A Message From a Long-Ago Child

noaanya

 

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Behind the house in a field
there’s a metal box I buried
full of childhood treasure, a map
of my secret place, a few lead pennies
from 1943.
The rest I’ve forgotten,
forgotten even the exact spot
I covered with moss and loam.
 
Now I’m back and twenty years
have made so little difference
I suspect they never happened,
this face in the mirror
aged with pencil and putty.
I suspect even
the box has moved as a mole would move
to a new place long ago.
~Dan Gerber “The Cache” from Particles

 

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And this is where we went, I thought,
Now here, now there, upon the grass
Some forty years ago.

The days being short now, simply I had come
To gaze and look and stare upon
The thought of that once endless maze of afternoons.
But most of all I wished to find the places where I ran

What’s happened to our boys that they no longer race
And stand them still to contemplate Christ’s handiwork:
His clear blood bled in syrups from the lovely wounded trees?
Why only bees and blackbird winds and bending grass?
No matter. Walk. Walk, look, and sweet recall.

I came upon an oak where once when I was twelve
I had climbed up and screamed for Skip to get me down.
It was a thousand miles to earth. I shut my eyes and yelled.
My brother, richly compelled to mirth, gave shouts of laughter
And scaled up to rescue me.
“What were you doing there?” he said.
I did not tell. Rather drop me dead.
But I was there to place a note within a squirrel nest
On which I’d written some old secret thing now long forgot.

{Now} I lay upon the limb a long while, thinking.
I drank in all the leaves and clouds and weathers
Going by as mindless
As the days.
What, what, what if? I thought. But no. Some forty years beyond!

I brought forth:
The note.

I opened it. For now I had to know.
I opened it, and wept. I clung then to the tree
And let the tears flow out and down my chin.
Dear boy, strange child, who must have known the years
And reckoned time and smelled sweet death from flowers
In the far churchyard.
It was a message to the future, to myself.
Knowing one day I must arrive, come, seek, return.
From the young one to the old. From the me that was small
And fresh to the me that was large and no longer new.
What did it say that made me weep?

I remember you.
I remember you.
~Ray Bradbury from “Remembrance”

 

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I too left notes to my future self, in old barns, and lofts,
and yes, in trees,
but have never gone back to retrieve them.
My ten year old heart tried to imagine itself fifty some years hence,
what fears and joys would pass through like pumping blood,
what wounds would I bear and bleed,
what love and tears would trace my face?

I have not forgotten.
No, I have never forgotten
that I remember.

 

farmgirls

 

A Filigree of Nature

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It’s just a leaf. A damaged leaf at that,
clinging to a filbert tree ravaged by blight.
The leaf turns partially back upon itself,
riddled with holes, the traumatic result
of voracious insect appetites.

Damaged does not accurately describe
this leaf, the color of rich burgundy wine,
deep purple veins that branch to the tips
of its serrated edge. The holes open the leaf
to light and air, forming a filigree of nature,
an exquisite fragile beauty.

It makes me think of our own traumas,
how they open us, raw and hurting, humble us,
soften and expand us to the pain of others
and when we are most vulnerable we hold on,
weakened, but not necessarily damaged.

Perhaps it is then our scars become beautiful
and an inner loveliness shines through.
~Lois Parker Edstrom “Fragile Beauty”


–an ekphrastic poem based on my photo above,
soon to be published in her latest poetry book  –
thank you, Lois, for allowing me to share your beautiful words here

 

 

holyleaf1

 

 

Nature doth thus kindly heal every wound.
By the mediation of a thousand little mosses and fungi,
the most unsightly objects become radiant of beauty.
There seem to be two sides of this world, presented us at different times,
as we see things in growth or dissolution, in life or death.
And seen with the eye of the poet,
as God sees them,
all things are alive and beautiful.

~Henry David Thoreau (journal)

 

 

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…writing was one way to let something of lasting value emerge
from the pains and fears of my little, quickly passing life.
Each time life required me to take a new step into unknown spiritual territory,
I felt a deep, inner urge to tell my story to others–
Perhaps as a need for companionship but maybe, too,
out of an awareness that my deepest vocation
is to be a witness to the glimpses of God I have been allowed to catch.

~Henri Nouwen

 

 

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One Tree – A Hundred Backdrops

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If I can put one touch of rosy sunset into the life of any man or woman, I shall feel that I have worked with God.
~G.K. Chesterton

 

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Most evenings there is no sunset fanfare, no departing glowing orb on the horizon, no color spreading upward into the clouds.  The typical evening canvas is just grey and ordinary at dusk, transitioning to twilight, giving into nightfall.

Grey–>darkergrey–>black.

Yet there are times not at all ordinary.  On those evenings, the Master reaches deep for his palette and starts mixing.  As He begins His work,  grey gradually gives way to amber and orange, shifting to red and purple and yellow.   A daub here, a speckle there, then full out splash and streak.  The backdrop is never the same night after night.  He takes creative license with His creation.

We are invited to pick up a brush and apprentice for Him, learning the sweep of the hand, the grace of the wrist stroke, the fine work of the brush tip outlining the black of darkening shadows.

There can be no wrong color combination; anything goes.  It is a riveting gift of extraordinary artwork: it is meant to be shared, to be taught, to be cherished even if only for a few brief minutes.

When the sky glows like unfolding rose petals, all will see it; this work won’t be hidden away in a gallery or museum.

All too soon it moves on, the canvas plain and dark once again.  And we’re left holding the brush, eager and ready to try again when the timing is right.

 

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There is no way in which a man can earn a star or deserve a sunset.
~G.K. Chesterton

 

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A Simple Majesty

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Pierre-Auguste Renoir, Chestnut Tree Blooming
Pierre-Auguste Renoir, Chestnut Tree Blooming

 

 

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The chestnut casts his flambeaux, and the flowers 
Stream from the hawthorn on the wind away, 
The doors clap to, the pane is blind with showers. 
Pass me the can, lad; there’s an end of May..

