a mixture of feeling ancient and yet transported back to my teens.  I can think of faces and names I haven’t thought of in decades, remember special summer days picking berries and hear long lost voices from school days. I can smell and taste and feel things all because of the trigger of a familiar song.   There is something primordial –deep in my synapses– that is stirred by this music. In fact, I shoveled manure to these same songs 50 years ago, and somehow, it seems not much as changed. 

Or has it? One  (very quick) glance in the mirror tells me it has and I have.

YesterdayI Got You, Babe and you were a Bridge Over Troubled Waters for this Natural Woman who just wants to be Close to You so You’ve Got a Friend.  There’s Something in the way I Cherish The Way We Were and of course Love Will Keep Us Together. If You Leave Me Now,  You’re So VainI’ve always wanted it My Way but How Sweet It Is when I Want To Hold Your Hand.  Come Saturday Morning we’re Born to Be Wild.

Help! Do You Know Where You’re Going To?  Me and You and A Dog Named Boo will travel Country Roads and Rock Around the Clock even though God Didn’t Make the Little Green Apples.  Fire and Rain will make things All Right Now once Morning is Broken, I’ll Say a Little Prayer For You.

I Can’t Get No Satisfaction from the Sounds of Silence — If— Those Raindrops Keep Fallin’ on My HeadStand By Me as It’s Just My Imagination that I am a Rock,when really I only want Time in a Bottle and to just Sing, Sing a Song.

They just don’t write songs like they used to.  I seem to remember my parents saying that about the songs I loved so well.  Somehow in the midst of decades of change, there are some constants.  Music still touches our souls, no matter how young or old we are.

And there will always be manure that needs shoveling.

A Wedding of Lace

…Then how his muffled armies move in all night
And we wake and every road is blockaded
Every hill taken and every farm occupied
And the white glare of his tents is on the ceiling.
And all that dull blue day and on into the gloaming
We have to watch more coming.

Then everything in the rubbish-heaped world
Is a bridesmaid at her miracle.
Dunghills and crumbly dark old barns are bowed in the chapel of her sparkle.
The gruesome boggy cellars of the wood
Are a wedding of lace
Now taking place.
~Ted Hughes from “Snow and Snow”

I wish one 
could press snowflakes 
in a book
like flowers.
~James Schuyler from “February 13, 1975”

It’s true that three snow days in a row is unprecedented in our part of the world. Being snowbound by driveway-blocking drifts has its advantages until it isn’t fun any longer and means even more work to be done both on and off the farm, especially for a physician stranded from her closed clinic.

I’ve been doing my best taking care of our clinic’s patients via messaging, text and other media, but there is a limit to my virtual reach: I can’t palpate a tender belly, or feel swollen lymph nodes or listen to someone’s palpitations, though it is a little easier to discern despair, anticipate anxiety and work out someone’s worries from afar.

But I do have a view of the wedding lace of our woods and the sparkling chapels made of our tired old barns and buildings on the farm. I’m reminded that even I can be dressed up with a covering as white as snow. So lovely to look at, if only to be preserved for the long summer days that lie ahead — a wilting snowflake pressed into a book like a flower remembered, its fragrance still attached.

These Soft Eyed Souls

When I pull open the barn doors,
every morning
and each evening,
as my grandparents did
one hundred years ago,
six rumbling voices
rise in greeting.
We exchange scents,
nuzzle each others’ ears.

I do my chores faithfully
as my grandparents once did–
draw fresh water
into buckets,
wheel away
the pungent mess underfoot,
release an armful of summer
from the bale,
reach under heavy manes
to stroke silken necks.

I don’t depend
on our horses’ strength
and willingness to
don harness
to carry me to town
or move the logs
or till the soil
as my grandparents did.

Instead,
these soft eyed souls,
born on this farm
almost three long decades ago,
are simply grateful
for my constancy
morning and night
to serve their needs
until the day comes
they need no more.

I depend on them
to depend on me
to be there
to open the doors;
their low whispering welcome
gives voice
to the blessings of
living on a farm
ripe with rhythms and seasons,
as if today and tomorrow are
just like one hundred years ago.

So Pressed for Time

Now a decade after her death, I’m still slowly sorting through my mother’s packed up possessions stored in one of our farm outbuildings. Some boxes I am not ready to open, such as the 30 months of letters written by my newlywed father and mother while he fought in several bloody island battles as a Marine in the South Pacific during WWII. Other boxes contain items from too distant an era to be practical in my kitchen, such as the ones labeled “decorative teacups” or “assorted tupperware bowls without lids”.

But I do open the boxes of books. My mother was a high school speech teacher during those war years, and she had a good sense of a classic book, so there are always treasures in those boxes.

Recently I found the 1956 Webster’s New Dictionary of the Twentieth Century that I grew up with. This book was massive, easily weighing 10 pounds, and served as a booster seat for haircuts, a step stool for trying to reach the cookie jar on the kitchen cupboard, and of course, for looking up any obscure word that ever existed in all of history. Or so it seemed.

It was an amazing tome. And as I flipped through the pages, I found some old familiar friends that were neither black nor white nor read all over.

Wildflowers had been carefully pressed between the pages–over two dozen specimens paper thin themselves, their existence squeezed into two dimensions–still showing faint pink or blue, or purple color, almost exuding a long ago fragrance from a summer over fifty years ago. As a child I regularly wandered out to our fields and woods to gather crimson clover blossoms, buttercup, dandelions, daisies, wild violets, wild ginger, calypso lady slippers for bouquets for my mother, and she would select the most perfect to slide between the pages of the dictionary. Occasionally she would pull out one to gently paste on a hand written card she sent to a friend.

