Trust All This to be True

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Trust that there is a tiger, muscular
Tasmanian, and sly, which has never been
seen and never will be seen by any human
eye. Trust that thirty thousand sword-
fish will never near a ship, that far
from cameras or cars elephant herds live
long elephant lives. Believe that bees
by the billions find unidentified flowers
on unmapped marshes and mountains. Safe
in caves of contentment, bears sleep.
Through vast canyons, horses run while slowly
snakes stretch beyond their skins in the sun.
I must trust all this to be true, though
the few birds at my feeder watch the window
with small flutters of fear, so like my own.
~Susan Kinsolving “Trust”
belindarose
photo by Emily Vander Haak
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When I stand at the window watching the flickers, sparrows, finches, chickadees, and red-winged blackbirds come and go from the feeders, I wonder who is watching who.  They remain wary of me, fluttering away quickly if I approach with lens in hand.  They fear capture, even within a camera.  They have a life to be lived without my witness or participation.  So much happens that I never see or know about.

I understand:  I fear being captured too.

Even if only for a moment as an image preserved forever, I know it doesn’t represent all I am, all I’ve done, all I feel, all my moments put together.  The birds are, and I am, so much more than one moment.

Only God sees us fully in every moment, witness to our freedom and captivity,  our loneliness and grief, our joy and tears, knowing our best and our worst.
And because He knows us so well, in Him we must trust.
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tigernap
photo by Tomomi Gibson

Snake Skin

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Pruning back the old spirea bushes
that sprawled for years in summer’s heat,
I bared the snake skin, a yard and a half long:
its naked empty length rippled in the streaming wind
lifting its ghostly coils from the dead shoots
that scraped the slough from the slithering body
that shed it in that narrow, shaded space.

I paused—who wouldn’t?—shears poised,
slipped off gray canvas gloves, extracted
the sere, striated casing from the brown stalks
that had held it, silent, hidden.

I coiled the paper-thin curling sheath with care,
delicately, eased it into a simple squatty box
for keeping, for care, for my daughters
to take to school, to show, to explain
how some sinuous body we’ve never glimpsed,
that haunts about our shrubs, our porch,
left for us this translucent, scale-scored wrapper,
this silent hint of all that moves unseen.
~Stephen Behrendt “Snakeskin”

 

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Cast off on a sunny spring day
onto a warm manure pile,
a wriggled-free fresh molt snakeskin,
nearly covered by my fresh load~
lay blended with old hay, horse hair, shavings,
tucked among what is already digested,
dumped and discarded.
This, an intact hollowed shadow
of a still living creature
who has moved on:
I too need to leave my old self
shrugged off onto the manure pile,
shed when it no longer fits
the ways I’ve grown hallowed,
a fitting remembrance of
who I once was,
yet left behind.
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snakeskin5

The Old Self Shed

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Cast off on a sunny day
onto a warm manure pile,
a wriggled-free fresh snakeskin,
almost covered by my fresh load~
lay blended with old hay, horse hair, shavings,
tucked among what is already digested,
dumped and discarded.
This, an intact hollowed shadow
of a still living creature
who has moved on:
I too need to leave my old self
shrugged off onto the manure pile,
shed when it no longer fits
the ways I’ve grown hallowed,
a fitting remembrance of
who I once was,
yet left behind.
snakeskin1
snakeskin3
snakeskin10
snakeskin5
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