…The troubles of our proud and angry dust 
Are from eternity, and shall not fail. 
Bear them we can, and if we can we must. 
Shoulder the sky, my lad, and drink your ale. 
~A. E. Houseman

 

 

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Yet in the soft–hung leaves a splendour lies,

As though not from the far–off noon it came

But in themselves a green indwelling flame

Were prisoned. Here unanswered mysteries

Content me, and of peace I want not more,

But feed on thoughts that end

In a sweet pause of mind,

As if from my own being back resigned

To the universal essence of Earth’s core,

Where over me the saps of life ascend. 

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Because you are
only
a seed,
chestnut tree, autumn, earth,
water, heights, silence
prepared the germ,
the floury density,
the maternal eyelids
that buried will again
open toward the heights
the simple majesty of foliage,
the dark damp plan
of new roots,
the ancient but new dimensions
of another chestnut tree in the earth.
~Pablo Neruda from “Ode to a Chestnut on the Ground”

 

 

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Each May the horse chestnut tree in our front yard transforms for a week into a Renoir painting.   It explodes into hundreds of bright clusters of delicate orchid-like blossoms, forming cone shaped floral candles illuminating the spreading branches.  However, its setting is more peasant than romantic, as the tree stands in common company between a pine tree and a poplar lining the rural driveway into our barnyard.  This is an exceedingly humble spot for a tree bedecked with such majestic lighting, its tender broad leafed branches brushed and broken by passing hay wagons and shavings trucks.

Although its graceful beauty seems more appropriate along the Seine River,  during the summer it fits perfectly in its spot near our haybarn.  Its verdant foliage provides deep cooling shade during hot sweaty days.    The branches that were once lit up with scores of pink and white blossoms become leafy respite for a dusty hay crew gulping lemonade in between loads.   Horses snooze in the paddocks under its shadow.   Birds nest well hidden.   The tree becomes sanctuary within and below.

By fall, the tree forms its fruit within unpretentious capsules covered with spines and prickles, visually spiked yet actually soft and pliable.  There are few natural things  so plain and homely as the buckeye horse chestnut husk.   These are shed by the hundreds  in autumn wind and rainstorms, and they shower down, cobbling the driveway, eventually to break apart underfoot.

Only by leaving the tree can the deep brown nut be revealed from its hiding place, its richness exposed.    From exquisite bloom to shady haven to prickly husk to mahogany harvest,  this chestnut tree’s changing palette needs no canvas, no frame, no museum gallery showcase.  Instead it’s a year round exhibition is for free,  right in our front yard.

 

 

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Hope is Borne on Wings

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Hope is borne on wings. Look at the trees. They turn to gold
for a brief while, then lose it all each November.
Through the cold months, they stand, take the worst
weather has to offer. And still, they put out shy green leaves
come April, come May. 
~Barbara Crooker from “Sometimes I am Startled Out of Myself” 

 

futurepears

 

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Trees have wings too — and not only the feathered kind that rest briefly in their branches before taking flight again, to wheel and glide on the breeze.

The wings on trees don’t fly until fall.  They bud and blossom and fledge and wave in the wind and turn golden and then, like birds they are released to the sky.

So hope is born when borne on wings.

 

 

“Hope” is the thing with feathers –
That perches in the soul –
And sings the tune without the words –
And never stops – at all –
~Emily Dickinson

 

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Tree Secrets

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Of winter’s lifeless world each tree
Now seems a perfect part;
Yet each one holds summer’s secret
Deep down within its heart.
~ Charles G. Stater

 

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Enduring the dark and quiet winter months, the trees appear to doze deep while standing stark naked against the sky, roused only by the whipping of the winds and when breaking under a heavy coat of ice.

It is uneasy sleep.

When I look close now, I can tell:
they conceal summer secrets under their skin, the sap flows thick and sluggish, there is a barely palpable pulse in those branches.

A heart pumps within, readying.

 

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The Tree That Stands Alone

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For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves.

And even more I revere them when they stand alone. They are like lonely persons.

Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk:
in the rings of its years,
its scars,
all the struggle,
all the suffering,
all the sickness,
all the happiness and prosperity stand truly written,
the narrow years and the luxurious years,
the attacks withstood,
the storms endured.

And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is.

That is home. That is happiness.
~ Hermann HesseBäume. Betrachtungen und Gedichte

 

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Solitary trees, if they grow at all, grow strong.
~Winston Churchill

 

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A wind has blown the rain away
and blown the sky away
and all the leaves away,
and the trees stand.
I think, I too, have known autumn too long.

~e.e. cummings

 

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Trees are Earth’s endless effort to speak to the listening heaven.
~Rabindranath Tagore

 

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Why are there trees I never walk under but large and melodious thoughts descend upon me?
~Walt Whitman

 

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I don’t know why, of all the trees that peppered this hill over a century ago, this one was spared.  Perhaps she was the tallest at the time, or the straightest, or just didn’t yield to the ax as the others did.

She has become the sentinel on our farm, a focal point:
the marker by which all else is measured.

She is unchanging as the backdrop of clouds and seasons, color and light shift and swirl.

Visitors climb the hill to her first before seeing anything else on the farm, to see the expanse that she surveys.  Her branches oversee gatherings of early Easter morning worship, summer evening church services, winter sledding parties, and Fourth of July celebrations.

This one special tree stands alone, apart from the others, but is never lonely – not really.  She shares her top with the eagles and hawks, her shadow with humans and other critters in her century-long vigil with people all around the globe in these photos.

Never lonely — no, never.

This is her home.  This is happiness.

 

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