The Sun Got Round Behind You

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… if you ran, time ran. You yelled and screamed and raced and rolled and tumbled and all of a sudden the sun was gone and the whistle was blowing and you were on your long way home to supper. When you weren’t looking, the sun got around behind you! The only way to keep things slow was to watch everything and do nothing! You could stretch a day to three days, sure, just by watching!
~Ray Bradbury from Dandelion Wine

 

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farmgirls

 

Late summer is a time to slow down and just watch, to stretch the days out as long as possible.

I have a tendency to race through the hours granted to me, heedless of the sun settling low behind me; I don’t want to surrender the day to the advancing march of darkness.

So I choose for now to be observer and recorder rather than runner and racer, each moment preserved like so many jars of sweet jam on a pantry shelf.

The sun may be setting, but I want it to take its time.

 

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Stunned By Last Light

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The daylight is huge.
Five a.m. and the sky already
blushing gray. Mornings so full
of blue the clouds almost sheepish
as they wisp over hills.
High noon only happens in June,
mid-day a tipping point, the scale
weighed down on both sides
with blazed hours. And the evenings—
so drawn out the land lies stunned
by that shambling last light.
~Amy MacLennan “The Daylight is Huge” from The Body, A Tree.

 

canadians

 

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May a sunrise or sunset never become so routine that I fail to stop what I’m doing and acknowledge it and be stunned:

the richness of the backdrop where the paint is splashed though the foreground remains unchanged.

the timing being all its own, whether slow simmer that never reaches full boil, or a burst and explosion that is over in a matter of minutes.

the expanse and drama of unique color and swirl, layers and uniformity, gentle yellows and purples and pinks or glaring reds and oranges.

May a sun be ripe for picking, to grasp briefly and hold on to and then let go – too hot to handle, too remote to tuck away in my pocket for another day.

 

“Once I saw a chimpanzee gaze at a particularly beautiful sunset for a full 15 minutes, watching the changing colors [and then] retire to the forest without picking a pawpaw for supper.” 
~Adriaan Krotlandt, Dutch ethologist

 

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The First Week of August

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The first week of August hangs at the very top of summer,
the top of the live-long year,
like the highest seat of a Ferris wheel when it pauses in its turning.

The weeks that come before are only a climb from balmy spring,
and those that follow a drop to the chill of autumn,
but the first week of August is motionless, and hot.

It is curiously silent, too,
with blank white dawns and glaring noons,
and sunsets smeared with too much color.
~Natalie Babbitt from Tuck Everlasting

 

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After a few days of milder summer respite, we’ve returned to temperatures in the nineties this week.  No one asked me if enduring such heat was a reasonable way to usher in the first week of August.

So here I sit silently rocking and sweating in the highest vantage point of this year’s ferris wheel ride, hanging breathlessly mid-air, appreciating the brief pause in the endless cycle of days.

Having just arrived at the top, I will venture to look down, knowing I am simply along for the ride, and Someone else is at the controls.  I might as well enjoy the view of all that is behind, alongside and in front of me, but especially what is below, holding me up in thin air.

All too quickly will come the descent into autumn, my stomach leaping into my chest with the lurch forward into the unknown.  As the climb to get here took so long, I am not quite ready for this inevitable drop back into the chill.

Hot or not, it’s best to celebrate this first week in August for all it’s splash and glare.  At least I’m swinging in what little breeze there is, endeavoring to capture the moment forever.

 

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A Threshold Between Earth and Heaven

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sprinklermagic

 

I know for a while again,
the health of self-forgetfulness,
looking out at the sky through
a notch in the valley side,
the black woods wintry on
the hills, small clouds at sunset
passing across. And I know
that this is one of the thresholds
between Earth and Heaven,
from which I may even step
forth from myself and be free.
~ Wendell Berry, Sabbaths 2000

 

 

baker8118

 

 

I was told once by someone I respected that my writing reflected “sacramental” living —  touching and tasting the holiness of everyday moments, as if they are the cup and bread that sustains us daily.

I have allowed that feedback to sit warmly beside me, like a welcome companion during the many hours I struggle with what to share here.

It is now apparent to me it is all too tempting to emphasize sacrament over the sacrifice it represents.  As much as I love the world and the beauty in the moments I find here, my search should be for the entrance to the “thin places” between heaven and earth, by forgetting self and stepping forth through a holy threshold into something far greater.

There is a scary freedom in the sacrificial life, a wonderful terrifying illuminating freedom, still far beyond my grasp.

I may even step
forth from myself and be free.

 

 

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Intentional

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There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
~John Calvin

 

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It is too easy to become blinded to the glory surrounding us if we perceive it to be routine and commonplace.

I can’t remember the last time I celebrated a blade of grass,  given how focused I am mowing it into conformity.

Too often I’m not up early enough to witness the pink sunrise or I’m too busy to take time to watch the sun paint the sky red as it sets or to witness the ever-changing cloud formations above.

I didn’t notice how the light was illuminating our walnut tree until I saw the perfect reflection of it in our koi pond — I had marveled at a reflection instead of the real thing itself.

I miss opportunities to rejoice innumerable times a day.  It takes only a moment of recognition and appreciation to feel the joy, and in that moment time stands still.  Life stretches a little longer when I stop to acknowledge the intention of creation as an endless reservoir of rejoicing.   If a blade of grass, if a palette of color, if a chance reflection, if a movement of clouds — if all this is made for joy, then maybe so am I.

Even colorless, plain and commonplace me, created an image-bearer and intended reflector of light.

Maybe so am I.

 

 

maplelight

 

stormybaker

As I Stand Here, Empty Handed

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Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed–
or have you too
turned from this world–

or have you too
gone crazy
for power,
for things?
~Mary Oliver, The Sun

 

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On this day of transition
we stand together, wavering,
barely balancing
on the cusp of light and shadow~

this knowledge of a now diminishing sun
rests heavy in my bones as I struggle
with letting this glorious light
slip through my fingers~
I stand empty-handed
as I attend to less important things.

As darkness begins to claim our days again,
I seek to rise like a full moon
illuminating the long night,
burnishing my readiness for eternity.

 

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One Tree – A Hundred Backdrops

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If I can put one touch of rosy sunset into the life of any man or woman, I shall feel that I have worked with God.
~G.K. Chesterton

 

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Most evenings there is no sunset fanfare, no departing glowing orb on the horizon, no color spreading upward into the clouds.  The typical evening canvas is just grey and ordinary at dusk, transitioning to twilight, giving into nightfall.

Grey–>darkergrey–>black.

Yet there are times not at all ordinary.  On those evenings, the Master reaches deep for his palette and starts mixing.  As He begins His work,  grey gradually gives way to amber and orange, shifting to red and purple and yellow.   A daub here, a speckle there, then full out splash and streak.  The backdrop is never the same night after night.  He takes creative license with His creation.

We are invited to pick up a brush and apprentice for Him, learning the sweep of the hand, the grace of the wrist stroke, the fine work of the brush tip outlining the black of darkening shadows.

There can be no wrong color combination; anything goes.  It is a riveting gift of extraordinary artwork: it is meant to be shared, to be taught, to be cherished even if only for a few brief minutes.

When the sky glows like unfolding rose petals, all will see it; this work won’t be hidden away in a gallery or museum.

All too soon it moves on, the canvas plain and dark once again.  And we’re left holding the brush, eager and ready to try again when the timing is right.

 

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There is no way in which a man can earn a star or deserve a sunset.
~G.K. Chesterton

 

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