The Rain Drop Ploughs

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They sing their dearest songs —
    He, she, all of them — yea,
    Treble and tenor and bass,
        And one to play;
    With the candles mooning each face….
        Ah, no; the years O!
How the sick leaves reel down in throngs!

 

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They clear the creeping moss —
    Elders and juniors — aye,
    Making the pathways neat
        And the garden gay;
    And they build a shady seat….
        Ah, no; the years, the years;
See, the white storm-birds wing across!

 

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    They are blithely breakfasting all —
    Men and maidens — yea,
    Under the summer tree,
        With a glimpse of the bay,
    While pet fowl come to the knee….
        Ah, no; the years O!
And the rotten rose is ript from the wall.

 

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    They change to a high new house,
    He, she, all of them — aye,
    Clocks and carpets and chairs
        On the lawn all day,
    And brightest things that are theirs….
        Ah, no; the years, the years;
Down their carved names the rain-drop ploughs.
~Thomas Hardy “During Wind and Rain”

 

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A waning November moon reluctantly rose,
dimming from the full globe of the night before.
I drive a darkening country road, white lines sweeping past,
aware of advancing frost in the evening haze,
anxious to return home to familiar warmth and light.

Nearing a county road corner, slowing to a stop,
I glanced aside where
a lonely rural cemetery sits expectant.

Through open iron gates and tenebrous headstones,
there in the middle path, incongruous,
car’s headlights beamed bright.

I puzzled, thinking:
lovers or vandals would seek inky cover of night.

Instead, these lights focused on one soul alone,
kneeling graveside,
a hand resting heavily on a stone, head bowed in prayer.

This stark moment of solitary sorrow,
a visible grieving of a heart

illuminated by twin beams.

This benediction of mourning
as light pierced the blackness;

gentle fingertips traced
the engraved letters of a beloved name.

Feeling touched
as uneasy witness, I pull away 

to drive deeper into the night,
struggling to see despite
my eyes’ thickening mist.

~Emily Gibson – “Grief Illuminated”

 

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a stone pinecone, environmental art by Andy Goldsworthy, rural Scotland

A Deep Fear of Emptiness

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Wheels of baled hay bask in October sun:
Gold circles strewn across the sloping field,
They seem arranged as if each one
Has found its place; together they appeal
To some glimpsed order in my mind
Preceding my chance pausing here —
A randomness that also seems designed.
Gold circles strewn across the sloping field
Evoke a silence deep as my deep fear
Of emptiness; I feel the scene requires
A listener who can respond with words, yet who
Prolongs the silence that I still desire,
Relieved as clacking crows come flashing through,
Whose blackness shows chance radiance of fire.
Yet stillness in the field remains for everyone:
Wheels of baled hay bask in October sun.
~Robert Pack “Baled Hay” from Rounding it Out: A Cycle of Sonnetelles (1999).

 

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Each day I am called to see and listen,
to open fully to all that is around me.
From the simple stillness of the fields
surrounding our farm,
to the weeping of those who sit with me
day after day
in their deep fear of emptiness,
their struggle with whether to try to live
or give up and die.

Their deep fear of emptiness renders me silent;
I struggle to respond with words
that might offer up a healing balm
assuring them even in the darkest time
hope lies waiting, wrapped and baled,
radiant as fire,
ready to spill out fragrant,
to bear us silently to a new morning,
to a stillness borne of grace.

 

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A Leaf Falls

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l (a

le
af
fa
ll

s)
one
l
iness…

~e.e. cummings

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So many feel they are the only one
to fall
until they land in a cushion of others
comforted.

Some dangle suspended
twisting and turning in the slightest breeze
not knowing when the fall will come.

I know I’m both~
one alone
and many together

held by a slender silken thread
until the moment comes
when I’m let go.

 

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A Secret Heart Broken

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…And I think
They know my strength,
Can gauge
The danger of their work:
One blow could crush them
And their nest; and I am not their friend.

And yet they seem
Too deeply and too fiercely occupied
To bother to attend.
Perhaps they sense
I’ll never deal the blow,
For, though I am not in nor of them,
Still I think I know
What it is like to live
In an alien and gigantic universe, a stranger,
Building the fragile citadels of love
On the edge of danger.
~James Rosenberg from “The Wasps’ Nest”

 

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Anger is as a stone cast into a wasp’s nest.
~Pope Paul VI

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The nest was hanging like the richest fruit
against the sun. I took the nest
and with it came the heart, and in my hand
the kingdom and the queen, frail surfaces,
rested for a moment. Then the drones
awoke and did their painful business.
I let the city drop upon the stones.

