Life has loveliness to sell, All beautiful and splendid things, Blue waves whitened on a cliff, Soaring fire that sways and sings, And children’s faces looking up Holding wonder like a cup.
Life has loveliness to sell, Music like a curve of gold, Scent of pine trees in the rain, Eyes that love you, arms that hold, And for your spirit’s still delight, Holy thoughts that star the night.
Spend all you have for loveliness, Buy it and never count the cost; For one white singing hour of peace Count many a year of strife well lost, And for a breath of ecstasy Give all you have been, or could be. ~Sara Teasdale “Barter”
Some days I wish to keep hold forever: when the light is just right in the trees, the breezes fill with blossom fragrance, the congregation sings with joy as I play accompaniment, a smiling child climbs up on my lap just because, a meal is enjoyed by all who join together.
I know I barter for these moments by giving up some piece of me, knowing the sowing of self will reap the rich harvest of an overflowing heart.
From the simplest lyric to the most complex novel and densest drama, literature is asking us to pay attention… pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein.
Literature, painting, music—the most basic lesson that all art teaches us is to stop, look, and listen to life on this planet, including our own lives, as a vastly richer, deeper, more mysterious business than most of the time it ever occurs to us to suspect as we bumble along from day to day on automatic pilot. In a world that for the most part steers clear of the whole idea of holiness, art is one of the few places left where we can speak to each other of holy things.
Is it too much to say that Stop, Look, and Listen is also the most basic lesson that the Judeo-Christian tradition teaches us? Listen to history is the cry of the ancient prophets of Israel. Listen to social injustice, says Amos; to head-in-the-sand religiosity, says Jeremiah; to international treacheries and power-plays, says Isaiah; because it is precisely through them that God speaks his word of judgment and command.
And when Jesus comes along saying that the greatest command of all is to love God and to love our neighbor, he too is asking us to pay attention. If we are to love God, we must first stop, look, and listen for him in what is happening around us and inside us. If we are to love our neighbors, before doing anything else we must see our neighbors. With our imagination as well as our eyes, that is to say like artists, we must see not just their faces but the life behind and within their faces. Here it is love that is the frame we see them in.
In a letter to a friend Emily Dickinson wrote that “Consider the lilies of the field” was the only commandment she never broke. She could have done a lot worse. Consider the lilies. It is the sine qua non of art and religion both. ~Frederick Buechner from Whistling in the Dark
I have broken the commandment to “consider the lilies” way too many times. In my daily life I am considering almost anything else: my own worries and concerns as I walk past so much beauty and meaning and holiness. My mind dwells within, blind and deaf to what is outside.
It is necessary to be reminded every day that I need to pay attention beyond myself, to be reminded to love my neighbor, to remember what history has to teach us, to search for the sacred in all things.
Stop, Look, Listen, Consider: all is grace, all is gift, all is holiness brought to life – stunning, amazing, wondrous.
We praise thee, O God, for thy glory displayed in all the creatures of the earth, In the snow, in the rain, in the wind, in the storm; in all of thy creatures, both the hunters and the hunted… They affirm thee in living; all things affirm thee in living; the bird in the air, both the hawk and the finch; the beast on the earth, both the wolf and the lamb;… Therefore man, whom thou hast made to be conscious of thee, must consciously praise thee, in thought and in word and in deed. Even with the hand to the broom, the back bent in laying the fire, the knee bent in cleaning the hearth… The back bent under toil, the knee bent under sin, the hands to the face under fear, the head bent under grief, Even in us the voices of the seasons, the snuffle of winter, the song of spring, the drone of summer, the voices of beasts and of birds, praise thee. ~T.S. Eliot fromMurder in the Cathedral
In the midst of all the snuffling viruses of winter, the back breaking daily work and labor:
this amazing glory happens this morning
the sky is afire with Him
I am reminded yet again all things affirm thee in living and so shall I.
… having been warned in a dream not to go back to Herod, they returned to their country by another route. Matthew 2:12
The night sky was still dim and pale. There, peeping among the cloud wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was light and high beauty for ever beyond its reach. ~J.R.R. Tolkien, The Return of the King
The star represented a hope too long elusive; so weary and with so much need they headed out for unknown lands to follow a light seemingly beyond their reach.
When they found its source they could touch His earthliness. No shadow cast of darkness, and no iron nails could quell the beauty of its brilliance.
Having been so illumined they could only return home another way~ No longer could they be who they had been.
O child, Creator of all! How humbly you lie in the manger. You who rule powerfully in heaven!
There the heaven of heavens cannot contain you; here, however, you are held in the narrowest manger.
There, in the beginning of the world, you decorated the earth with green grasses that produced seed, with fruit-bearing trees that produced fruit, you ornamented the heavens with the sun, the moon, and the stars, the sky with winged birds, the waters with fish, you filled the land with reptiles, draft animals, and beasts; here, however, in the end of the world, you are wrapped in swaddling clothes!
O majesty! O lowness!
O sublimity! O humility!
O immense, eternal, and Ancient of Days!
O small, temporal infant whose life is not yet one day upon the earth!
There is not one blade of grass, there is no color in this world that is not intended to make us rejoice. John Calvin
We are blinded to the Glory given to us in a narrow manger if we allow ourselves to perceive it as something routine and commonplace. There is nothing commonplace about the gifts of Creation or the gift of His Son as Savior.
I can’t remember the last time I celebrated even a blade of grass, given how focused I am in mowing it into conformity and submission. Or the fruit of the trees, the birds of the air, the fish of the seas, the beasts of burden who work for us. Too often I’m not up early enough to witness the pink sunrise or I’m too busy to take time to watch the sun paint the sky red as it sets.
I miss opportunities to rejoice innumerable times a day. It takes only a moment of recognition and appreciation to feel joy, and for that moment time stands still. Life stretches a little longer when I stop to acknowledge the intention of creation and sending the Son of God to earth as an endless reservoir of rejoicing.
If a blade of grass, if a palette of color, if all this is made for joy, then the coming of Jesus into the world means I was made for joy as well.
Our local fair feels much like I remember when I was a child in the 60’s, accompanying my father to the Lynden fairgrounds during those summers of political and social turmoil. His job was to supervise the teachers of FFA kids (Future Farmers of America) so he did the rounds of the regional and county fairs and my brother and I tagged along to explore the exhibits and go on rides.
The heart beat of a country fair pulses deep for me: I fell in love with my future husband at a fair, and we spent twenty years from 1992-2012 at the local Lynden fair exhibiting our Haflinger horses together as family and friends. Once our children grew and flew away four years ago, my husband and I were relegated to mere fair-goers, exploring exhibits without the need to show up to muck out stalls at 6 AM.
The chicken exhibit building is one of the same buildings I wandered through as a child over fifty years ago. As we entered, it struck me I was admiring designs and color schemes, layered with nuance and texture, much like the nearby quilt exhibit — these feathers are God’s threads put to exquisite use to blanket a mere chicken.
So much design, so much detail, so much hope covers something as mere as a chicken … and me.