Here were my perfect flowers, preserved and pressed for time, just waiting for the fifty-five-years-older me to rediscover them lying between wonderful words that I love to roll in my mouth and type on a page. They are too fragile to paste to a greeting card, or even to handle due to their brittleness. They need to stay right where they are, for another generation or two or three to discover.

I am so pressed for time, becoming more fragile, perhaps more brittle than I care to admit. My mother and father have blown away like the puff ball seeds of the dandelion, on to other horizons, but the sturdy old dictionary is going nowhere. It will be passed down, its delicate passengers preserved inside, a long ago far away summer afternoon of flower gathering to be shared as a great grandchild opens the book to look up a favorite word sometime in the not so far off future.

Best of Barnstorming Photos Summer/Fall 2018

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I walked

on New Year’s Day

beside the trees

my father now gone planted

evenly following

the road

Each

            spoke

~Lorine Niedecker (1967)

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With what stillness at last
you appear in the valley
your first sunlight reaching down
to touch the tips of a few
high leaves that do not stir
as though they had not noticed
and did not know you at all
then the voice of a dove calls
from far away in itself
to the hush of the morning
so this is the sound of you
here and now whether or not
anyone hears it this is
where we have come with our age
our knowledge such as it is
and our hopes such as they are
invisible before us
untouched and still possible

~W.S. Merwin “To the New Year”

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The object of a new year is not that we should have a new year. It is that we should have a new soul.
~G.K. Chesterton
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No one ever regarded the First of January with indifference.
It is that from which all date their time, and count upon what is left.
It is the nativity of our common Adam.

~Charles Lamb 

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We come to this new year
naked as dormant branches
in the freezing night.

Mere potential barely budded,
nothing covered up,
no hiding in shame.

A shared and common birthday of renewal,
a still life nativity in a winter garden,
a roaring fire refining what is no longer of use,
another chance to make it right.

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Grant, O Lord,
that as the years change,
I may find rest in Your eternal changelessness.

May I meet this new year bravely,
secure in the faith that,
while we come and go,
and life changes around us,

You are always the same,
guiding us with Your wisdom,
and protecting us with Your love.
Amen.

~William Temple (1881–1944)

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Fray into the Future

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These sudden ends of time must give us pause.
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
More time, more time.
~Richard Wilbur from “Year’s End”

 

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For some time I thought there was time
and that there would always be time
for what I had a mind to do
and what I could imagine
going back to and finding it
as I had found it the first time
but by this time I do not know
what I thought when I thought back then

there is no time yet it grows less
there is the sound of rain at night
arriving unknown in the leaves
once without before or after
then I hear the thrush waking
at daybreak singing the new song
~W.S.Merwin “The New Song”

 

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Time sweeps me along,
takes me where it wishes,
even gets the better of me
until I clutch it for a moment
to see and hear and hold it close
to never forget~~

the multi-faceted tapestry of the past
fraying into the future

forever restless, time escapes my grasp
and so it shall ever be.

 

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Smells That Speak

October

 

 

The smell of that buttered toast simply spoke to Toad, and with no uncertain voice;
talked of warm kitchens,
of breakfasts on bright frosty mornings,
of cozy parlour firesides on winter evenings,
when one’s ramble was over and slippered feet were propped on the fender;
of the purring of contented cats,
and the twitter of sleepy canaries.

~Kenneth Grahame, The Wind in the Willows

 

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I’m not a practitioner of the ancient art of aromatherapy for medicinal purposes but I do know certain smells transport me more effectively than any other mode of travel.  One whiff of a familiar scent can take me back years to another decade and place, almost in time traveling mode.  I am so in the moment, both present and past, my brain sees, hears, tastes, feels everything just as it was before.

The most vivid are kitchen smells, to be sure.  Cinnamon becomes my Grandma’s farm kitchen full of rising breakfast rolls, roasting turkey is my mother’s chaotic kitchen on Thanksgiving Day, fresh baked bread is my own kitchen during those years I needed to knead as therapy during medical training.

Sometimes I have the privilege of holding infants whose skin smells of baby shampoo and powder, so like the soft velvet of my own childrens’.   The newly born wet fur of my foals carries the sweet and sour amnion that was part of every birth I’ve been part of: delivering others and delivering my own.  My heart races at the memory of the drama of those first breaths.

The garden yields its own treasure: tea roses, sweet peas, heliotrope, mint, lemon verbena and lemon blossom take me back to lazy breezes wafting through open bedroom windows in my childhood home.  And of course the richness of petrichor: the fragrance of the earth after a long awaited rain will remind me of how things smell after a dry spell.

I doubt any aromatherapy kit available includes my most favorite farm smells: newly mown hay, fresh fir shavings for stall bedding,  the mustiness of the manure pile, the green sweetness of a horses’ breath.

Someday I’ll figure out how to bottle all these up to keep forever.   Years from now my rambles will be over, when I’m too feeble to walk to the barn or be part of the hay harvest crew any longer,  I can sit by my fireplace, close my eyes, open it up and take a whiff now and then and remind me of all I’m grateful for.  It’ll take me back to a day just like today when I cooked in the kitchen, held a friend’s sweet infant, moved hay to the horses and cleaned the barn:

I’ll breathe deeply of the smells that speak to me with no uncertain voice.

 

 

 

 

 

 

 

 

 

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