It split to its deep palaces and combs.

The secret heart was broken suddenly.
~Michael Schmidt — “Wasps’ Nest”
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It hung undisturbed the past few months as its busy citizens visited our picnics, greedily buzzed our compost bin, shot bullet-like out of the garbage can when I lifted the lid.  In short, their threat of using their weaponry controlled all our moves this summer.

This nest is their nighttime respite for a few more weeks before a freeze renders them weak and paralyzed in slow motion.  A thing of beauty outside harbors danger inside. I must not touch this tissue paper football nest with its beating buzzing hornet heart.

Let winter deal the devastating blow. As I am not in or of them, I cannot cast the first stone.

In a few short weeks, as they sleep, the north winds will tear it free from its tight hold,
bear it aloft in its lightness of being, and it will fall, crushed, broken, its secret heart revealed and all that stings will be let go.

 

 

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We Will Weep and Know Why

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~to a young child~

Márgarét, áre you gríeving
Over Goldengrove unleaving?
Leáves like the things of man, you
With your fresh thoughts care for, can you?
Ah! ás the heart grows older
It will come to such sights colder
By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name:
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.
~Gerard Manley Hopkins “Spring and Fall”
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This morning we weep and know why.
It is not simply the sorrowful loss
of the perfection of spring and childhood
giving way to the dying of the fall,
the last gasp coloring of leaves and skies.It is the loss of innocence, of sense of reverence for life,
this blight man was born for,
this bleeding out for no reason.

What must drive one man’s selfish rage, loneliness and despair to compel him to deprive innocent others of their blood and life?

What unexplained evil overtakes one heart that he seeks to stop the beating hearts of others before his own is stopped?


When will there ever be safe havens again in society?
Not schools, not churches, not hospitals, not concerts, not any place people gather.

This is a day for lament, for tears, and for prayers to God that we cry out and bleed out the spiritual sickness that is infecting us all.
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We’ve Seen Nothing Yet

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Autumn begins to be inferred
By millinery of the cloud,
Or deeper color in the shawl
That wraps the everlasting hill.
~Emily Dickinson in “Summer Begins to Have the Look”

 

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Last week summer appeared waning and wistful;  it had the look of packing up, and moving on without bidding adieu or looking back over its shoulder.

Cooling breezes now have carried in darkening clouds with a hint of spit from the sky as I gaze upward to see and smell the change.  Rain has been long overdue yet there is now temptation to bargain for a little more time.  Though we badly needed a good drenching, there are still onions and potatoes to pull from the ground, berries to pick before they mold on the vine, tomatoes not yet ripened, corn cobs just too skinny to pick.

I’m just not ready to wave goodbye to sun-soaked clear skies.

The overhead overcast is heavily burdened with clues of what is coming: earlier dusk, the feel of moisture, the deepening graying hues, the briskness of breezes.  There is no negotiation possible.   I need to steel myself and get ready, wrapping myself in the soft shawl of inevitability.

So autumn advances with the clouds, taking up residence where summer has left off.  Though there is still clean up of the overabundance left behind, autumn will bring its own unique plans for display of a delicious palette of hues.

The truth is we’ve seen nothing yet.

 

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September’s Baccalaureate
A combination is Of Crickets — Crows — and Retrospects
And a dissembling Breeze
That hints without assuming —
An Innuendo sear
That makes the Heart put up its Fun
And turn Philosopher.
~Emily Dickinson

 

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Find Rest in Today

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There is nothing I can give you which you have not;
but there is much I cannot give that you can take.

No heaven can come to us unless our hearts find rest in today.
Take heaven!
No peace lies in the future which is not hidden in this present instant.
Take peace!
The gloom of the world is but a shadow;
behind it, yet within reach, is joy.
Take joy!
There is radiance and glory in the darkness, could we but see;
and to see, we have only to look.
I beseech you to look.
Life is so generous a giver,
but we, judging its gifts by their covering,
cast them away as ugly, or heavy, or hard.
Remove the covering, and you will find beneath it
a living splendor, woven of love, by wisdom, with power.
~Fra Giovanni , a late 15th century monk and scholar, from Seeking Peace

 

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We are reminded each day, as the night overtakes the light, that we have only to look and take what is gifted to us: the splendor and glory lies under the cover of darkness.

Each of us dwell in shadow, unwilling to be exposed and naked for all to see our failings, our blemishes and our weaknesses.  We hide who we are, missing the offering up of this day, this moment.

Find rest today, this Sabbath, and take what is so freely given:
take heaven, take peace, take joy, take life on fully.

This moment, even when shrouded in darkness, never comes again.

 

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